Top 144 Quotes & Sayings by Susan Sarandon - Page 3

Explore popular quotes and sayings by an American actress Susan Sarandon.
Last updated on November 24, 2024.
Sometimes what happens is that, when you micromanage actors and moments, it just doesn't quite live.
New York is very user-friendly if you don't want to be in a car all the time. It can also provide you with surprises because it's so compressed - if you walk around, you just find things.
I feel it's easier to sit in the backseat and go, "Oh, yeah, let's go there." You're not worried about getting to the destination. But the guy or the woman who has to get you to the destination is worried about a lot of other things, so my job as an actor is to try as many things as possible, be as open as possible, listen, and keep my heart open.
I don't think there's a petty system of heaven and hell. The love of God is much more forgiving. I'm not a believer in a wrathful God at all. — © Susan Sarandon
I don't think there's a petty system of heaven and hell. The love of God is much more forgiving. I'm not a believer in a wrathful God at all.
How will the bombing of Baghdad, a city of five million, accomplish a regime change?
To become a lapsed Catholic, first go to a Catholic university.
As a mother trying to raise kids with some kind of a code, an honorable way to solve problems without using violence, I find it interesting to live in a country where your government is allowed to kill, whether it's war or execution. What interests me is not who deserves to die but who deserves to kill.
My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima.
If Wes Anderson has a very strong cast, he can direct the minutia of that story and still manage to have something that lives and breathes.
One night I looked down and my rosary beads were glowing. And I realized that I did not want to see the blessed Virgin - I was terrified.
I think you have to be ready to switch gears and go with the team as a director, as opposed to superimposing your own strict idea of the story. There are very few directors that can micromanage and still come out with something that's living and breathing on a page. Wes Anderson is one of those.
It's really hard to find stuff that is original. You pick up scripts and in four pages you know where it's going and the same thing when you are sitting in a theatre, I just rejoice when something unfolds in a way that I'm not conducive.
When you run into someone in NY it is usually a pleasant surprise. When you run into someone in LA you usually had a car accident.
When I grew up in the church, we were praying because the Communists were going to come over and hang you upside down on a cross, and I so wanted to be a good person, and I had these rosary beads that I would sleep with every night, and I just wanted the blessed Virgin to be on my side.
I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."
In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control.
What I like about The Meddler style of movie is that it's a fairly lighthearted romantic comedy, but there are hidden moments where something happens that's unexpected, that hopefully have some kind of emotional resonance that you didn't see coming. I love when a film does that.
Knowledge is the key to stopping the spread of AIDS. Yet millions of children are missing an education. Missing their teachers who have died of the disease. Missing from class as they stay home to care for their dying mothers and fathers. Children are missing your support. United for Children. Unite against AIDS.
My intent is to speak on behalf of those whose voices are less readily heard - children and women at risk
When my children wake up in the morning they know they will eat breakfast, get hugs from their parents, go to a good, safe school. Plates are full and store windows are glittering. But at the same time the great majority of the world's children and women stand - no - shiver on the precipice
I got married to Chris Sarandon, who was a graduate student, and he knew everything at that point, I thought, because he was older. He introduced me to poetry and black-and-white movies.
The directors I consider really great have the ability to recognize when something's going in an unexpected direction and see it as a bonus and be able to go with it, as opposed to locking down what they thought was going to happen.
I hesitate to direct even though I feel I contribute a lot on a set. — © Susan Sarandon
I hesitate to direct even though I feel I contribute a lot on a set.
We've legalized marijuana recently. Medical marijuana, but the rest will come.
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