Top 117 Quotes & Sayings by Zoe Bell - Page 2

I love the 'Lethal Weapon' movies.

I've always had a fascination with gymnastics, since I was a kid. It was the one thing at the Olympics that I would be like, 'Mom can I stay up late to watch gymnastics?'

I got a pair of roller skates for Christmas when I was 4 or 5 or something, so I had a pair as kid. But I also lived on a gravel road so I wasn't really skating up and down the street.

I don't know, I'm still a little bit like, when you blend CGI well with real life, it's impressive, but if you remove real life completely, I still get pulled out of the movie a bit.

I would love to do a comedy, and I think physical comedy is something I probably have a knack on.

I grew up on an island without TV.

I was injured at the end of 'Kill Bill.' I hit the ground, instead of hitting the mat, pretty hard and busted my ribs and had to have surgery. I was being blown out of a trailer in a harness and actually landed on my coordinator instead - who broke my fall a little! My arm smacked into the ground and obliterated one of the ligaments.

I really love being a part of the creative process. I love having an opinion that gets heard, and then it's all up for discussion.

I did drama at school and when I was doubling Xena, one time for my birthday mom and dad bought me an acting course 'cause I've always liked the performance side of anything.

I mean, being a stuntwoman never occurred to me until I gave up gymnastics and started doing martial arts and met people that were stunt people. I was like, 'What? Wait. You get to fight and flip and get paid?' I was like, 'Mum, dad, check this out - I could do this stuff and get paid instead of having you guys pay for me to do it.'

I'm a very coordinated individual.

I never was fanatical about films when I was younger.

Neverending Story' was one movie I did see when I was a kid. On the little island I grew up on, they put up a sheet in the town hall.

I'm not fighting to be treated like a dude. I don't want to be treated like a man. I want to be treated as a talented stunt-person, or I want to be treated as an intelligent person.

My strengths, I think, are that I deal really well with people. I like people. I'm fascinated by how they work so I'm good at handling situations between departments on set or pre-production or post.

I used to be afraid of my temper, but it turns out I don't really have one.

Favorites' questions are my least liked questions because I've never been any good at favorites.

I'm not immune to a lack of confidence or the recognition that I haven't asked for what I deserve or stated what I want.

Actors always ask their directors what their motivation is in this scene or that scene, so I've always had this joke where I ask the director what my motivation is too. As a stunt person your motivation is usually to fall over a bench or something.

I've always appreciated great acting performances, but I've even learned to appreciate not so great ones 'cause it's hard.

I think I have a pretty decent business savvy, when I give myself room to.

Gore, like blood and guts and stuff, I am fine. Suspense, I get super sensitive. I can't handle it.

When I worked on 'Xena' I had to concentrate on fighting like Lucy Lawless. In 'Kill Bill' I not only had to stop fighting like Lucy, after three years of copying her moves, but start fighting like a Wu Shu martial artist. I'd never done Wu Shu before so mentally it was a massive challenge.

I'm basically klutzy.

Don't be afraid girls. Power's awesome!

I definitely don't feel like I'm watching ballet during 'Raze.'

I love acting. And if there's a niche that needs filling, I'm happy to get in there and try to fill it.

I'm certainly not on a mission to be taken seriously as a dramatic actress, any more than I am just to be able to get roles that are exciting and satisfying to me. If that means action, then that means action.

What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.

My job has always been to not only make my character look like a badass but to also make the actor I am fighting opposite to be the character they need to be too.

Actually my relationships with my girlfriends have become that much deeper and more profound, because I'm like, huh, yeah, I don't have to judge you, or you judge me. It was a lot of - I didn't want to be that crazy girlfriend.

A couple years in [to acting], I recognized that I developed methods from being a stuntwoman for so long that worked for me that I wasn't aware of. And I had to become aware of them, because I didn't recognize that I could actually apply them across the board.

Some of my best friends are like, "I love that you are just the biggest pussy on the planet." And I have no problem with it at all, I love it. But it took a long time to understand that that's a part of my tapestry.

Whatever my job description consists of, becomes my job. Maybe it's just the way I tackle work, in general.

The physical element of a role is something I'm super familiar with, and I love it. I've definitely made the transition into acting over doubling, just because I needed to make it clear to myself, so that I fully committed.

Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.

In my career as a double, a lot of my job is to not just do the fights to make them look cool, but also to appear as the same person as the actor I am playing.

I had to paint the picture that I was never scared, otherwise I couldn't do my job. But now, as an actor, I'm literally paid to look emotionally accessible.

People are far more protective [of women] instinctively.

I was interested in seeing how to branch out and sort of use the Internet more as a way of making and promoting movies. There's no real difference in making it successful - it's all down to the dedication of the people involved to make it a success.

The thing that I come across is that people think that I might actually be super aggressive, want-to-fight type in real life. The irony is that that's just not true, at all.

I'm a poster child for feminism whether I like it or not, but I was resistant to the part of me that was a woman.

Feeling fear is a good sign that your survival instincts are intact. You need to appreciate the dangers to stay safe.

I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.

Humans sort of instinctively respond negatively to something that's not true.

My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.

I mean, acting or stunts, doing my job means doing my job, and I'm loving it. It's fun to put my face in front of the camera; I'm really enjoying the process. But at this point, it's still just not too easy to go around describing myself as an actor. It took me a good long while to get to where I could do it not only without laughing, but without trembling a little bit, which is terrible, but... I mean, I was really hesitant to 100 percent walk down that path, to expose myself to that.

I like the debate, but I don't really like the fight. I don't like being in the ring. I'm not competitive.

When being a stunt double, my job has always a supportive role, which is interesting, really. Part of what I really like about it is making a situation where people can just come out of their shell and be super bad-ass. That's exciting!

When my physicality is involved, it's kind of my comfort zone, so I find it much easier to access emotions.

Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.

I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.

My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.

I think because I am a physical person, and because my way of expressing and performing and storytelling or explaining has always been with my body, if I can combine the two I find it really liberating.

I'm completely at ease on a set. I'm pretty comfortable most places, but hitting the mark and knowing set etiquette and understanding cameras and lenses are second nature. It's a language I've spoken for years.

Part of the joy I'm discovering in acting is the fact that it's uncomfortable to me, that it's challenging, and the possibilities of always being able to improve on something, of always being able to try something new, it's intriguing and exciting.

I would find it more difficult if somebody else was doing the action.