Top 19 Quotes & Sayings by Squarepusher

Explore popular quotes and sayings by an English musical artist Squarepusher.
Last updated on December 21, 2024.
Squarepusher

Tom Jenkinson, known professionally as Squarepusher, is an English electronic musician, record producer, bassist, multi-instrumentalist and DJ. His music spans several genres including drum and bass, IDM, acid house, jazz, and electroacoustic music. His recordings are often typified by a combination of complex drum programming, live instrumental playing, and digital signal processing. Since 1995, he has recorded for Warp Records as well as smaller labels, including Rephlex Records. He is the older brother of Ceephax Acid Crew.

One of those things that I find hard to dispose of is my attitude to album sequencing, the layout of the pieces.
I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.
I want to change peoples' minds about music, I want to bring the really brutal experimental stuff to peoples' attention. — © Squarepusher
I want to change peoples' minds about music, I want to bring the really brutal experimental stuff to peoples' attention.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
People have often assumed that for music to be emotionally powerful it has to come directly from a human hand, whereas I disagree with that, and enjoy proving these people wrong. This project is an excellent way of exploring that area more.
The main thing I’m into is going about on a bike, taking random routes; I’m really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.
Your responsibility as an artist is to experiment.
If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
I didn't want to try and borrow kudos from Indonesian culture. I was trying to get a fresh perspective on these instruments. I'm not doing a Paul Simon Gracelands and stealing all this African music and not give anyone any credit.
My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.
Stereotyping and generating brands around musicians I think contributes to their eventual demise.
I’m not that interested in what people make of it, or how people consider me. That’s nothing to do with me.
What happens in the studio is technically the same thing that happens on the stage. In the past I had to make quite brutal adaptations of the material to make it work on stage. I don't always like doing that because sometimes you're shaving away the things that you actually quite like about them, the spontaneity of it.
My father had a phase of having jukeboxes all over the house. He was a music lover but he was also into musical machinery. Not instruments, he was never interested in playing particularly but there would be these odd objects, like valve amplifiers being dismantled on the kitchen table. My mum wasn't massively keen on that, but it was part of the environment.
One of the more distant concerns is with the visual interpretation of the music. I find it fascinating but I don't always particularly get involved with it.
I'll alight upon words because I think they suggest any number of things.
There's a really rough and relatively consistent hierarchy of concerns. My musical interests come first and principally my fascination with how notes and rhythms interlock. Then comes the technical side like programming, instruments and designing instruments. Next is production and mixing and beyond that I start to care less.
I've never been about trying to promote a brand of Squarepusher. I've never been keen on that idea that these are the character traits that I've got to stick with and amplify and keep pushing forward and pushing on the public. I'm really happy to throw it all away and start each record with a blank slate but I concede you've got a point, there are things I can't get rid of, no matter how hard I try.
One of the more dispiriting things I think about endless touring is hearing the same piece of music over and over again and I end up feeling like a fraud. — © Squarepusher
One of the more dispiriting things I think about endless touring is hearing the same piece of music over and over again and I end up feeling like a fraud.
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