Top 86 Quotes & Sayings by Susanna Clarke

I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.

I always really liked magicians. I'm not even sure why - except that they know things other people don't, and they live in untidy rooms full of strange objects.

It seemed to me that you make magic real by making it a little prosaic, a little difficult and disappointing - never quite as glamorous as the other characters imagine.

I always start out saying exactly what everybody looks like. I don't know why.

Nothing, I find, has prepared me for the sight of my own characters walking about. A playwright or screenwriter must expect it; a novelist doesn't and naturally concludes that she has gone mad.

The phone conversations about a possible TV series of 'Jonathan Strange & Mr. Norrell' stretch back years, but now that the moment has come, now that I am actually here at Wentworth Woodhouse, I lose my bearings.

It's not easy to convey to someone who doesn't read comics just how Alan Moore has dominated the field since 'Watchmen.'

I could always imagine more interesting places to be than where I was. And more interesting people than me being there. Eventually, this led to making up stories and writing things down.

I feel very much at home in the early nineteenth century and am not inclined to leave it.

I had to restrain myself from buying a book on 19th-century fruit knives.

Alan Moore is a peculiarly unsung triumph of British culture, and Northampton, where he was born in 1953, the son of brewery worker Ernest and printer Sylvia, is where you must go to find him.

'Pride and Prejudice' is often compared to 'Cinderella,' but Jane Austen's real 'Cinderella' tale is 'Mansfield Park.'

I had always been fascinated by comics, but it had taken me several weeks to make up my mind to buy 'Watchmen'; for someone on a publisher's assistant's salary, it was some quite unheard-of sum of money.

You can get this feeling of the English or Scottish or Irish or Welsh fairy, but it is by nature very elusive. It would be possible to pin down a German fairy, but the English one just vanishes, becomes the shadow under the trees.

It's funny, because I don't think of myself as a novelist. I think of myself as a writer.

She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.

I first became an Alan Moore fan in Covent Garden on a Saturday afternoon in 1987, when I bought a copy of 'Watchmen,' his graphic novel about ageing superheroes and nuclear apocalypse.

In 'Jonathan Strange & Mr. Norrell,' I wanted to create the most convincing story of magic and magicians that I could.

One way of grounding the magic is by putting in lots of stuff about street lamps, carriages, and how difficult it is to get good servants.

In some ways, 'Mansfield Park' is 'Pride and Prejudice' turned inside out.

I tell stories. I kind of stumbled on that by trying to combine Jane Austen and magic.

I must confess that in my teens and twenties, I loved 'Mansfield Park' rather in spite of Fanny than because of her. Like Fanny's rich, sophisticated cousins, I didn't really get her.

It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry.

He hardly ever spoke of magic, and when he did it was like a history lesson and no one could bear to listen to him.

Well, I suppose one ought not to employ a magician and then complain that he does not behave like other people.

How is a magician to exist without books? Let someone explain that to me. It is like asking a politician to achieve high office without the benefit of bribes or patronage.

Magic, madam, is like wine and, if you are not used to it, it will make you drunk.

There must come a time when the bullets will run out

Unfortunately, Childermass's French was so strongly accented by his native Yorkshire that Minervois did not understand and asked Strange if Childermass was Dutch.

How quickly was every bad thing discovered to be the fault of the previous administration (an evil set of men who wedded general stupidity to wickedness of purpose).

It is also true that his hair had a reddish tinge and, as everybody knows, no one with red hair can ever truly be said to be handsome.

I have a scholar's love of silence and solitude. To sit and pass hour after hour in idle chatter with a roomful of strangers is to me the worst sort of torment.

I was told once by some country people that a magician should never tell his dreams because the telling will make them come true. But I say that is great nonsense.

And the name of the one shall be Fearfulness. And the name of the other shall be Arrogance... Well, clearly you are not Fearfulness, so I suppose you must be Arrogance.' This was not very polite.

It is these black clothes," said Strange. "I am like a leftover piece of funeral, condemned to walk about the Town, frightening people into thinking of their own mortality.

You've got to sing like you don't need the money. You've got to love like you'll never get hurt. You've got to dance like there's nobody watching. You've got to come from the heart, if you want it to work.

Time and I have quarrelled. All hours are midnight now. I had a clock and a watch, but I destroyed them both. I could not bear the way they mocked me.

Sing like no one is listening. Love like you’ve never been hurt. Dance like nobody’s watching, and live like it’s heaven on earth.

Can a magician kill a man by magic?” Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never would.

She even learnt the language of a strange country which Senior Cosetti had been told some people believed still existed, although no-one in the world could say where it was. The name of this country was Wales.

It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.

Houses, like people, are apt to become rather eccentric if left too much on their own; this house was the architectural equivalent of an old gentleman in a worn dressing-gown and torn slippers, who got up and went to bed at odd times of day, and who kept up a continual conversation with friends no one else could see.

And how shall I think of you?' He considered a moment and then laughed. 'Think of me with my nose in a book!

Oh! And they read English novels! David! Did you ever look into an English novel? Well, do not trouble yourself. It is nothing but a lot of nonsense about girls with fanciful names getting married.

Perhaps I am too tame, too domestic a magician. But how does one work up a little madness? I meet with mad people every day in the street, but I never thought before to wonder how they got mad. Perhaps I should go wandering on lonely moors and barren shores. That is always a popular place for lunatics - in novels and plays at any rate. Perhaps wild England will make me mad.

An explorer cannot stay at home reading maps other men have made.

Mr. Robinson was a polished sort of person. He was so clean and healthy and pleased about everything that he positively shone - which is only to be expected in a fairy or an angel, but is somewhat disconcerting in an attorney.

For, though the room was silent, the silence of half a hundred cats is a peculiar thing, like fifty individual silences all piled one on top of another.

It was an old fashioned house --the sort of house in fact, as Strange expressed it, which a lady in a novel might like to be persecuted in.

All books are doors; and some of them are wardrobes.

He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands.

But when the fairy sang the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy’s song the earth recognized the names by which it called itself.

A piece of writing is like a piece of magic. You create something out of nothing.

Such nonsense!" declared Dr Greysteel. "Whoever heard of cats doing anything useful!" "Except for staring at one in a supercilious manner," said Strange. "That has a sort of moral usefulness, I suppose, in making one feel uncomfortable and encouraging sober reflection upon one's imperfections.

I mean that two of any thing is a most uncomfortable number. One may do as he pleases. Six may get along well enough. But two must always struggle for mastery. Two must always watch each other. The eyes of all the world will be on two, uncertain which of them to follow.

Some years ago there was in the city of York a society of magicians. They met upon the third Wednesday of every month and read each other long, dull papers upon the history of English magic.

Yet it is true—skin can mean a great deal. Mine means that any man may strike me in a public place and never fear the consequences. It means that my friends do not always like to be seen with me in the street. It means that no matter how many books I read, or languages I master, I will never be anything but a curiosity—like a talking pig or a mathematical horse.

She wore a gown the color of storms, shadows, and rain and a necklace of broken promises and regrets.

There is nothing else in magic but the wild thought of the bird as it casts itself into the void. There is no creature upon the earth with such potential for magic. Even the least of them may fly straight out of this world and come by chance to the Other Lands. Where does the wind come from that blows upon your face, that fans the pages of your book? Where the harum-scarum magic of small wild creatures meets the magic of Man, where the language of the wind and the rain and the trees can be understood, there we will find the Raven King.

It is curious and we magicians collect curiosities, you know.