Top 366 Quotes & Sayings by Vladimir Nabokov - Page 4

Explore popular quotes and sayings by an American novelist Vladimir Nabokov.
Last updated on November 22, 2024.
Oh, my Lolita, I have only words to play with!
At eight, he had once told his mother that he wanted to paint air.
I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name since 1956, but of no human beings.
Human thought, flying on the trapezes of the star-filled universe, with mathematics stretched beneath, was like an acrobat working with a net but suddenly noticing that in reality there is no net.
We loved each other with a premature love, marked by a fierceness that so often destroys adult lives. — © Vladimir Nabokov
We loved each other with a premature love, marked by a fierceness that so often destroys adult lives.
A philistine is a full-grown person whose interests are of a material and commonplace nature, and whose mentality is formed of the stock ideas and conventional ideals of his or her group and time.
Measure me while I live - after it will be too late.
He broke my heart. You merely broke my life.
Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? The heart does not break, as it does in parting with dear objects. The humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. This already dead iventory will not be resurrected in one's memory.
Ada girl, adored girl, [...] I'm a radiant void. I'm convalescing after a long and dreadful illness. You cried over my unseemly scar, but now life is going to be nothing but love and laughter, and corn in cans. I cannot brood over broken hearts, mine is too recently mended.
The nostalgia I have been cherishing all these years is a hypertrophied sense of lost childhood, not sorrow for lost banknotes.
We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night — every night, every night — the moment I feigned sleep.
Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.
A thousand years ago five minutes were Equal to forty ounces of fine sand. Outstare the stars. Infinite foretime and Infinite aftertime: above your head They close like giant wings, and you are dead.
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
All my life I have been a poor go-to-sleeper. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me. — © Vladimir Nabokov
All my life I have been a poor go-to-sleeper. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me.
My answer to your question'Does the writer have a social responsibility?' is NO.You owe me ten cents, sir.
A good laugh is the best pesticide.
Chess problems demand from the composer the same virtues that characterize all worthwhile art: originality, invention, conciseness, harmony, complexity, and splendid insincerity
You know, what's so dreadful about dying is that you are completely on your own.
I was weeping again, drunk on the impossible past.
In and out of my heart flowed my rainbow blood.
Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.
A toothache will cost a battle, a drizzle cancel an insurrection.
Oh, let me be mawkish for the nonce! I am so tired of being cynical.
All at once we were madly, clumsily, shamelessly, agonizingly in love with each other; hopelessly, I should add, because that frenzy of mutual possession might have been assuaged only by our actually imbibing and assimilating every particle of each other's soul and flesh; but there we were, unable even to mate as slum children would have so easily found an opportunity to do so.
If I correctly understand the sense of this succinct observation, our poet suggests here that human life is but a series of footnotes to a vast obscure unfinished masterpiece.
I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.
Lolita, light of my life, fire of my loins. My sin, my soul.
Whatever his secret was, I have learnt one secret too, and namely: that the soul is but a manner of being - not a constant state - that any soul may be yours, if you find and follow its undulations. The hereafter may be the full ability of consciously living in any chosen soul, in any number of souls, all of them unconscious of their interchangeable burden.
Age indomitably, in the European manner. Do not finish your labours young. Be a planet, not a meteor. Honor the working day. Sit at your desk.
I could also distinguish the glint of a special puddle (the one Krug had somehow perceived through the layer of his own life), an oblong puddle invariably acquiring the same form after every shower because of the constant spatulate shape of a depression in the ground. Possibly something of the kind may be said to occur in regard to the imprint we leave in the intimate texture of space. Twang. A good night for nothing.
And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.
After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.
The day, like the previous days, dragged sluggishly by in a kind of insipid idleness, devoid even of that dreamy expectancy which can make idleness so enchanting.
I don't want an elderly gentleman from Vienna with an umbrella inflicting his dreams upon me.
I was the shadow of the waxwing slain/By the false azure in the windowpane.
And what is death, if not a face at peace - its artistic perfection.
Most of the dandelions had changed from suns to moons.
As to the rest, I am no more guilty of imitating 'real life' than'real life' is responsible for plagiarizing me. — © Vladimir Nabokov
As to the rest, I am no more guilty of imitating 'real life' than'real life' is responsible for plagiarizing me.
A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own.
Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love - from my heart, from the tender nucleus of a personal matter- to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behaviour of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time.
Do not be awed by giant predecessors. Be ill-tempered with their renown. Point out flaws. Frighten interviewers from Time. Appear in Playboy. Sell to the movies.
If possible, be Russian. And live in another country. Play chess. Be an active trader between languages. Carry precious metals from one to the other. Remind us of Stravinsky. Know the names of plants and flying creatures. Hunt gauzy wings with snares of gauze. Make science pay tribute. Have a butterfly known by your name.
We hasten to alienate the very fates we intended to woo.
Why do those people guess so much and shave so little, and are so disdainful of hearing aids?
I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ... I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
I think she always nursed a small mad hope.
Do those clowns really believe what they teach?
I have no ear for music. When I attend a concert, I endeavor gamely to follow the sequence and relationship of sounds but cannot keep it up for more than a few minutes. Visual impressions, reflections of hands in lacquered wood, a diligent bald spot over a fiddle, take over, and soon I am bored beyond measure by the motions of the musicians.
Memory overshadows the present and dims the future "into something thicker than its usual pea soup." — © Vladimir Nabokov
Memory overshadows the present and dims the future "into something thicker than its usual pea soup."
Readers are not sheep, and not every pen tempts them.
In reading, one should notice and fondle details.
for better or worse, it is the commentator who has the last word.
There was a time in my demented youth When somehow I suspected that the truth About survival after death was known To every human being: I alone Knew nothing, and a great conspiracy Of books and people hid the truth from me.
Thus, in pornographic novels, action has to be limited to the copulation of clichés.
The road now stretched across open country, and it occured to me - not by way of protest, not as a symbol, or anything like that, but merely as a novel experience - that since I had disregarded all laws of humanity, I might as well disregard the rules of traffic. So I crossed to the left side of the highway and checked the feeling, and the feeling was good. It was a pleasant diaphragmal melting, with elements of diffused tactility, all this enhanced by the thought that nothing could be nearer to the elimination of basic physical laws than deliberately driving on the wrong site of the road.
Life is short. From here to that old car you know so well there is a stretch of twenty, twenty-five paces. It is a very short walk. Make those twenty-five steps. Now. Right now. Come just as you are. And we shall live happily ever after.
Theoretically there is no absolute proof that one's awakening in the morning (the finding oneself again in the saddle of one's personality) is not really a quite unprecedented event, a perfectly original birth.
I have never seen a more lucid, more lonely, better balanced mad mind than mine.
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