Top 475 Quotes & Sayings by Tom Stoppard - Page 6

Explore popular quotes and sayings by an English dramatist Tom Stoppard.
Last updated on April 22, 2025.
A man speaking sense to himself is no madder than a man speaking nonsense not to himself.
There we were - demented children mincing about in clothes that no one ever wore, speaking as no man ever spoke, swearing love in wigs and rhymed couplets, killing each other with wooden swords, hollow protestations of faith hurled after empty promises of vengeance - and every gesture, every pose, vanishing into the thin unpopulated air. We ransomed our dignity to the clouds, and the uncomprehending birds listened. Don't you see?! We're actors - we're the opposite of people!
I write fiction because it's a way of making statements I can disown. — © Tom Stoppard
I write fiction because it's a way of making statements I can disown.
I don't think I can be expected to take seriously any game which takes less than three days to reach its conclusion.
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
I write plays because dialogue is the most respectable way of contradicting myself.
To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.
...reality, the name we give to the common experience.
Imagination without skill gives us contemporary art.
If you took away everything in the world that had to be invented, there'd be nothing left except a lot of people getting rained on.
Life in a box is better than no life at all, I expect. You'd have a chance at least. You could lie there thinking: Well, at least I'm not dead.
Audiences know what to expect, and that is all that they are prepared to believe in.
When we have found all the mysteries and lost all the meaning, we will be alone, on an empty shore.
It was precisely this notion of infinite series which in the sixth century BC led the Greek philosopher Zeno to conclude that since an arrow shot towards a target first had to cover half the distance, and then half the remainder, and then half the remainder after that, and so on ad infinitum, the result was, as I will now demonstrate, that though an arrow is always approaching its target, it never quite gets there, and Saint Sebastian died of fright.
Autumnal -- nothing to do with leaves. It is to do with a certain brownness at the edges of the day ... Brown is creeping up on us, take my word for it ... Russets and tangerine shades of old gold flushing the very outside edge of the senses... deep shining ochres, burnt umber and parchments of baked earth -- reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.
The unpredictable and the predetermined unfold together to make everything the way it is. — © Tom Stoppard
The unpredictable and the predetermined unfold together to make everything the way it is.
If you want to change something by Tuesday, theater is no good. Journalism is what does that. But, if you want to just alter the chemistry of the moral matrix, then theater has a longer half-life.
Chater: You dare to call me that. I demand satisfaction! Septimus: Mrs Chater demanded satisfaction and now you are demanding satisfaction. I cannot spend my time day and night satisfying the demands of the Chater family.
Be happy -- if you're not even happy, what's so good about surviving?
An artist is the magician put among men to gratify - capriciously - their urge for immortality.
Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in. That's why you can't believe in the afterlife, Valentine. Believe in the after, by all means, but not the life. Believe in God, the soul, the spirit, the infinite, believe in angels if you like, but not in the great celestial get-together for an exchange of views. If the answers are in the back of the book I can wait, but what a drag. Better to struggle on knowing that failure is final.
The results of the divorce between truth and human beings can be most graphically observed in politics.
It makes me so happy. To be at the beginning again, knowing almost nothing.... A door like this has cracked open five or six times since we got up on our hind legs. It's the best possible time of being alive, when almost everything you thought you knew is wrong.
Art cannot be subordinate to its subject, otherwise it is not art but biography.
He says his aim is poetry. One does not aim at poetry with pistols. At poets, perhaps.
Rosencrantz: I don't believe in it anyway. Guildenstern: What? Rosencrantz: England. Guildenstern: Just a conspiracy of cartographers, then?
We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.
Words, words. They're all we have to go on.
Between "just desserts" and "tragic irony" we are given quite a lot of scope for our particular talent. Generally speaking, things have gone about as far as they can possibly go when things have got about as bad as they reasonably get.
And for the last three minutes on the wind of a windless day I have heard the sound of drums and flute.
We drift down time, clutching at straws. But what good's a brick to a drowning man?
I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.
The colours red, blue and green are real. The colour yellow is a mystical experience shared by everybody.
It's the best possible time to be alive, when almost everything you thought you knew is wrong.
Plays...Maidens aspiring to Godheads and vice versa!
I've never written an original piece for film; all the original things I've done are for the stage.
Of all forms of fiction, autobiography is the most gratuitous.
Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend; if the friend is a writer, he ends up kicking around with that script for a while.
He's never known anything like it! But then, he has never known anything to write home about, so this is nothing to write home about. — © Tom Stoppard
He's never known anything like it! But then, he has never known anything to write home about, so this is nothing to write home about.
I smoke too much whether it's going well or badly. After all these years, I definitely associate having a pen in my hand with having an ashtray just out of eye line.
the natural condition is one of insurmountable obstacles on the road to imminent disaster. strangely enough it all works out in the end... it's a mystery.
There is presumably a calendar date a moment when the onus of proof passed from the atheist to the believer, when, quite suddenly, secretly, the noes had it.
I mean, if Beethoven had been killed in a plane crash at twenty-two, the history of music would have been very different. As would the history of aviation, of course.
Junk journalism is the evidence of a society that has got at least one thing right, that there should be nobody with the power to dictate where responsible journalism begins.
We are tied down to a language which makes up in obscurity what it lacks in style.
The names for things don't come first. Words stagger after, hopelessly trying to become the sensation.
We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
I've lost all capacity for disbelief. I'm not sure that I could even rise to a little gentle scepticism.
To be an artist at all is like living in Switzerland during a world war. To be an artist in Zurich, in 1917, implies a degree of self-absorption that would have glazed over the eyes of Narcissus.
Actors! The mechanics of cheap melodrama! That isn't death! You scream and choke and sink to your knees but it doesn't bring death home to anyone- it doesn't catch them unawares and start the whisper in their skulls that says- 'One day you are going to die.
A genuine love of learning is one of the two delinquencies which cause blindness and lead a young man to ruin. — © Tom Stoppard
A genuine love of learning is one of the two delinquencies which cause blindness and lead a young man to ruin.
Fifty-five crystal spheres geared to God's crankshaft is my idea of a satisfying universe. I can't think of anything more trivial than quarks, quasars, big bangs and black holes.
I doubt that art needed Ruskin any more than a moving train needs one of its passengers to shove it.
A play that works well and is done quite a lot - I've never done the math - but it's probably more remunerative than a movie.
You are an over-excited little man, with a need for self-expression far beyond the scope of your natural gifts. This is not discreditable. Neither does it make you an artist.
Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
Theater is a recreation. It can be much more, but unless it's recreation, I don't see the point of it.
How the hell do I know what I find incredible? Credibility is an expanding field... Sheer disbelief hardly registers on the face before the head is nodding with all the wisdom of instant hindsight.
Sometimes I watch a scene I've written, and occasionally I think, "Oh, for God's sake, shut up."
We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. And time is its only measure.
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