Top 1360 Quotes & Sayings by Stephen King - Page 22

I'm afraid of all kinds of things. I'm afraid of failing at whatever story I'm writing - that it won't come up for me, or that I won't be able to finish it.

I have an idea of how the book will finish up, but it very rarely finishes up the way that I think it's going to.

The writer's original perception of a character or characters may be as erroneous as the reader's.

I and everyone else in this world live in what is probably the most difficult times that have ever been. We are facing total thermonuclear destruction; and, if you can make someone believe in a ghost or a demon or a vampire in the face of that, you are doing well. From my own personal point of view, I don't think just blood and guts is enough. At least, it isn't for me. Maybe it will turn someone's stomach; but, I'm not sure that is literature or even entertainment.

I get inspiration, a lot of times, from very commonplace things that just strike a chord and develop themselves in the subconscious.

The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.

I think most of us are fascinated by the macabre and by the weird and even the nastiness that comes along.

I start work around 8 a.m. and usually finish around noon. If there's more to do, I do it in the late afternoon, although that isn't prime time for me.

I wasn't a social drinker. I used to say that I didn't want to go to bars because they were full of assholes like me.

I never met a writer who wasn't lazy.

I don't really map anything out. I just let it happen [while writing]. But once it happens, it's always there. If it's laid, it's played. If I get to page 300 and it's not working, I junk it.

I believe in evil, but all my life I've gone back and forth about whether or not there's an outside evil, whether or not there's a force in the world that really wants to destroy us, from the inside out, individually and collectively.

I don't ask myself, "Well, does God exist or does God not exist?" I choose to believe that God exists, and therefore I can say, "God, I can't do this by myself. Help me not to take a drink today. Help me not to take a drug today." And that works fine for me.

I’ve always said to people, "I don’t care what you call me as long as the checks don’t bounce and the family gets fed." But I never saw myself that way. I just saw myself as a novelist.

I like to always stop with a couple of pages that I haven't - that are just raw copy, where I haven't touched it, I haven't tried to revise it, I haven't tried to polish it. It's like having a little bit of a runway. The next day when you sit down, you have the comfort of saying, well, I have got a little bit here, used to be in the typewriter. Now it's in the magic box, the computer.

I never have a thematic intention at the outset. The story informs the theme for me rather than the other way around. But as it happens... this is, at least to a degree, about getting old and the rapid passage of our lives.

When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control.

When we blew the first atomic bomb at White Sands near the end of the war, nobody knew what was going to happen. There was a theory that the chain reaction would continue forever. And we would have created a little tiny sun out there in the desert that would burn until the end of the universe. It wasn't a widely held theory but it was a theory that nobody had a way of disproving. There were people who thought it wouldn't go off at all, that it would simply sit out there and melt and produce a great big dirty cloud of radioactivity. Nobody knew.

As we get older, our fears, in some way, sharpen and become more personal, because we can no longer - let's say take a book like "It" or maybe "Christine," and say these are make-believe fears.

The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated.

I thought it was great fun to scare people. I also knew it was socially acceptable because there were a lot of horror movies out there.

For some reason California's always been where the struggle is about how much authority you can impose on people's private lives. It seems to show up there most clearly. They had a helmet law for motorcycles in California and the bikies were saying things like, "It restricts my vision. I can't hear what my bike's doing. If it was on fire I wouldn't know it until my ass caught." And at the bottom line what the bikies were saying was, "Look, it's my goddamn head and if I want to splatter my brains all over the guardrails on the Coast Highway, super for me."

I think of fear as a survival function, and in the stories that I write, the only thing that I've tried to do is provide people with nightmares which are really safe places to put those fears for a while because you can say afterwards that uh, that, that well it was all just make-believe anyway, so I just took my emotions for a walk.

I simply think that there are things in this world that are relics. We have unsettling remnants of Atlantis. They have found things off Bermuda, great walls and things of that sort. This seems to indicate that there were races and cultures that went before us. And to me, that's an unsettling idea.

The bad ideas kind of just drop out of the mix. You forget about them. The good ones stick around.

I go where the story leads. And, sometimes, it is a little bit outrageous. And I relish that. I sort of want to be as much on the edge as I can.

I think what you do is, you keep your sensors open. And it's - the more that you do the job, the more you come to understand in a kind of intuitive way that you're always - you know, your radar is on. And the thing is going around and around and around. And it's not picking up any blips.

I can remember as a college student writing stories and novels, some of which ended up getting published and some that didn't. It was like my head was going to burst - there were so many things I wanted to write all at once. I had so many ideas, jammed up. It was like they just needed permission to come out.

Scaring people, especially in our day and time, is one of the hardest things on earth, as far as I am concerned.

My childhood was pretty ordinary, except from a very early age, I wanted to be scared. I just did. I was scared afterwards. I wanted a light on, because I was afraid that there was something in the closet. My imagination was very active, even at a young age.

I choose to believe in God, but I have serious doubts.

Somebody said the prospect of eminent death has a wonderful clarifying effect on the mind. And I don't know if that's true, but I do think it probably causes some changes, some evolution in the way a person works. But on a day-by-day basis, I just still enjoy doing what I'm doing.

I still think that of all the people doing top fiction today, John D. MacDonald is the best.He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over.

I love my sons and I love that they are writers - I also love my daughter, who's a minister and an orchard keeper! - but I wouldn't wish the burden of Mid-World and the Dark Tower on them. I enjoy working with them, though, because we fit together.

There is the Watchmaker Theory that God wound up the universe and let it tick. That may be. or it may be that he takes a hand in things from time to time. But whatever it is, I am sure that there is something out there.

As far as where I go when I die, the concept that I am simple going to flick out, like a light bulb, to me is not only spiritually impossible to believe, but logically it is laughable - the idea that we simply die and nothing happens.

Theres a constant struggle going on about how much will be illegal and how much you will be free to take. Can we open the pharmacies? Can we put Valium and Percodan and those sorts of things out on the shelves? I wouldn't take it. I don't know.

I want to write about spiders. To me, this is the one theme that cuts right across and scares just about everybody. Spiders, to me, are just about the most horrible, awful things that I can think about. I think everyone is afraid of spiders.

I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.

We live in a society now where the sexual taboo for children has really passed by the wayside. Any nineyear-old can go into a 7-11 and check out the Playmate of the Month, but you don't want your kids to know about death. You don't want your kids to know about disfigurement. You don't want 'em to know about creepy things because it might warp their little minds.

Kids absolutely not reading. I think it's because they're so screen-oriented [TVs, computers, smartphones]. They do read - girls in particular read a lot. They have a tendency to go toward the paranormal, romances, Twilight and stuff like that. And then it starts to taper off because other things take precedence, like the Kardashian sisters.

A lot of authority figures want to be good. I sense that, and yet at the same time I sense that authority, after a while, always leads to some kind of oppression. When the minority report comes in, what you do is run the minority out of town with a flaming cross. It's just the way things are.

We all have a tendency to want order in our lives. But order presupposes authority, and authority presupposes, sooner or later, that we'll all need hooves. It's going to happen sooner or later, isn't it? You know it is.

I have two amazing things in my life: I'm pain-free and I'm debt-free.

The worst thing you can try to do is to steer the story once it gets going. You just kind of follow along and see where it goes. That's the fun.

I want to engage the reader. I'm an emotional writer, in the sense that I would be happy if you re-read a book for the intellectual or the mental part of it, but, the first time, I just like to reach out and grab you, pull you in.

I don't really get philosophical, but I believe that nice people are strong and usually in my horror stories, I don't like to write about the old standard where some rotten guy gets chased by a mean spirit that gets him in the end.I'd rather write about nice people that are menaced from outside by some sort of evil power and who sort of slug it out.

I'd like to learn French well enough to write in that language.

A lot of fairy tales are thinly disguised hostility raps against parents. Kids know that they can't make it on their own, that if they were left alone, they would die.

As a kid, death seemed boring to me. As an adult, I think that it seems more like a waste of everything. Somebody once said every time a professor dies, a library burns.

I've always thought it would be fun to update "Hansel and Gretel." I'd have these white parents in the suburbs with an income of fifty or sixty thousand dollars. Daddy loses his job, and the wicked stepmother says, "We could get along, we could keep our Mastercharge, if you'd just get rid of those shitty kids." Finally the father hires a limo and tells the driver, "Drop 'em off on Lenox Avenue in Harlem at two in the morning." These two little white kids land there. They're menaced. And this supposedly nice black lady says, "Would you like some candy?"

Somebody asked Somerset Maugham about his place in the pantheon of writers, and he said, "I'm in the very front row of the second rate." I'm sort of haunted by that.

I like to write short stories more because I never met a writer who wasn't lazy. And a short story is, by its very definition, short. It is something that generally you can turn out in a week to two weeks depending on how well it goes for you. But, at the same time, it gives the same satisfaction of creating a complete world.

I am religious in the sense that I believe in God and I believe that there is an abiding logical spirit that controls what goes on to a certain extent.

The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.

It hurts to imagine stuff. It can give you a headache. Probably doesn't hurt physically, but it hurts mentally. But the more that you can do it, the more you're able to get out of it. Everybody has that capacity, but I don't think everyone develops it.

I identify with the characters very closely. At the same time that I`m outside, writing, I`m also inside, experiencing, and it can be very unsettling.

Everybody wants to psychoanalyze horror. They don't want to psychoanalyze a book like Gay Talese's "Sex with Your Neighbor" [sic] or something like that. It's pretty much accepted that Americans should be interested in who they're diddling and how they're doing it.

I started writing seriously when I was about 12. I am always in the mood.

When I knew I was going to be able to write full time, I wondered, "What's going to happen to the relationships within my family?" Are they going to change? Is it going to be the kind of deal where you say, "I can't take this! Get me out of here! I can't stand these screaming kids!" The way it turned out was, I was able to change the diapers okay, after I stuck the pin through my fingers a few times. I had a dawning realization that children are not particularly hard to deal with.