Top 100 Quotes & Sayings by Tituss Burgess - Page 2

Explore popular quotes and sayings by an American actor Tituss Burgess.
Last updated on September 17, 2024.
For me, having walked through Times Square so many times as a broke and starving artist, as a TV star, and now having other hopes and dreams, it just represents possibility and the moment of full circle.
My microphone went out in the 2009 Tony Awards. It was my big moment, and I was so excited to perform and lead the cast; I sang 'Sit Down, You're Rockin' the Boat.' Every actor dreams of standing front and center on the Tony Awards, and I start to sing, and you hear this crackling. I had no idea what to do - were they going to stop a live telecast?
If I stayed in Florida, I would have a house and a dog and a partner. And, honestly, I was so bored. — © Tituss Burgess
If I stayed in Florida, I would have a house and a dog and a partner. And, honestly, I was so bored.
Sondheim is New York.
I don't want to sound pretentious or meta or anything, but I don't write until it comes to me... People know when something is inspired and when something is not, and I don't want to waste anyone's time.
I am one of the lucky ones, to work with comic giants.
Why invite you to dinner if I can't cook?
You put it out there, you go film it, you go write it, you go record it... but the fans are the ones who decide it.
I'm a walking contradiction on so many levels. I'm gay, black, and a Christian.
Even on my worst days... the influx of joy that I get from interactions with fans... is a treat.
My mom is quite religious, and she got the name Tituss from the Bible. It's one of the smallest books in the Bible. I don't know why she added an 's,' but she just did.
It's important for me to talk about my life as a gay man, not gay themes per se, in my work.
The people I've met have been inherently delicious and warm and appreciative. It makes those 14-hour-days so worth it.
Miserable people tend to act out. — © Tituss Burgess
Miserable people tend to act out.
I came from the Sticks, literally. I grew up in Oglethorpe County, Georgia, just outside Athens, Georgia.
Outside stimulation makes me nervous!
I prayed fervently for a series regular job on a show that had the perceived caliber of talent that '30 Rock' had.
Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.
I feel most at home when I'm alone. That's not sad. It's just I feel closest to source and connection when I'm by myself.
I'm a person who does not like to journal; I don't like to sit down and write... I don't even like sending emails.
I enjoy my alone time, but I'm an open book.
We were always in church, and always singing, so once I realized that music was something that I had a knack for, I sort of latched onto it, and it helped give me an identity and figure out who I was as a person. It informed my way into theater, which informed my way into television.
Actors are a peculiar breed.
So much of what I do is inspired by and for the LGBTQ community and for everyone but, just, being a theater kid and wanting to do stuff that represents us in a positive light.
People have to work to maintain happiness. It's easy to be miserable. It's easy to stay miserable. It's easy to live in a place where nothing's working and not being able to work your way out of it. It's much harder to choose happiness, to choose laughter, to choose a positive.
I have always thought to do my best work.
I will work for Tina Fey forever.
I am well aware of my good fortune, and I only hope to diversify so I can do what I'm already doing for more people as opposed to being so large and so great that I no longer want to do the thing that got me here.
I'm very involved in church and social-justice issues, and my personality is far more introspective. — © Tituss Burgess
I'm very involved in church and social-justice issues, and my personality is far more introspective.
I get to play some zany, multilayered, very complex individuals.
Taking care of children was not something I was good at.
I've grown up watching and admiring Norm. Sherie actually starred in the first off-Broadway show I ever saw in New York, which was The Last Five Years. It's amazing how things come full-circle and how the community (once you hang around it long enough) grows smaller and smaller as it grows. Sharing the stage with these people is more than a dream come true it's so special. They're so warm and giving and offer the best advice. Sherie is very nice and maternal and nurturing.
I pinch myself every night when I hear the overture starting. I'm so overwhelmed by the whole process, and humbled and giddy all at the same time because I can't believe it's me that gets to sing these songs every night.
I wish Howard Ashman was still alive so I could just meet him and tell him his words are magic. It's so fun to say. He has such great alliteration and paints the most vivid images with his lyrics
If anyone has the opportunity to work with that woman, jump at it. She is the most generous, most giving director I have ever worked with in my entire life. She is classy. She speaks a dozen difference languages.
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
I'm praying for healing for our nation. For retaliation that yields constructive results. Peaceful protests. We need each other. — © Tituss Burgess
I'm praying for healing for our nation. For retaliation that yields constructive results. Peaceful protests. We need each other.
I've been in New York for going on five years now, and I always thought I would make a mark and do something but I never thought it would be this big of a deal. I'm so blessed and I'm truly honored.
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