Top 1360 Quotes & Sayings by Stephen King - Page 23

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

If you were a real fascistic society and you had a vocal minority that was shouting, "Stop this, stop that, stop the other thing," what you would say is, "Let's give them all the drugs they want." In a lot of states, something very much like that happened. They lowered the drinking age to eighteen and said, "Get juiced."

My wife says, and I agree with her, that what would be really great for Maine would be to legalize dope completely and set up dope stores the way that there are state-run liquor stores. You could get your Acapulco gold or your whatever it happened to be - your Augusta gold or your Bangor gold. And people would come from all the other states to buy it, and there could be a state tax on it. Then everybody in Maine could have a Cadillac.

I think we rarely recognize the fifth business in our lives at the time those people are changing us.

It's been quite a while since I was really afraid that there was a boogeyman in my closet, although I am still very careful to keep my feet under the covers when I go to sleep, because the covers are magic, and if your feet are covered, it's like boogeyman Kryptonite.

My wife has told me since that I was hungover every mornng until about two in the afternoon, and from five until midnight I was drunk out of my mind. So she says there was this period of about three hours when she could talk to me like a rational human being.

Bloom never pissed me off because there are critics out there, and he's one of them, who take their ignorance about popular culture as a badge of intellectual prowess.

I choose to believe in God because it makes things better.

Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.

I hardly ever read mainstream fiction that deals with life as it is. I like an element of fantasy, something that isn`t quite of the real world.

I think it is harder to write a story that appeals to the intellect. But, when you tie onto one, you can do it quite deeply. It really depends on the type of idea you have to begin with.

I wanted to write a balls-to-the-wall supernatural horror story, something I haven't done in a long time.

I never have a thematic intention at the outset.

I write about things that scare me. I've never written a snake story in my life. I myself have never written a story about snakes because they don't scare me. I write about rats because they scare the hell out of me.

By writing a horror novel where this inexplicable disorder takes over in our ordered lives, you make order look better by comparison. But below that, there's a part of us that responds to the Who bashing their instruments to pieces on the stage. There's a very primitive part that says, "Do it some more."

There are a lot of people in the field [ of horror stories] that I do read. There is a lot of stuff that is written in this field, though, that is not very good. You just have to look for the good stuff.

My books depend on someone in danger, putting pieces together and figuring things out. They do a lot of thinking, and that gets lost in the movie.

Cold start is a hard start.

I've spoken out my whole life against the idea of simply dismissing whole areas of fiction by saying it's "genre" and therefore can't be seen as literature.

Did it [cocaine] for about eight years. Not a terribly long time to be an addict I guess, but it is longer than World War II.

I like to end stories where the readers have a little room to run. They can resolve things as they like in their own mind.

There is a relationship between humor and fear. Think of all the gags you ever heard that have to do with dismemberment, or something that's horrible in one way or another, even if it's just horrible in the sense that somebody's being embarrassed. What do kids laugh at? Kids laugh if your fly's down. That's hilarious. But for the kid whose fly is down, it's a horrible situation.

It was always a pleasure to write. I can never think of a time when I just hacked something out to fulfil a contract or meet a deadline. I might have hacked things out, but it was always stuff I loved.

The books are always there, just the way you wrote them. The plays often don`t turn out the way you wanted them to because in the theater, you`re always involved with collaborators and they don`t always see the work the way you do.

God and the afterlife and all that is certainly a subject that's interested me, and I think it interests me more the older that I get.

I'm not the first person to have said this - no writer ever feels that the execution of a book lives up to the idea for that book. The execution always falls short.

When I gave up dope and alcohol, my immediate feeling was 'I've saved my life, but there'll be a price because I'll have nothing that buzzes me any more'. But I enjoyed my kids. My wife loved me and I loved her. And eventually the writing came back and I discovered that the writing was enough. Stupid thing is that probably it always had been.

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.

I think most of us can remember from our own childhood, just in the Disney cartoons, things that frightened us profoundly. For me it was Bambi, the scene when the forest was on fire. That was something I had nightmares about. I can't imagine being a little kid of eight and seeing Night Of The Living Dead with living corpses eating the flesh of living people.

I've never seen novels as built things. I have a tendency to see them as found things so that I always feel a little bit like an archaeologist who's working to get some fragile fossil out of the ground. And the more you get out unbroken, the better you succeed.

I got letters from people that have had peculiar psychic experiences, experiences with the dead - sometimes fairly tranquil experiences and sometimes very terrifying experiences. I do believe that a lot of them are sincere. I do believe, also, that some of them may be misguided. But, I think the majority of them have experienced something.

I didn't go to bars much. One drunken asshole was all I could handle and that was me. I wrote. I don't remember a lot of it.

Writing is like being in a dream state or under self-directed hypnosis. It induces a state of recall that - while not perfect - is pretty spooky.

I don't make movies. I don't feel that I have to have artistic control. Part of this comes from the fact that the book lives on no matter what Hollywood does to your novel in terms of a film. Now, you try to be careful who you allow to do your film because nobody wants their novel to become a turkey movie. But, on the other hand, it is a crapshot anyway, because even the best people can make a bad film.

The first movie I can remember seeing was The Creature From The Black Lagoon. And, I can remember hearing a radio play of Ray Bradbury's Mars Is Heaven. And when I cut my teeth on comic books, they were not the easy ones of today like Spiderman, Superman and The Hulk. they were Tales Of The Crypt, The Vaultkeeper, and that sort of thing.

When you ask me what I'm afraid of, I'd say I still go to see ghost movies when I get a chance or some sort of supernatural being, but it doesn't scare me as it scared me when I was a child.

What really scares me is Alzheimer's or premature senility, losing that ability to read and enjoy and to write. And you do it, and some days maybe aren't so good, and then some days, you really catch a wave, and it's as good as it ever was.

Hemingway sucks. If I set out to write that way, it would have been been hollow and lifeless because it wasn't me.

I think the best writers are voracious readers who pick up the cadences and the feel of narration through a number of different books. And you begin by maybe copying the style of writers that really knocked you out.

" Science is beginning to encroach on every level of our volition". And to me, that is a frightening social concept. It doesn't have anything to do with the right to have an abortion verses the right to life. It has to do with the ability of science to keep things alive and the ability of science to really control our lives.