Explore popular quotes and sayings by an American author Will Hobbs.
Last updated on November 17, 2024.
Will Hobbs is the American author of twenty novels for upper elementary, middle school and young adult readers, as well as two picture book stories. Hobbs credits his sense of audience to his fourteen years of teaching reading and English in southwest Colorado. When he turned to writing, he set his stories mostly in wild places he knew from firsthand experience. Hobbs has said he wants to “take young people into the outdoors and engage their sense of wonder.” Bearstone, his second novel, gained national attention when it took the place of Where the Red Fern Grows as the unabridged novel in Prentice-Hall’s 7th grade literature anthology. Downriver and Far North were selected by the American Library Association for its list of the 100 Best Young Adult Books of the 20th century. As of 2020, all twenty-two of Hobbs’ books are in print, and all the novels are available in unabridged audio editions.
I've been collecting articles on extremophile bacteria for at least the last ten years. I find them fascinating, whether they live in boiling pools at Yellowstone, around thermal vents at the floors of the oceans, or on Mars, where NASA has been searching for them as the first evidence of life beyond Earth.
I love to read about the exploits of technical mountain climbers, but I've never done any vertical climbing.
I do have two wonderful awards from the Western Writers of America, one for 'Beardance' and the other for 'Far North.' The award is called the Spur, and the plaques really do have spurs on them!
Researching and writing about the Klondike Gold Rush of 1897-98 was one of the most exciting and involving projects I've undertaken.
Pacing has become more important than ever, largely because of other media. I've always tried to start my stories out with a bang, something that will hook their attention.
In a lot of cases, writers discover that the novel needs to begin later in the action than they'd first thought.
Seven of my novels take place in the Southwest, in the Four Corners area which has been my home since 1973. I know these mountains, rivers, mesas and canyons well, so it's been natural for me to draw on my own personal experiences here.
'Ghost Canoe' takes place on the storm-tossed tip of Washington's Olympic Peninsula, where I spent a lot of time hiking and exploring.
My first job out of college was six weeks of picking fruit alongside a dozen or so men from Mexico. The orchard was in Emmett, Idaho. The men spent almost nothing on themselves. Their paychecks went directly to their families back home.
My youngest brother and I went on a ten-day canoe trip in Bowron Provincial Park in British Columbia years ago. Believe it or not, we took only granola, thinking we'd be eating a lot of lake trout. Well, we neglected to bring along a net, and our fishing line was only 8-lb. test.
'Changes in Latitudes' began when I was looking at a photograph of a sea turtle swimming underwater. I had such a strong feeling for the beauty of this ancient creature, at home in the sea. On the spot, I wanted to swim with that turtle. I began to imagine a character who would do just that.
I've been reading about Crazy Horse and Custer for a long, long time, and I thought that if I was going to write a story that took place in the Black Hills, I should find a way to include this history in it.
I was astounded to learn that Alaskan caves might be hiding secrets about the earliest people ever to enter the Americas. That's when I began to picture a story that would start with kayaking and lead into the caves.
For 'The Big Wander,' I probably had ten different outlines before I made myself start writing. I would sleep on each one, thinking it was wonderful, but I would always awake perceiving some flaw.
I love weird science. I learned in an article in 'National Geographic' that there are trillions of bacteria in our guts that help us digest food. These are non-human creatures.
I've been under the spell of the North ever since my childhood in Alaska. More and more, I've been returning to Alaska, and sometimes my adventures inspire a story.
My seventeen years of teaching inform my sense of audience in every line I write.
Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.
Dreams aren't practical, but we can't live without them.
Old Japanese saying, live scorpion in pants makes life interesting.
An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.
I often read nonfiction, and some of my ideas begin there.
So much of writing is discovery. Sometimes I feel like a rat in a maze, trying to discover the way out. My little heart is beating, and I'm racing down a path thinking, this is the route, it will get me there, as I turn this way and then that.
Some of the best things that have happened in my stories have happened seemingly of their own accord. The writer becomes a listener, just writing things down as they come.
I stay in contact with kids, and that is a lot of fun for me, not only to get their letters but to meet them in schools and see that the books really have engaged their hearts and imaginations. That's what makes it so worthwhile.
Once you're imagining being the main character, and you're having the conversations and actually being there, the magic in fiction writing takes over.
One day I get to that spot where I've discovered the secret to the maze, and then I've got free running the rest of the way. It's a great feeling.
The Internet is like a gold-rush; the only people making money are those who sell the pans.