Top 89 Quotes & Sayings by Storm Jameson - Page 2

Explore popular quotes and sayings by an English writer Storm Jameson.
Last updated on December 22, 2024.
jealousy, the most hideous emotion any human being ever suffers, has nothing to do with the mind. Or not at first.
the sex even in serious pornography has less singularity than the mating of squirrels.
All writers who can claim to be called 'living' must be political in a sense. They must have what the Quakers call a concern to understand what is happening in the world, and must engage themselves, in their writing, to promote no comfortable lies, of the sort which people will pay well to be told rather than the truth.
The hunger of the spirit for eternity - as fierce as a starving man's for bread - is much less a craving to go on living than a craving for redemption. Oh, and a protest against absurdity.
Very rare, the intelligence of the heart. The intelligence of the whimsical brain is less rare, less attaching, sometimes tedious.
Language is one of the thin walls humanity has built up over centuries against its own bestial and destructive impulses.
... we do not remember people as they were. What we remember is the effect they had on us then, but we remember it through an emotion charged with all that has since happened to us.
Great advertising is the expression of deep emotional sincerity. — © Storm Jameson
Great advertising is the expression of deep emotional sincerity.
From so much of this seriously-intended pornography there rises, even when it is lewdly or boisterously comic, the acrid smell, unmistakable, of self-dislike.
Writers sometimes talk as though they were the only friends of civilization. This is their conceit. But they have special powers to serve -- or to corrupt -- civilization, and are obliged to use them.
Critics have been amusing themselves for a long time by auscultating fiction for signs of heart failure.
... the whole of society in Washington is to some degree political. It is like no other capital city known to me, in that political thinking, the whole business, technical and personal, of politics, is not diluted by an equal interest in art, industry, amusement, anything you like. I don't meant that these are non-existent in Washington -- only that they are subdued to the ruling passion.
Is it really beyond our wits to devise some form of censorship which would trap only the crudely sadistic?
Novelists who treat violence and cruelty as something to be exploited for their effect, or to enjoy the pleasure of an evacuation, are carriers of a singularly unpleasant disease.
Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited.
If the novel is dying, I see no chance that dismembering it will revive it.
each time that I have run away - and from a habit it quickly became an illness - I have betrayed someone. Myself, but not always only myself.
Sadistic literature is not only inhumane. It is anti-human. — © Storm Jameson
Sadistic literature is not only inhumane. It is anti-human.
A nation has honor precisely as it has fleas - on this or that body. The statesman who talks of honor - unless he means something else, quite different - is a rogue.
The gesture with which one generation guards the next is the movement, and the only time we see it clearly, of life itself.
If we are to survive on this planet, there must be compromises.
... the stomach is near the heart and one appetite pricks on another.
The writer - more especially the novelist - who has not, at one moment or another, considered his publisher unworthy of him, has still to be conceived.
Mere human beings cant afford to be fanatical about anything. Not even about justice or loyalty. The fanatic for justice ends by murdering a million helpless people to clear a space for his law-courts. If we are to survive on this planet, there must be compromises.
Fear is the deep motive of abstract art - fear of a repellent civilization which is dominated by the power of things. ... who can be surprised if, more sensitive than the others, the artist is terrified by the power things have acquired over us?
To reject censorship after studying the risks involved is very well. To reject it ex cathedra, in the tones of Calvin pronouncing a dogma, eyes and mind closed to the possible consequences, the even marginally possible, is to make things too comfortable for oneself.
In Europe, war is a disease which has been in the family for generations: no one is surprised when it makes another leap. Even the patient only attends to it with part of his mind.
An intelligent man or woman willing to make a career of reviewing fiction is hard to come by ... And the temporaries do the work cheaply. Moreover, continuity may be got at the expense of intellectual arthritis; a reviewer who has been at his grisly task for half a lifetime may stiffen into prejudices of every sort, and become too anchylosed to do better than turn his back to a new wave when it rushes down on him.
As often as not our whole self...engages itself in the most trivial of things, the shape of a particular hill, a road in the town in which we lived as children, the movement of wind in grass. The things we shall take with us when we die will nearly all be small things.
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