Top 594 Quotes & Sayings by William Butler Yeats - Page 7

Explore popular quotes and sayings by an Irish poet William Butler Yeats.
Last updated on April 15, 2025.
And God would bid His warfare cease, Saying all things were well; And softly make a rosy peace, A peace of Heaven with Hell.
Let the minor genius go his light way and enjoy his life - the great nature cannot so live, he is never really in holiday mood, even though he often plucks flowers by the wayside and ties them into knots and garlands like little children and lays out on a sunny morning.
Some moralist or mythological poet Compares the solitary soul to a swan; I am satisfied with that, Satisfied if a troubled mirror show it, Before that brief gleam of its life be gone.
And God, the herdsman, goads them on behind. — © William Butler Yeats
And God, the herdsman, goads them on behind.
It is most important that we should keep in this country a certain leisured class. I am of the opinion of the ancient Jewish book which says there is no wisdom without leisure.
Odor of blood when Christ was slain Made all Platonic tolerance vain And vain all Doric discipline.
Who dreamed that beauty passes like a dream? For these red lips, with all their mournful pride, Mournful that no new wonder may betide, Troy passed away in one high funeral gleam, And Usna's children died.
I believe when I am in the mood that all nature is full of people whom we cannot see, and that some of these are ugly or grotesque, and some wicked or foolish, but very many beautiful beyond any one we have ever seen, and that these are not far away... and the simple of all times and the wise men of ancient times have seen them and even spoken to them.
How can I, that girl standing there, My attention fix On Roman or on Russian Or on Spanish politics? Yet here's a travelled man that knows What he talks about, And there's a politician That has read and thought, And maybe what they say is true Of war and war's alarms, But O that I were young again And held her in my arms!
Never shall a young man, Thrown into despair By those great honey-coloured Ramparts at your ear, Love you for yourself alone And not your yellow hair.
Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a while.
How can they know Truth flourishes where the student's lamp has shone, And there alone, that have no solitude? So the crowd come they care not what may come. They have loud music, hope every day renewed And heartier loves; that lamp is from the tomb.
The women that I picked spoke sweet and low And yet gave tongue. "Hound voices" were they all.
The women take so little stock In what I do or say They'd sooner leave their cosseting To hear a jackass bray.
For what but eye and ear silence the mind
With the minute particulars of mankind? — © William Butler Yeats
For what but eye and ear silence the mind With the minute particulars of mankind?
Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war?
What's memory but the ash That chokes our fires that have begun to sink?
Things thought too long can be no longer thought, For beauty dies of beauty, worth of worth, And ancient lineaments are blotted out.
I can exchange opinion with any neighbouring mind, I have as healthy flesh and blood as any rhymer's had, But O! my Heart could bear no more when the upland caught the wind; I ran, I ran, from my love's side because my Heart went mad.
But stories that live longest Are sung above the glass, And Parnell loved his country And Parnell loved his lass.
When an immortal passion breathes in mortal clay; Our hearts endure the scourge, the plaited thorns, the way Crowded with bitter faces, the wounds in palm and side, The vinegar-heavy sponge, the flowers by Kedron stream.
My temptation is quiet. Here at life's end Neither loose imagination Nor the mill of the mind Consuming its rag and bone, Can make the truth known.
For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,”Here is the fiddler of Dooney!” / And dance like a wave of the sea.
I have heard that hysterical women say They are sick of the palette and fiddle-bow, Of poets that are always gay
A poet is a good citizen turned inside out.
While on that old grey stone I sat Under the old wind-broken tree, I knew that One is animate, Mankind inanimate phantasy.
The wrong of unshapely things is a wrong too great to be told; I hunger to build them anew and sit on a green knoll apart.
I see a schoolboy when I think of him, With face and nose pressed to a sweet-shop window.
Brown Penny I WHISPERED, 'I am too young,' And then, 'I am old enough'; Wherefore I threw a penny To find out if I might love. 'Go and love, go and love, young man, If the lady be young and fair.' Ah, penny, brown penny, brown penny, I am looped in the loops of her hair. O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon. Ah, penny, brown penny, brown penny, One cannot begin it too soon.
I would that I were an old beggar Rolling a blind pearl eye, For he cannot see my lady Go gallivanting by.
The Bishop has a skin, God knows, Wrinkled like the foot of a goose, (All find safety in the tomb.) Nor can he hide in holy black The heron's hunch upon his back, But a birch-tree stood my Jack.
A lonely impulse of delight
. . . you may think I waste my breath Pretending that there can be passion That has more life in it than death
Both nuns and mothers worship images, But those the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose.
But boys and girls, pale from the imagined love Of solitary beds, knew what they were, That passion could bring character enough And pressed at midnighht in some public place Live lips upon a plummet-measured face.
Why should I seek for love or study it? It is of God and passes human wit; I study hatred with great diligence, For that's a passion in my own control, A sort of besom that can clear the soul Of everything that is not mind or sense.
A man in his own secret meditation / Is lost amid the labyrinth that he has made / In art or politics.
I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined.
I can forgive even that wrong of wrongs, Those undreamt accidents that have made me Seeing that Fame has perished this long while, Being but a part of ancient ceremony Notorious, till all my priceless things Are but a post the passing dogs defile.
Come swish around my pretty punk
And keep me dancing still
That I may stay a sober man
Although I drink my fill. — © William Butler Yeats
Come swish around my pretty punk And keep me dancing still That I may stay a sober man Although I drink my fill.
May we two stand, When we are dead, beyond the setting suns, A little from other shades apart, With mingling hair, and play upon one lute.
I carry from my mother's womb a fanatic's heart.
How could passion run so deep Had I never thought That the crime of being born Blackens all our lot?
for never yet Has lover lived, but longed to wive Like them that are no more alive.
For he would be thinking of love Till the stars had run away And the shadows eaten the moon.
I would that there was nothing in the world But my beloved that night and day had perished, And all that is and all that is to be, All that is not the meeting of our lips.
Bodies of holy men and women exude Miraculous oil, odour of violet. But under heavy loads of trampled clay Lie bodies of the vampires full of blood; Their shrouds are bloody and their lips are wet.
Locke sank into a swoon; The Garden died; God took the spinning-jenny Out of his side.
The night can sweat with terror as before We pieced our thoughts into philosophy, And planned to bring the world under a rule, Who are but weasels fighting in a hole.
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day's vanity, the night's remorse. — © William Butler Yeats
In luck or out the toil has left its mark: That old perplexity an empty purse, Or the day's vanity, the night's remorse.
I have read somewhere that in the Emperor's palace at Byzantium was a tree made of gold and silver, and artificial birds that sang.
Though pedantry denies, It's plain the Bible means That Solomon grew wise While talking with his queens.
Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart.
But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good.
It's certain there is no fine thing Since Adam's fall but needs much laboring.
Speech after long silence; it is right, All other lovers being estranged or dead . . . That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.
A mermaid found a swimming lad, Picked him up for her own, Pressed her body to his body, Laughed; and plunging down Forgot in cruel happiness That even lovers drown.
We poets would die of loneliness but for women, and we choose our men friends that we may have somebody to talk about women with. Letter to Olivia Shakespeare, 1936
I think all happiness depends on the energy to assume the mask of some other life, on a re-birth as something not one's self.
Never to have lived is best, ancient writers say. Never to have drawn the breath of life, never to have looked into the eye of day; The second best's a gay goodnight and quickly turn away.
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