Top 33 Quotes & Sayings by William Irwin Thompson

Explore popular quotes and sayings by an American philosopher William Irwin Thompson.
Last updated on September 19, 2024.
William Irwin Thompson

William Irwin Thompson was an American social philosopher, cultural critic, and poet. He received the Oslo International Poetry Festival Award in 1986. He described his writing and speaking style as "mind-jazz on ancient texts". He was the founder of the Lindisfarne Association, which proposed the study and realization of a new planetary culture.

One way to find food for thought is to use the fork in the road, the bifurcation that marks the place of emergence in which a new line of development begins to branch off.
With the emergence of civilization, the rate of change shifted from hundreds of thousands of years to millennia. With the emergence of science as a way of knowing the universe, the rate of change shifted to centuries.
Unconscious Polities emerge independent of conscious purpose. — © William Irwin Thompson
Unconscious Polities emerge independent of conscious purpose.
A World is not an ideology nor a scientific institution, nor is it even a system of ideologies; rather, it is a structure of unconscious relations and symbiotic processes.
Idealistic reformers are dangerous because their idealism has no roots in love, but is simply a hysterical and unbalanced rage for order amidst their own chaos.
Not all intelligence can be artificial now, so if we make a mistake, the consequences are no longer simply located within an institution or a national culture.
Ideologies do not map the complete living processes of a World.
The conscious process is reflected in the imagination; the unconscious process is expressed as karma, the generation of actions divorced from thinking and alienated from feeling.
Hominid and human evolution took place over millions and not billions of years, but with the emergence of language there was a further acceleration of time and the rate of change.
For the first time in human evolution, the individual life is long enough, and the cultural transformation swift enough, that the individual mind is now a constituent player in the global transformation of human culture.
If you do not create your destiny, you will have your fate inflicted upon you.
The teacher of history's work should be, ideally, not simply a description of past cultures, but a performance of the culture in which we live and are increasingly taking our being.
The more chaos there is, the more science holds on to abstract systems of control, and the more chaos is engendered.
The conscious purpose of science is control of Nature; its unconscious effect is disruption and chaos.
Catastrophes are often stimulated by the failure to feel the emergence of a domain, and so what cannot be felt in the imagination is experienced as embodied sensation in the catastrophe.
In the domain of cops and robbers, an interdiction serves to structure a black market and a shadow economy.
The future is beyond knowing, but the present is beyond belief.
The planets are not hunks of stuff out there but nodes of vibration that resonate in multiple dimensions that enfold themselves into one another in patterns of complex recursiveness in which Sun, Moon, and Saturn are also modalities of Earth.
When we come to an edge we come to a frontier that tells us that we are now about to become more than we have been before.
But the time has come; the revelation has already occurred, and the guardian seers have seen the lightning strike the darkness we call reality. And now we sleep in the brief interval between the lightning and the thunder.
Some god or Weltgeist has been making a movie out of us for the past six thousand years, and now we have turned a corner on the movie set of reality and have discovered the boards propping up the two-dimensional monuments of human history. The movement of humanism has reached its limit, and now at that limit it is breaking apart into the opposites of mechanism and mysticism and moving along the circumference of a vast new sphere of posthuman thought.
Fairy tales and myths are forms of cultural storage for the natural history of life.
It should be possible to say that there really is such as thing as "genius" and that what it is, is precisely a surprising and unexpected movement away from collective patterns of behavior and received wisdom.
Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature's answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.
What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.
Science is the storytelling of our time. — © William Irwin Thompson
Science is the storytelling of our time.
We are the climactic generation of human cultural evolution, and in the microcosm of our lives the macrocosm of the evolution of the human race is playing itself out.
If you do not create your destiny, you will have your fate inflicted upon you.
If humans died in a healthy culture, they would not lock out the earth in metal coffins and carve their names on stone monuments, but would instead place the naked body in the earth and plant a tree above the silent heart.
I don't think anyone now really understands the planetisation of mankind, really understands the new world order emerging through all this period of strain and pain and contradiction, so more than ever, we need to have an internal sense of navigation.
In a world in which men write thousands of books and one million scientific papers a year, the mythic bricoleur is the man who plays with all that information and hears a music inside the noise.
That shoreline where the island of knowing meets the unfathomable sea of our own being is the landscape of myth.
If a person is open to a new world view, it can often mean that he is not firmly rooted in the reality of the old world view; as a lunatic or alienated artist, his own neurotic traits can become magnified as they tremble with the new energy pouring in from the universal source.
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