Top 98 Quotes & Sayings by Vic Mensa

Explore popular quotes and sayings by an American musician Vic Mensa.
Last updated on November 21, 2024.
Vic Mensa

Victor Kwesi Mensah, known professionally as Vic Mensa, is an American rapper and singer. He was a member of the group Kids These Days, which broke up in May 2013, after which he released his debut solo mixtape Innanetape. He is currently signed to Roc Nation.

There's a lot of times when I feel nihilistic, and lose hope, like I'm just lost in the world. But there's a lot of times when I can kinda be in control of destiny.
Oftentimes I feel like I can, through the music, paint a picture of something that I can't look anywhere and see in my real life.
The Clash is pretty much my favorite band, and their songs like 'Rock the Casbah' are political dance tracks. — © Vic Mensa
The Clash is pretty much my favorite band, and their songs like 'Rock the Casbah' are political dance tracks.
So much of my life and my style and sensibility are influenced by skateboarding. It's counter-culture and skateboarding is my introduction to counter-culture.
I think first of all my purpose is to be me. I didn't come here to specifically be a role model or anything.
They say depression is just anger turned inward. Sometimes I turn it outwards, sometimes I turn it inward, but I know it's about self-worth.
I might have 'couch syndrome.' I'm always sleeping on the couch at home, even when I have a comfortable bed. I'm used to it.
Thinking about the artists I've loved through the years, my favorites are the ones who've made music with cultural, societal and political significance.
I mean, Common was and is like my favorite rapper.
Coming from Chicago, Lollapalooza is the one weekend of the summer when actual Chicagoans are kept out.
I've been harassed by police my whole life and seen people who looked like me treated like animals at the hands of law enforcement.
A lot of the most prolific painters died broke and weren't appreciated in their time. I'm trying to remember who exactly I was thinking of - like Rembrandt, van Gogh or Gauguin. Some of those guys, they got whole floors of museums to themselves but weren't really appreciated in their time at all.
But I think your biggest crime as a citizen of society or America or the world is to be ignorant by choice. There's no excuse for that. I feel, when the information is at my fingertips, I could never choose to be ignorant.
I don't see why clothes have to be women's or men's. It seems pretty limiting. I buy women's pants, women's shoes - everything, really. — © Vic Mensa
I don't see why clothes have to be women's or men's. It seems pretty limiting. I buy women's pants, women's shoes - everything, really.
Because many people deny the Palestinian struggle. They deny them everything. They deny them humanity, they deny them the right to be on the land they were born in. They deny them the right to return to the homes that were stolen from them, to build Israel.
I was raised by a woman and I'm the middle child of two sisters who are young Black women.
I have the kind of conscience that it doesn't feel right if I watch other people suffer and I do nothing about it.
I always try to take performances as an opportunity to implant my spirit into the hearts and minds of anyone in a hundred-yard vicinity.
You know, I think the idea of activism, more so a revolutionary mindset, is something that has been with me for most of my life, especially since I was about 16 years old.
The disparity between the haves and have-nots was always blatantly obvious to me, and it's that exact gap that drove me to start writing and pick up a pen. I wanted to explain and understand the world around me because it was easy to see it was corrupted.
On family trips and vacations, I remember walking around with my little sister and making funny songs on the spot.
Traffic' was an album that had a significant amount of songs. It was not complete and I felt didn't fully represent me as a person or as the artist I want to be and so when I started the writing process for 'The Autobiography' I was really turning a corner in my life.
My body is what? Like 99 percent water or something. But I drink all of my water out of, like, plastic containers. You know what I mean? What is plastic? My body is not one percent plastic, but the way that I ingest the water that runs through all of my veins is almost strictly out of plastic. There's something wrong with that.
I'd been doing my own thing, and making my own money; I wasn't built by a record label or the music industry, nor was I built by prominent artists that have given me co-signs.
Hip-hop has always been speaking about the way your brain is manipulated by stress and struggle because hip-hop is borne from struggle.
I really make music from the heart.
As an artist, I try not to sound the same as others. Or even as myself.
I collaborated with so many people from Chicago - so many Black people, young Black women organizations like BYP100 and Assata's Daughters. Just being out there, I saw what a community mobilizing can accomplish in terms of freedom and how music and my words in my music can play a significant part in that.
Chicago, I feel, is a microcosm for the segregated, violent environment that is America. I try to not only speak about these things in music, but also try to address these things in real life tangibly with action.
It's anxiety that led to a depression that I've been dealing with since I was 16, 17. That was the first time I was ever prescribed medication for either of those disorders I guess you would call it.
My mother was from upstate New York; she's of Irish and German descent. My father was from Ghana.
I'm one of the only people I know that often sleeps in boots.
Anybody who's dealt with addiction and depression knows that sometimes they can make you forget who you are and kind of bring out a different person, somebody you don't know as well.
I just stand by the things I believe in and if that upsets people, which it often does, then we got a situation on our hands. Everybody is okay and safe. I'm just blessed to be awake.
I've been combing through the Wolverine archives and advertisements from the sixties and seventies. I'm looking to take inspiration from designs of the past and bring them into the future.
I had white family members, black family members, white friends, black friends by the time I was 16.
I'm still alive to change the world and to do things that are significant. I don't know what they all may be, but I was put on this earth for a reason.
I never look at it as if any of my successes were given to me through fate. Getting record deals, making the songs I've made, having fans and working with the people I work with aren't chance. I know that dedication and work have gotten me to where I am and will get me to where I wanna go.
I wanted to go to a place with my first album that was just to the root, to the heart of emotion, and just unbridled by anything that wasn't truly in my heart. — © Vic Mensa
I wanted to go to a place with my first album that was just to the root, to the heart of emotion, and just unbridled by anything that wasn't truly in my heart.
From a musical standpoint, I was inspired by '90s hip hop, with a lot of drums and the tempos. I'm always inspired by David Bowie and Prince.
I just love The Cure. I think that their songwriting is so next level, and I really like the juxtaposition between this bad boy attitude and a softer, more emotional idea.
Emotion is a broad spectrum and I just been to a lot of sides of my own emotions.
I just like Kodak Black. I feel like he's pretty self-aware, even if I don't agree with all the things he says.
I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.
You can go into a psychiatrist sometimes and just feel that this person's only role and their only desire is to write you a prescription, get a check and send you out the door.
That's one thing I can't lose: I can't lose the realness in my music.
There's always somebody telling you what you're not supposed to like. But that's not the way I grew up.
We're not able to hide behind myths of this being a post-racial society because Donald Trump has outlined exactly how a large portion of America feels.
I can remember being a young kid, twelve, thirteen years old just with my headphones on, on the train, listening to rappers paint these vivid pictures. Listening to Mobb Deep and feeling like I was in Queensbridge even though I'm on the Southside of Chicago.
People think I'm angry and they're right. There's a lot to be angry about. But I'm also empathetic and ambitious and hopeful and happy at times. — © Vic Mensa
People think I'm angry and they're right. There's a lot to be angry about. But I'm also empathetic and ambitious and hopeful and happy at times.
No I.D. helped me to just identify certain energies that I might not have really represented yet in the music that he picked up on just in my personality, or in the person he perceived me to be.
I'm from a family of educators. I grew up with books in my house and in my hands and my parents in my life.
Being someone that grew up in a biracial household I never really felt accepted by black people when I was a little kid, I didn't feel fully accepted by black kids and I definitely didn't feel fully accepted by white kids cause I just felt like I could never be neither one.
My foundation mainly works in Chicago, and the city needs a lot of help. I'm glad that was able to be incorporated into what I'm doing with Wolverine. It's important to keep one foot firmly planted at home and try to benefit my people well.
Prince is one of my biggest idols of all time, and he's the real King of Pop.
I'm not motivated by money or fame. I'm more driven by the electricity of creativity. The idea of being one of the legends that inspired me, being like Tupac.
I came from a two-parent household and my father is a PhD from west Africa, but at the same time I grew up five blocks from where Obama lived and five blocks from the projects.
I'm inspired by Prince on every level; the whole androgynous thing, the ambiguity in his gender and his foundation - it's amazing. That's the way I think about clothes, in relation to my personality and my life. It's just an extension of who I am, like a song.
I feel that my purpose is to shed light on some of the darker sides of our world, and to lend a hand and a voice to people struggling.
And being that my father is gone in immigrant and I have you know - that I owe my existence to immigration, I think that the fear of immigration that has existed in American history from the first day, I just find it to be wrong.
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