Top 308 Quotes & Sayings by Steven Spielberg

Explore popular quotes and sayings by an American director Steven Spielberg.
Last updated on December 3, 2024.
Steven Spielberg

Steven Allan Spielberg is an American film director, producer, and screenwriter. A figure of the New Hollywood era, he is the most commercially successful director of all time. Spielberg is the recipient of various accolades, including three Academy Awards, a Kennedy Center honor, a Cecil B. DeMille Award, and an AFI Life Achievement Award. Time magazine named him one of the 100 Most Important People of the Century in 2013.

I feel there is no substitute for going out to the movies. There is nothing like it.
When I felt like an outsider, movies made me feel inside my own skill set.
I don't drink coffee. I've never had a cup of coffee in my entire life. That's something you probably don't know about me. I've hated the taste since I was a kid. — © Steven Spielberg
I don't drink coffee. I've never had a cup of coffee in my entire life. That's something you probably don't know about me. I've hated the taste since I was a kid.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
Cell phones tend to bring us more inside of our lives whereas movies offer a chance to escape, so there are two competing forces.
I love editing. It's one of my favorite parts about filmmaking.
All of us every single year, we're a different person. I don't think we're the same person all our lives.
Every time I go to a movie, it's magic, no matter what the movie's about.
I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
I'm not a great man to my children. I'm just 'Pop.' The more involved I am with my kids, it keeps my head flat on top.
Whether in success or in failure, I'm proud of every single movie I've ever directed.
You have many years ahead of you to create the dreams that we can't even imagine dreaming. You have done more for the collective unconscious of this planet than you will ever know.
There were so many odd, strange things about Abraham Lincoln that I think nobody knew how to pigeonhole him.
Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.
If I weren't a director, I would want to be a film composer. — © Steven Spielberg
If I weren't a director, I would want to be a film composer.
I dream for a living. Once a month the sky falls on my head, I come to, and I see another movie I want to make.
Naturally, it is a terrible, despicable crime when, as in Munich, people are taken hostage, people are killed. But probing the motives of those responsible and showing that they are also individuals with families and have their own story does not excuse what they did.
From the day I started to think politically and to develop my own moral values, from my earliest youth, I have been an ardent defender of Israel.
I've always been interested in how we survive and how resourceful we are as Americans.
When I grow up, I still want to be a director.
I'm not in a race with anybody to make the biggest hit movie anymore. I am just trying to tell stories that I can stay interested in for the two years it takes me to supervise the writing and to direct them.
I want to be the Cecil B. DeMille of science fiction.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
Well, luckily with animation, fantasy is your friend.
You shouldn't dream your film, you should make it!
The delicate balance of mentoring someone is not creating them in your own image, but giving them the opportunity to create themselves.
I think one of the worst things that happened to me was, you know, my voluntary fallout with my father. And then the greatest thing that happened to me was when I saw the light, and realized I needed to love him in a way that he could love me back.
I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.
Why pay a dollar for a bookmark? Why not use the dollar for a bookmark?
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
Casting sometimes is fate and destiny more than skill and talent, from a director's point of view.
Social media has taken over in America to such an extreme that to get my own kids to look back a week in their history is a miracle, let alone 100 years.
The Israeli-Palestinian conflict and Jihadism have nothing to do with each other.
My problem is that my imagination won't turn off. I wake up so excited I can't eat breakfast. I've never run out of energy. It's not like OPEC oil; I don't worry about a premium going on my energy. It's just always been there. I got it from my mom.
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
We all feel that if we have a crazy idea that might get laughed at, there's nothing wrong with seeing if there's a crazy writer out there who agrees with us and can take it to a crazy network and somehow bring something that's a little bit daft and edgy to life.
I think Lincoln had a unique parenting style. He let his kids run free and wild.
I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
My early exposure to all the leviathans of the Saturday matinee creature features inspired me, when I grew up, to make 'Jurassic Park.' — © Steven Spielberg
My early exposure to all the leviathans of the Saturday matinee creature features inspired me, when I grew up, to make 'Jurassic Park.'
I quit college so fast I didn't even clean out my locker.
My dad's been responsible for a lot of my issues.
Before statehood was achieved, Syria and Egypt had their tanks and military equipment lined up to invade Tel Aviv and destroy it; but the Israelis scrambled together an air force, some of it from old Second World War Messerschmidts, and the invasion was halted.
Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.
There is a fine line between censorship and good taste and moral responsibility.
Even though I get older, what I do never gets old, and that's what I think keeps me hungry.
For one thing, I don't think that anybody in any war thinks of themselves as a hero.
I committed to directing 'Catch Me If You Can' not because of the divorce component, but principally because Frank Abagnale did things that were the most astonishing scams I had ever heard.
I dream for a living. — © Steven Spielberg
I dream for a living.
My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating; I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
There's nothing self-serving about what motivated me to bring 'Schindler's List' to the screen.
As a Jew I am aware of how important the existence of Israel is for the survival of us all. And because I am proud of being Jewish, I am worried by the growing anti-Semitism and anti-Zionism in the world.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
I am an American Jew and aware of the sensitivities involved in the Israeli-Palestinian conflict.
Technology can be our best friend, and technology can also be the biggest party pooper of our lives. It interrupts our own story, interrupts our ability to have a thought or a daydream, to imagine something wonderful, because we're too busy bridging the walk from the cafeteria back to the office on the cell phone.
I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today.
I believe in 3D for certain kinds of films. I certainly believe in using 3D for all things in animation because animation has such clarity and so much depth of focus. It worked great with 'Avatar' because 70 percent of that film is animated.
I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I experienced filming 'War Horse' on Dartmoor.
Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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