Top 45 Quotes & Sayings by Skylar Grey

I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.

I didn't have any knowledge of the music industry when I first got to L.A., and I really didn't know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.

Putting out a debut album is a bit scary - I want it to be just right, so I took some extra time to finish it. Eminem's increased involvement has been such a blessing; I'm getting guidance from an artist I really admire and trust.

My mom was a folk singer and Celtic harpist. My dad was in a barbershop quartet and my great grandma was an opera singer. As I grew up, I discovered pop music and Top 40 radio, but it was in the '90s, so music was very different then - it was really lyrical.

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

The best thing that can happen is that a song you've written will live in the world so people can hear it.

I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.

Honestly, I don't recommend anyone get into music. If you have something else that you're good at, do that instead. This is a really tough world to live in.

One of my biggest problems is I get bored too easily, and I like to experiment too much, to the point where I confuse myself and I confuse my fans.

There's this one song called 'Final Warning' that I'm really excited about because I love the contrast of my vocal sounding very soothing and my harsh lyrics.

I love New York. I first came here with my Mom when I was in 9th grade. I took the subway for the first time and the doors closed between me and my Mom, and I was so scared. I could see her through the window and I didn't know what to do. I got off at the next stop and she caught up to me, but I couldn't stop crying.

I have a tattoo on my foot that says 'it's a whale' in Japanese, because Japanese people kill whales. My stuffed whale was like most children's teddy bear. I took it with me everywhere. I slept with it. I couldn't live without my whale.

Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.

I moved out to L.A. when I was 17, dropped out of high school, and pursued a career in music.

Expectations are an evil thing.

I've been through a lot in the music industry, in life. I've learned that I have to be tough in this world.

I'm a shy person, so I get really nervous going into interviews.

I never really focus on writing for other people, to be honest. Every song I've ever written was for me to sing. Maybe if I'm writing for a rapper, but I'd still write it as though it was for myself and then sometimes I'm actually asked to do the part.

I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.

I discovered that my insecurities and my flaws were things that I actually need to embrace, and I let them become my superpowers.

Writing songs for other people was never the goal for me.

Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.

When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.

I've always been jealous of rappers, because they can fit so many words into a song and tell a story with lots of details. But when you're a songwriter, you have to fit the words to the melody and you can't fit as much in. I'm just a big fan of storytelling.

I think, honestly, that a lot of people think I'm sad and dark all the time, because of the music I have made. But there's a huge part of my personality that's really energetic, outgoing and goofy.

I played trumpet in school once because I joined band because a cute boy played trumpet too. And I was really bad at trumpet.

I'm not a big fan of trying to be a sex symbol or any of that stuff because I really like the music to speak for itself.

Mazomanie doesn't even have a stoplight, so it doesn't do a lot. But the cheese curds there are unbelievable. I've never had them anywhere else, even at places in California that claim to have the real thing. There's a cheese factory in Arena, Mazomanie's neighboring town, and they'll give you fresh curds that are so amazing.

My mom always puts a grapefruit in my stocking. I like grapefruit, but why put it in a stocking like it's a gift? It's almost as bad as coal.

Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.

I come from a place of darkness when I write because I'm always trying to figure things out. It's kind of like my own therapy when I write music. It's me working through my own problems hopefully. And putting it into a song.

But do you ever think of me, when you lie? Lie down in your bed, your bed of lies.

I lived in a cabin in the woods in Oregon, and I'd basically given up on the music industry for an indefinite amount of time. And while I was out there, I came up with a very specific vision of what I wanted my music to sound like.

Alex [Da Kid] does have diversity, not just in what he produces, but what he hears. He has this knack for finding talented people.

Since I started making music, it had always been for myself.

I write a lot about the past because I really see things clearly in hindsight.

I don't think I have changed my personality as much as I have evolved as a human. Before the name change, I was very timid, very self-conscious. Just not very confident. When I changed my name, it came from a place of power.

I didnt have any knowledge of the music industry when I first got to L.A., and I really didnt know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.

I actually quit music and I thought maybe I chose the wrong career. But, I isolated myself in a cabin in the woods for a while and that's where I fell back in love with music. Just being isolated out there, eliminating all these opinions that I endured during my time in LA and the music industry, all the rejection, it was really hard on me and my creativity. So by isolating myself in the wilderness, I was able to fall back in love with music. It was always ingrained in me, always in my blood, but I just lost it for a minute.

I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.

Once I've learned all those things and gotten through the hard times, I come out feeling really powerful.

I feel like D.C. is one of the places in America that really holds on to history. The monuments inspire me, especially at night.

The best songs for me come from the search for joy. You're in a negative place maybe, but you're still striving to improve yourself and find happiness.

I realize that I really have to make music work for me as a career because I can't do anything else.

It's very easy to fall back unto my old ways when I'm working a lot. It's important for me to continue to find solitude and peace in nature and escape the city and the industry as much as possible. That's where I reconnect and remind myself what I learned in that time in the woods when I was isolated and I recharge myself. If I don't have that, it would be really easy for me to fall apart again.