Top 130 Quotes & Sayings by Walter Kirn - Page 2

Explore popular quotes and sayings by an American novelist Walter Kirn.
Last updated on April 20, 2025.
Yes, in the commercial world there's room for both McDonald's and Whole Foods, but in the realm of politics, we're told, it's either Filet-o-Fish or line-caught salmon: only one can prevail - and which is up to you.
Short stories are fiction's R & D department, and failed or less-than-conclusive experiments are not just to be expected but to be hoped for.
The idea that Americans favor politicians who either remind them of themselves or can imagine what their selves are like because they too have struggled and sung the blues, is, like very best theories of human behavior, immune to falsification by mere evidence.
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - successful if they include three or four great tracks, wildly successful if they have five. And that's as it should be.
It's no accident that most self-help groups use 'anonymous' in their names; to Americans, the first step toward redemption is a ritual wiping out of the self, followed by the construction of a new one.
If writers, like comedians or singers, could only hear themselves bombing as they worked, it's likely that certain books would be cut short after the first few leaden sentences.
I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.
No matter how you cut them, paste them, rotate them, or distort them, lip syncing and air-guitar playing are fundamentally foolish activities, and anyone seen to be engaging in them with anything approaching a straight face is, by definition, taking herself or himself much too seriously.
The future of time, of how it's won or lost, endured or enjoyed, expanded or compressed, will depend on how it's valued, not how it's measured. — © Walter Kirn
The future of time, of how it's won or lost, endured or enjoyed, expanded or compressed, will depend on how it's valued, not how it's measured.
When I shoot at the range, I don't feel personally powerful but like the custodian of something powerful. I feel like a successful disciplinarian of something radically alien and potent. Analyze this sensation all you want; you still can't make it go away.
It's been a concern of mine for years that the mainstream media coverage of culture and politics takes place in two nodes, Washington and New York, and yet all the voting goes on somewhere else.
Guns can turn you into an insider even if you're an outsider by nature, recruiting you into a loose fraternity of people who feel embattled and defensive and are primally eager to win allies.
The fictionally correct have all the answers, and that's what's wrong with them. They're artistic technocrats. There's no dilemma so knotty, no question so baffling, that it can't be smoothly neutralized by dialing up the right attitude adjustment. Poor old Hemingway. If only he'd known.
Literary dementia seems dated now, but there was a time when a month in the funny farm was as de rigueur for budding writers as an M.F.A. is now. To be sent away was a badge of honor; to undergo electroshock, a glorious martyrdom.
Nothing is less suspenseful than a threat that threatens the maker of the threat at least as much as the subject of the threat. Congress hasn't learned this yet, but America has learned it over and over.
A loving mother-son relationship is always a plot or outwitting of some kind. 'Don't tell anyone, but...' my mother was always saying to me - when I wasn't saying it to her.
Let the novelists fret about consistency - story writers should feel free to jam; to get things right in new, surprising ways by allowing themselves, now and then, to get things wrong.
People can be so neglectful of each other and of their own heritage - then death intrudes. Conversations we wish that we'd had earlier are had too late.
If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down. — © Walter Kirn
If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
Statistics on the dangers guns pose to the health of their owners and those who live with them suggest that I'd be safer selling my guns than reserving them for 'Tombstone II.'
One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
Horror and panic themselves are forms of violence, and diminishing them, restricting their dimensions, is itself a civilizing act.
Thanks to Twitter, iPads, BlackBerrys, voice-activated in-dash navigation systems, and a hundred other technologies that offer distraction anywhere, anytime, boredom has loosened its grip on us at last - that once-crushing 'weight' has become, for the most part, a memory.
The reason that last-ditch political maneuvering has become business as usual in Washington is that the actors involved are drunk on blame and are convinced that the voting public is, too. They count on outrage, thereby spreading numbness. They cherish the prospect of partisan fury, thereby inspiring nonpartisan disgust.
Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos.
Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.
Remember daydreams? No, of course you don't. How could you? Three new text messages have just arrived, and another three, in a moment, will go out.
The success that Americans are said to worship is success of a specific sort: accomplished not through hard work, primarily, but through the ingenious angle, the big break. Sit down at a lunch counter, stand back up a star. Invest in a new issue and watch it soar. Split a single atom, win a war.
Requesting permission from someone to be honest is really a way of accusing the other person of being so demanding or overbearing that you couldn't be honest all along.
Sometimes, when a person is truly lost in this world, suffocating inside her private bubble where all she can hear is her own droning heartbeat, a touch can be enough.
My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
There are moments when it frightens us, threatening to expose us as inauthentic. Well, the big-time impostors we read about in literature run this risk constantly, flirting with destruction, not just humiliation or embarrassment. It's a spectacle that we can't help but find compelling, and it involves a certain level of courage that we sneakily admire, perhaps.
The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialise alone.
I preferred that my bad dreams be vague.
Reason leavened with a little wit (if possible) is the real alternative to hate speech, meaning that there's no better time for it.
Art, art of any kind, shows that folks are trying.
Just breathing can be such a luxury sometimes.
Some strangers become more important to you than family, maybe because you're not expected to love them. You can leave them whenever you want to. They can, too. Every moment together is a choice.
I still believe in love. I always will. It's my blessing and my burden.
The best critic needn't be right, just interesting.
He knows, as all the cleverest ones do, that no human being is so interesting that he can't make himself more interesting still by acting retarded at random intervals.
Love is a powerful painkiller. — © Walter Kirn
Love is a powerful painkiller.
I love reference books, especially collections of memorable quotations, almanacs, and atlases. Facts to me are like candy or popcorn - small, tasty delights - and I like to gorge on them now and then.
The market is the only critic that matters.
A writer turns his life into material, and if you’re in his life, he uses yours, too.
At the beginning of a novel, a writer needs confidence, but after that what's required is persistence. These traits sound similar. They aren't. Confidence is what politicians, seducers and currency speculators have, but persistence is a quality found in termites. It's the blind drive to keep on working that persists after confidence breaks down.
Most writers' view of the New West is either phony - obsessed with the same tired mythology - or it's obsessed with anti-mythology, ... There's not a lot of realistic, observant writing about the West right now.
You thought you were found but you realize that you were lost, and someday you may discover that you're lost now.
Given Loughner's obsession with meaninglessness and language, maybe Foucault & Derrida deserve some fault here, too.
When Loughner himself speaks and we find out his real influences are Spiderman, 'Gnome Chomsky,' Taylor Swift, and Dr. Bronner, then what?
The best anti-depressant pill for me would be one the size of a house so you could drop it on me and put me out of my misery.
The most beautiful faces have some ugly in them. — © Walter Kirn
The most beautiful faces have some ugly in them.
Memo to extreme partisans: If you can't bring yourselves to love your enemies, can you at least learn to hate your friends?
Everyone loves a witch hunt as long as it's someone else's witch being hunted.
Other people's devotions embarrassed me, perhaps because, like other people's kisses, they rarely looked genuine when viewed too closely.
Quiet cunning bested boastful brawn
Spirit was a by-product of activity, like the reflection from a spinning fan blade, and our souls in the end did not reside within us but flowed outward from our movements.
I feel like my head is finally the right size. I feel like it finally fits around my mind.
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