Top 114 Quotes & Sayings by Tom Wolfe - Page 2

Explore popular quotes and sayings by an American journalist Tom Wolfe.
Last updated on April 20, 2025.
In the U.S., the term 'general aviation' means its exact opposite, the way 'public school' does in England. An English public school is private and, on top of that, exclusive. Likewise, general-aviation airports in the U.S. are for everyone but the general public.
Fortunately, the world is full of people with information compulsion who want to tell you their stories. They want to tell you things that you don't know. They're some of the greatest allies that any writer has.
It helps to know from a very early age what you want to do. From the time I was five years old, I wanted to be a writer, even though I couldn't even read. It was mainly because I thought of my father as a writer.
I read somewhere that writers, as they get older, become more and more perfectionist. Which may be because they think more highly of themselves and they worry about their reputations. I think there's some truth to that.
I don't think journalists should talk about whom they're voting for. — © Tom Wolfe
I don't think journalists should talk about whom they're voting for.
Not long after I published my first book, I quickly found I was terrible at being interviewed.
Everyone is taught the essentials of writing for at least 13 years, maybe more if they go to college. Nobody is taught music or tap dancing that way.
'No Hands' art goes straight back to Warhol. He was the first to use elves.
The greatest promotion I ever had on a newspaper was when 'The Washington Post' suddenly promoted me from city-side general assignment reporter to Latin American correspondent and sent me off to Cuba. Fidel Castro had just come to power. It was a very exciting assignment, but also very serious.
To me, the great joy of writing is discovering. Most writers are told to write about what they know, but I still love the adventure of going out and reporting on things I don't know about.
Vietnam was really an idealistic thing to stop the spread of communism, which, incidentally, it did. It was a pretty costly way to do it, but it achieved its goal.
To me, novels are a trip of discovery, and you discover things that you don't know and you assume that many of your readers don't know, and you try to bring them to life on the page.
Miami is a melting pot in which none of the stones melt. They rattle around.
I hate stories in which a person has an occupation and you never see him working at it, like all those marvelous Cary Grant movies where he's a surgeon, and you never see him in the operating room.
I would vote for Bush if for no other reason than to be at the airport waving off all the people who say they are going to London if he wins again. Someone has got to stay behind.
When I went to high school, my most passionate desire was to be a professional baseball player. But something within me told me that was not going to happen.
'Why' is a question no animal can ask, because both the question and answers require speech. Have you ever seen an animal shrug? — © Tom Wolfe
'Why' is a question no animal can ask, because both the question and answers require speech. Have you ever seen an animal shrug?
I have no idea who coined the term 'the New Journalism,' or when it was coined. I have never even liked the term. Any movement, group, party, program, philosophy or theory that goes under a name with 'new' in it is just begging for trouble, of course.
I had always looked down on sociology as this arriviste discipline. It didn't have the noble history of English and history as a subject. But once I had a little exposure to it, I said, 'Hey, here's the key. Here's the key to understanding life and all its forms.'
The first newspaper I worked on was the 'Springfield Union' in Springfield, Massachusetts. I wrote over a hundred letters to newspapers asking for work and got three responses, two no's.
'Back to Blood' really took it out of me. While I was writing it, I just never went out anywhere, except to the gym.
I wrote 'The Painted Word,' about modern art, and was denounced as reactionary. In fact, it is just a history, although a rather loaded one.
It's fortunate that I am a writer, because that has helped me understand the properties of words. They are what have made life complex. In the battle for status in the animal kingdom, power and aggressiveness have been all-important. But among humans, once they acquired speech, all that changed.
If most writers are honest with themselves, this is the difference they want to make: before, they were not noticed; now they are.
It's not just that reporting gives you a bigger slice of life, gives - lends verisimilitude to what you are doing - it's that it feeds the imagination.
A lie may fool someone else, but it tells you the truth: you're weak.
What do you mean, blindly? That baby is a very sentient creature… That baby sees the world with a completeness that you and I will never know again. His doors of perception have not yet been closed. He still experiences the moment he lives in.
In the late nineteenth and early twentieth centuries, old people in America had prayed, "Please God, don't let me look poor." In the year 2000, they prayed, "Please God, don't let me look old." Sexiness was equated with youth, and youth ruled. The most widespread age-related disease was not senility but juvenility.
And - of course! - the Non-people. The whole freaking world was full of people who were bound to tell you they weren't qualified to do this or that but they were determined to go ahead and do just that thing anyway.
it is either make this thing permanent inside of you or forever just climb draggled up into the conning tower every time for one short glimpse of the horizon.
Everything was becoming allegorical, understood by the group mind, and especially this: "You're either on the bus...or off the bus.
Everybody is going to be what they are, and whatever they are, there's not going to be anything to apologize about.
[Aldous Huxley] compared the brain to a 'reducing valve'. In ordinary perception, the senses send an overwhelming flood of information to the brain, which the brain then filters down to a trickle it can manage for the purpose of survival in a highly competitive world. Man has become so rational, so utilitarian, that the trickle becomes most pale and thin. It is efficient, for mere survival, but it screens out the most wondrous part of man's potential experience without his even knowing it. We're shut off from our own world.
There was a time in the 1930s when magazine writers could actually make a good living. 'The Saturday Evening Post' and 'Collier's' both had three stories in each issue. These were usually entertaining, and people really went for them. But then television came along, and now of course, information technology...the new way of killing time.
You're either on the bus or off the bus.
Dear Mother, I meant to write you before this and I hope you haven't been worried.... I have met some Beautiful People and...
a perception of the cosmic unity of this higher level. And a feeling of timelessness, the feeling that what we know as time is only the result of a naive faith in causality - the notion that A in the past caused B in the present, which will cause C in the future, when actually A, B, and C are all part of a pattern that can be truly understood only by opening the doors of perception and experiencing it... in this moment... this supreme moment... this Kairos.
I went to see the Beatles last month... And I heard 20,000 girls screaming together at the Beatles... and I couldn't hear what they were screaming, either... But you don't have to... They're screaming Me! Me! Me! Me!... I'm Me!... That's the cry of the ego, and that's the cry of this rally!... Me! Me! Me! Me!... And that's why wars get fought... ego... because enough people want to scream Pay attention to Me... Yep, you're playing their game.
(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write. — © Tom Wolfe
(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.
Put your good where it will do the most!
don't just describe an emotion, arouse it, make them experience it, by manipulating the symbol of the emotion, and sometimes we have to come into awareness through the back door.
The problem with fiction, it has to be plausible. That's not true with non-fiction.
The world was simply and sheerly divided into 'the aware', those who had the experience of being vessels of the divine, and a great mass of 'the unaware', 'the unmusical', 'the unattuned.
Sherman made the terrible discovery that men make about their fathers sooner or later.
You can be denounced from the heavens, and it only makes people interested.
I was sitting in my office when someone called to tell me two light planes had collided with the World Trade Centre. I turned on my television, before long there was this procession of people of all kinds, walking up the street. What I remember most was the silence of that crowd; there was no sound.
They were...well, Beautiful People! - not 'students', 'clerks', 'salesgirls', 'executive trainees' - Christ, don't give me your occupation-game labels! We are Beautiful People, ascendant from your robot junkyard.
His hair has the long jesuschrist look. He is wearing the costume clothes. But most of all, he now has a very tolerant and therefore withering attitude toward all those who are still struggling in the old activist political ways...while he, with the help of psychedelic chemicals, is exploring the infinite regions of human consciousness.
Everybody, everybody everywhere, has his own movie going, his own scenario, and everybody is acting his movie out like mad, only most people don’t know that is what they’re trapped by, their little script.
A glorious place, a glorious age, I tell you! A very Neon renaissance - And the myths that actually touched you at that time - not Hercules, Orpheus, Ulysses and Aeneas - but Superman, Captain Marvel, and Batman.
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. ~Tom Wolfe
Sometimes we don't even realize what we really care about, because we get so distracted by the symbols. — © Tom Wolfe
Sometimes we don't even realize what we really care about, because we get so distracted by the symbols.
America is a wonderful country! I mean it! No honest writer would challenge that statement! The human comedy never runs out of material! it never lets you down!
If you label it this, then it can't be that.
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