Top 22 Quotes & Sayings by Wright Morris

Explore popular quotes and sayings by an American novelist Wright Morris.
Last updated on November 23, 2024.
Wright Morris

Wright Marion Morris was an American novelist, photographer, and essayist. He is known for his portrayals of the people and artifacts of the Great Plains in words and pictures, as well as for experimenting with narrative forms.

The man who walks alone is soon trailed by the F.B.I.
After many months of writing, it occured to me that it might be possible to photograph, in the flesh, what I was attempting to capture in words. I bought a Rolleiflex camera and began to take pictures of objects or structures that were used and abused by human hands
Images proliferate. Am I wrong in being reminded of printing money in a period of wild inflation? Do we know what we are doing? Are we able to evaluate what we have done? — © Wright Morris
Images proliferate. Am I wrong in being reminded of printing money in a period of wild inflation? Do we know what we are doing? Are we able to evaluate what we have done?
Cats don't belong to people. They belong to places.
The man who comes to writing late, but is in essence a writer, may sometimes gain as much as he has lost: his experience of life has given him a subject, he is spared the youthful writer's self-torment and soul-searching.
However much [photographs] may lie, they do so with the raw materials of truth.
The photograph, after all, is just a photograph. Words will determine its meaning and status.
We're in the world of communications more and more, tough we're in communication less and less.
The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.
The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture.
The past is useless. That explains why it is past.
[We] make images to see clearly: then we see clearly what we have made.
When writing is good, everything is symbolic, but symbolic writing is seldom good.
As the style of Faulkner grew out of his rage--out of the impotence of his rage--the style of Hemingway grew out of the depth andnuance of his disenchantment.
Writing has made me rich-not in money but in a couple hundred characters out there, whose pursuits and anguish and triumphs I've shared. I am unspeakably grateful at the life I have come to lead.
In the blur of the photograph, time leaves its gleaming, snail-like track.
There's little to see, but things leave an impression. It's a matter of time and repetition. As something old wears thin or out, something new wears in. The handle on the pump, the crank on the churn, the dipper floating in the bucket, the latch on the screen, the door on the privy, the fender on the stove, the knees of the pants and the seat of the chair, the handle of the brush and the lid to the pot exist in time but outside taste; they wear in more than they wear out. It can't be helped. It's neither good nor bad. It's the nature of life.
Writes have an island, a center of refuge, within themselves. It is the mind's anchorage, the soul's Great Good Place.
We make to ourselves pictures of facts. The picture is a model of reality — © Wright Morris
We make to ourselves pictures of facts. The picture is a model of reality
Everyone in California is from somewhere else.
I prefer a taken to a made photograph.
The imagination made us human, but being human, becoming more human, is a greater burden than we imagined. We have no choice but to imagine ourselves more human than we are.
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