Top 98 Quotes & Sayings by Simon Helberg

Explore popular quotes and sayings by an American actor Simon Helberg.
Last updated on September 17, 2024.
Simon Helberg

Simon Maxwell Helberg is an American actor and comedian. He is known for playing Howard Wolowitz in the CBS sitcom The Big Bang Theory (2007–2019), for which he won the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series, and as Cosmé McMoon in the film Florence Foster Jenkins (2016), for which he was nominated for the Golden Globe Award for Best Supporting Actor – Motion Picture.

I'm happy to try on as many characters as I can.
I think working for the audience, for me, is the most fun. It's really a chance for something to work towards. It's where everything kind of comes together, and you have to make it work. You have all these people who are sitting there, wanting to have a good time and wanting to laugh. You really have no choice but to pull it out.
I wouldn't wear turtlenecks. That I'm not envious of. But who knows? I might sneak out a few things and hope and pray that no one says, 'Hey, didn't you wear that when you were playing an enormous geek on TV?'
I have great instincts, like the instincts of a squirrel. You know, like when you're driving and a squirrel stops in the middle of the road. — © Simon Helberg
I have great instincts, like the instincts of a squirrel. You know, like when you're driving and a squirrel stops in the middle of the road.
I own a fart CD. It has, I believe, over 100 fart sounds. A lovely variety, from the up-close and personal to the more experimental and dissonant. Some people prefer to listen to Bach when they go to sleep... not me.
I am fairly physically aware and agile, and I imbue that into the characters I play.
In America, the first thing people say is, 'What do you do?'
I actually struggled through teaching myself to cook because I'm completely ignorant in the kitchen. So I did really macho things like trying to make my own curry. Really hardcore stuff.
There's something very funny about giving a menial task to a genius and watching him find so much complexity and overanalyse it to such a degree that the waitress from Nebraska working at the Cheesecake Factory has passed them all by.
I've learned over time that human beings tend to want to do more than they have the courage to do or that the social contract will allow them to do.
I'd say I'm really, really good for a 16-year-old, which is where I peaked. I'm impressive, but not classically trained, not a concert pianist.
I'm married, so I tend not to hit on every girl.
Being an accompanist is very selfless in many ways because you're really just trying to elevate the singer and help them shine, ultimately.
I generally don't feel the need to do more research than is necessary to play the part for me, to inform me. — © Simon Helberg
I generally don't feel the need to do more research than is necessary to play the part for me, to inform me.
As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
My whole life revolved around TV as a kid. I would come home and make sure I finished my homework every night by 8 o'clock, generally so that I could sit down and watch TV from 8 to 10. As a kid, it was 'Family Ties' and 'Roseanne' and 'Growing Pains' and 'Perfect Strangers' and 'Golden Girls.' I mean, I watched everything.
It's not the coolest thing in the world to be walking around humming the Taylor Swift song. It's not as cool to be singing along with the number one song in the country as it is to be the jaded, indifferent hipster who wants to turn you on to something that nobody else is talking about.
Every time we do anything artistic, the way it's perceived is always going to be different from the way that we had intended it to be because it's subjective.
I do have sometimes a difficult time watching myself.
There are those moments where you realize that your parents or your heroes are human and are fallible.
Stephen Frears is brilliant and has made movies that inspired me for my whole life.
I guess I get really obsessive or passionate about things.
I walked into the wrong examination room. I'm bad enough at facial recognition... I saw more that day than I cared to. Fortunately, I didn't recognize her from that angle, whoever it was, and I didn't ask. I'm off to a rocky start on the road to fatherhood, but I got a free view.
I don't believe I'll be in the new 'Arrested Development' unless they ask me, in which case, okay! That's how easy I am to get.
I thought it was going to be a hut in Topanga and Janis Joplin was going to come out, but it's a real doctor... I went to Beverly Hills to meet this midwife; you'd think they'd be in nature.
I grew up surrounded by sketch comedy.
Surprise is a huge element in acting.
As actors, we tend to usually have some issues with self-esteem and some need for validation, and it takes awhile for that fear of not having a job to go away.
Getting to know where we come from is a really profound way of getting to look at who we are.
When you see someone putting themselves out there, particularly when you see someone is failing and failing so passionately, it brings up this bittersweet connection to our mortality.
I think that everybody is kind of a nerd at heart.
I enjoy spending my spare time with my wife, our cat, and our bird.
Working with the Coens was a dream come true.
Playing piano well is one thing, but attempting to play at concert level accompanying Meryl Streep while Stephen Frears is filming you in front of hundreds of people is - well - psychotic.
Until I was about 16 years old, my dream was to be a musician. I played in rock bands and jazz bands. Then I decided to be an actor and kept the stable career of 'jazz pianist' as my safety net.
I'm obviously more known for being on television, and that's where most people see me.
I watched a lot of 'I Love Lucy.' Then I went to college, and I didn't watch TV, really. I don't know: something happened after 'Friends' went off the air. I think something dipped in the whole sitcom world.
I think in terms of a career trajectory, it's good for people to be reminded that, in spite of seeing me a million times a day on a show for ten years playing the same character, I'm an actor, and actors like to play different people.
My mom is a casting director, which is pretty awesome. — © Simon Helberg
My mom is a casting director, which is pretty awesome.
I don't think Hollywood respects multi-camera television. Well, I don't think they disrespect it, but I don't think it gets respect for its artistry.
I'm interested in character and people and motivations and things like that.
I play piano, and I was really, really obsessive about playing piano in high school. I don't know if that's nerdy, but I definitely locked myself in the room and was playing jazz. I was 14. I guess that's kind of cool, actually.
I think there's a freedom in freeing yourself of the baggage of ability.
Karate probably gave me an incredibly deep awareness of all the parts of me, my flexibility, and the nimble qualities I'm doing, even if they're unconscious.
Well, I think that everybody is kind of a nerd at heart.
We're going to do a natural birth. At first she was like, 'We should do it at home,' and I said, 'Look, either way, when you go into labor, I will be checking into a hospital... so if you want to come along, come along.
I might love dancing more than I should admit. But not in public.
As an actor, you always want to root for your characters.
I grew up around the business quite a bit; I saw a little bit of the underbelly of it. — © Simon Helberg
I grew up around the business quite a bit; I saw a little bit of the underbelly of it.
We all have those dreams of going back in time and seeing what it was like when our parents were younger.
My dad was one of the original members of the Groundlings, and I watched him as an actor have ups and downs, and I watched my mom as a casting director have ups and downs.
I certainly think, obviously, rhythm is a huge part of being an actor. It just is unconscious, to a degree, but particularly in comedy, rhythm is pretty essential, and there's probably something more physiological going on.
I'm deeply insecure. I ask my wife all the time, 'Was that OK? Are people lying?' I'm not as happily oblivious as I'd like.
I try to act with my whole body and, for better or worse, this is the face that's attached to it.
I actually didn't finish NYU. I would have, but I was lucky enough to get my foot in the door before I graduated.
Things are loud in a Jewish household. Conversations are up here; they're pitched pretty high. That's just the way we talk.
Actually, when I was young, I believe I met Nicolas Cage. I think I was probably eight, and I remember seeing him at somebody's house - it was an event and he happened to be there. People would ask me if I was his son, because I looked like him at that point, so I do remember feeling some connection and just wanting to say, like, 'Papa!'
When I was young, I believe I met Nicolas Cage. I think I was probably eight, and I remember seeing him at somebody's house - it was an event, and he happened to be there.
Working is a bonus; working on something you love is a bonus, and getting to do it for a long time is the ultimate.
Failing passionately is a success in its own right.
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