Top 143 Quotes & Sayings by Tony Kushner - Page 2

Who knows better than artists how much ugliness there is on the way to beauty, how many ghastly, mortifying missteps, how many days of granitic blockheadedness and dismaying ineptitude there is on the way to accomplishment, how partial all accomplishment is, how incomplete?

And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.

I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I'm not a pure writer. I use words as the score for kinetic imagistic representations.

You become a character in a meta-drama into which your own dramatizing has pitched you. The rewards can be fantastic, the punishments dismal; it's a zero sum game, and its guarantor of value, its marker is that you pretend you play it solo, preserving the myth that you alone are the wellspring of your creativity.

The kind of theater that I do is sort of ‘narrative realism,’ which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

Love is the world's infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.

Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.

The white cracker who wrote the National Anthem knew what he was doing. He set the word "free" to a note so high nobody could reach it. That was deliberate.

The smallest indivisible human unit is two people, not one; one is a fiction. From such nets of souls societies, the social world, human life springs.

When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.

It isn't easy, it doesn't count if it's easy, it's the hardest thing. Forgiveness. Which is maybe where love and justice finally meet.

If you [c]annot find your [h]eart's desire in your own backyard, you never lost it to begin with

The theater requires an essential gullibility that you can't get through life without having. If all you can feel is skepticism-well , you meet people like this. Run away from them. They're not good people.

I certainly wake up every morning and thank God that I'm not a novelist because the theater is tough, but novel writing is infinitely harder. Especially with the economics of serious fiction being what they are in America.

Respect the delicate ecology of your delusions.

I have kind of an almost religious feeling about poets. I usually refuse to meet them because I admire them so much. Except for Poe.

Here's another piece of advice, only date people who have read a different set of books than you have read, it will save you lots of time in the library.

I don't understand why I'm not dead. When your heart breaks, you should die

Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.

Broadway remains the closest thing we have to a national theatre, the place where the greatest number of people can potentially see new work. For an American playwright to say it doesn't matter is simply to capitulate to the current situation.

I don't know anything about making movies. I'd never been on a film set. I'm really kind of an idiot when it comes to figuring out where objects are in space. If they're both moving, I can't do the math. If you ever see me driving down a road, go somewhere else quickly.

We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.

I've always been drawn to writing historical characters. The best stories are the ones you find in history.

Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.

It's the fear of what comes after the doing that makes the doing hard to do.

People are more easily manipulated when they don't have information. If you ensure that kids grow up without basic reading skills, math skills, and so forth, then you ensure that they can't act effectively.

One has to have a complicated kind of optimism. You can't refuse to look at how horrible things are.

In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead.

The dreams of the left are always beautiful - the imagining of a better world, the damnation of the present one. This faith, this luminescent anger - these are worthy of being called human. These are the Beautiful that an age produces.

One wants to move through life with elegance and grace, blossoming infrequently but with exquisite taste, and perfect timing, like a rare bloom, a zebra orchid... One wants... But one so seldom gets what one wants, does one?

You have a good heart and you think the good thing is to be guilty and kind but it's not always kind to be gentle and soft, there's a genuine violence softness and kindness visit on people. Sometimes self-interested is the most generous thing you can be.

I make my living now as a screenwriter! Which I’m surprised and horrified to find myself saying, but I don’t think I can support myself as a playwright at this point. I don’t think anybody does.

Nothing's lost forever.

You learn that existence is legible but that you have to have a critical mind if you're going to read it.

I don't want to name names because they'd be mad at me if I did, but people who are significant novelists can't get published by real publishers at this point, or have to go through two years of trying after writing a novel that's taken them five or six years and simply can't get the thing in print. Or it gets in print and it doesn't get reviewed in the New York Times Book Review and disappears without a trace. I mean, it's terrifying. I don't know how anybody can stand it. It's such an enormous amount of work and the economics of it are really quite brutal.

Real love isn't ever ambivalent.

I could give you absolutely sterling advice on how to avoid writing, how when you run out of things to do other than going to your desk and writing, when every closet is reorganized and you've called your oldest living relative twice in one day to see what she's up to and there isn't an unanswered e-mail left on your computer or you simply can't bear to answer another one and there is no dignity, not a drop left, in any further evasion of the task at hand, namely writing, well, you can always ask your dentist for a root canal or have an accident in the bathtub instead.

In the modern era, it isn't enough to write, you must also be the Writer, with a capital 'W,' and play your part as the protagonist in the cautionary narrative in which you will fail or triumph, be in or out, hot or cold, ride the wheel of fortune.

I'm not an experimental artist. I have no talent for that. I need a certain kind of antecedent form to follow.

I don't know what will happen to me without you. Only you. Only you love me. Out of everyone in the world.

There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.

What makes the voice pathetic is that it doesn't know what kind of people it's reaching. Us. No one hears it, except us. This Age wanted heroes. It got us instead: carefully constructed, but immobile. Subtle but, unfit to take up the burden of the times. It happens. A whole generation of washouts. History says stand up, and we totter and collapse, weeping, moved, but not sufficient.

My whole life has conspired to bring me to this place, and I can’t despise my whole life.

Don't be afraid; people are so afraid; don't be afraid to live in the raw wind, naked, alone...Learn at least this: What you are capable of. Let nothing stand in your way.

Torture yourself about your failures. And then get back to work.

I hate America. I hate this country. It’s just big ideas, and stories, and people dying, and people like you. The white cracker who wrote the national anthem knew what he was doing. He set the word 'free' to a note so high nobody can reach it. That was deliberate. Nothing on earth sounds less like freedom to me. You come to room 1013 over at the hospital, I'll show you America. Terminal, crazy and mean. I live in America, that’s hard enough, I don’t have to love it. You do that. Everybody’s got to love something.

I think that everybody who writes believes that their work has some kind of use-value, for someone, that there's some need for it, some person or group of people out there has demanded that these words come into being. I think that you do the work for these people. You hope that you can make a living at it. Whatever your ambitions and needs are in that regard, your only real requirement is to try and dig as deeply as you can dig to make sense of the meaning of human existence.

I'm not religious, but I like God and he likes me.

The fear of a work becoming dated is one of the most effective tools for keeping people from writing political work.

Justice precedes beauty. Without justice, beauty is impossible, an obscenity. And when beauty has gone, what does a cameraman do with his eye?

I just wondered what a thing it would be...if overnight everything you owe anything to, justice, or love, had really gone away. Free. It would be...heartless terror. Yes. Terrible, and... Very great. To shed your skin, every old skin, one by one and then walk away, unemcumbered, into the morning.

I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.

There are no gods here, no ghosts and spirits in America, there are no angels in America, no spiritual past, no racial past, there's only the political, and the decoys and the ploys to maneuver around the inescapable battle of politics.

Imagination can't create anything new, can it? It only recycles bits and pieces from the world and reassembles them into visions... So when we thing we've escaped the unbearable ordinariness and, well, untruthfulness of our lives, it's really only the same old ordinariness and falseness rearranged into the appearance of novelty and truth. Nothing unknown is knowable.

I wish you would be more true to your demographic profile. Life is confusing enough.

You'll find, my friend, that what you love will take you places you never dreamed you'd go.

When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.

The body is the garden of the soul.

In a sense, I feel like the job of the artist at all times is essentially the same, which is simply to tell the truth. I mean, I'm nervous about any prescriptions for what a writer should or shouldn't do.

A play is never finished. You'll find out how much I mean that when you read my Last Will and Testament.