Top 150 Quotes & Sayings by Tracee Ellis Ross - Page 3

Explore popular quotes and sayings by an American actress Tracee Ellis Ross.
Last updated on December 23, 2024.
And it [acting] was exciting to me. And scary.
Throughout high school, I was obsessed with magazines. I used to just comb through them and plaster things on my wall.
[Black-ish creator] Kenya Bariss wrote on Girlfriends. We've been friendly since then. He sent me [the pilot] and said, "I wrote it for you." But I know what that means in this industry.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
I doubted Black-ish , and I'll tell you why. Because it doesn't matter if a writer wrote it for you. He could've written it with you in mind. But TV is a collaborative art. It involves producers, networks, studios, and many people signing off on you. And a lot of times there are deals in place - actors with studios that they're looking for shows for.
Sometime in my second year at Brown [University], I took an acting class. And the lightbulb went off for me. I fell in love with it. I realized that everything I was afraid of about myself, all my fears, could be used in that world.
The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
My generation is one of the first generations of "choiceful" women - women who have actually had the choice of how they architect their lives - and I don't think shame should have any place in that. But as that generation, you get cuts and bruises.
The clothing, the makeup, the freedom of expression in [the models'] bodies. It was Linda and Christy and Naomi at the time. So I modeled before college. — © Tracee Ellis Ross
The clothing, the makeup, the freedom of expression in [the models'] bodies. It was Linda and Christy and Naomi at the time. So I modeled before college.
I think television is doing a better job than films in terms of representing people, but television is still not diverse.
I don't know that the stereotypical idea of what it is to be a child of somebody hugely famous necessarily comes into play in my life.
I was spoiled when I worked in the magazine world. Fashion closets are heaven and I seem to model my organization after a fashion closet.
After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, "Mom, I'm moving out! I made it!" I did two seasons of that, but I felt like a talking head and wanted to do more.
I think our culture promotes fear and shame.
I sometimes think to myself, you're not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it's great, and there are so many good shows on TV, and I have great books that I'm reading, get out and interact with people.
Why am I beating my hair up? Because I want it to look like something that it isn't? These are questions that I've been pondering my whole life.
It would drive the photographers crazy because I would giggle and tell jokes. I was gregarious, and looking back, I realize I had a captive audience.
I was recently watching Rihanna on the Billboard awards, and I was like, My God, she's incredible! And then I looked up her age [28]. She's always been talented. She's always been a star. But when you see her, she's becoming herself. It's age that happens. That's what I respond to.
I'm a farmer's market girl, so if you go and get beautiful, fresh fruit, that's local, and it hasn't been frozen yet, it's pretty fantastic.
I was cast in a movie [originally] called Mr. Spreckman's Boat, starring Marcia Gay Harden and Jennifer Connelly. I felt like an "actress." Both of them have won Oscars - maybe that means I might one day.
My mom helped me. I was very shy growing up, but my shyness sort of manifested in a big personality.
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
This woman [Bow] was not simply a reflection of who her husband was. She was her own whole self. And even if we weren't exploring life through her eyes, when we did see her it was clear that she had a full life.
My mom didn't adhere to any of those typical rules. She woke us up for school every morning, and was there at dinner or would call at bedtime. She never left for longer than a week. She recorded while we were sleeping.
You might be someone's favorite, but you might not be someone else's favorite. I will tell you that there was a [casting notice] that said "Tracee Ellis Ross type," but [the producers] didn't want to see me. I've been in this industry long enough to know that even if someone wants to promise me something, it doesn't mean that it's going to happen. There are so many things at play. But it was flattering and exciting.
Somehow [Kenya Bariss] has figured out how to explore these very weighty, sticky, sharp topics, and still be funny and not make fun of the topic.
Getting to a place where I am comfortable saying things was hard-earned for me. I've chewed on the ground glass of my own experience. I saw Gloria Steinem speak, and I was just like, Shut the front door. She was saying that she didn't come into her own until her 40s, and she was asking herself the question, Why should she have to get married? And I just thank God someone asked that question, right? I think we're the first generation of women asking ourselves certain questions and deciding for ourselves.
Nothing goes to windward like a 747.
Black-ish is really a show about an American family and these are some of the topics that come up - for all of us, in different ways - and we get to see how this family is walking through it.
There are a ton of foods that are great for you, that's like an indulgence. — © Tracee Ellis Ross
There are a ton of foods that are great for you, that's like an indulgence.
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