Top 19 Quotes & Sayings by Caryl Churchill

Explore popular quotes and sayings by an English dramatist Caryl Churchill.
Last updated on November 26, 2024.
Caryl Churchill

Caryl Lesley Churchill is a British playwright known for dramatising the abuses of power, for her use of non-naturalistic techniques, and for her exploration of sexual politics and feminist themes. Celebrated for works such as Cloud 9 (1979), Top Girls (1982), Serious Money (1987), Blue Heart (1997), Far Away (2000), and A Number (2002), she has been described as "one of Britain's greatest poets and innovators for the contemporary stage". In a 2011 dramatists' poll by The Village Voice, five out of the 20 polled writers listed Churchill as the greatest living playwright.

I do enjoy the form of things. I enjoy finding the form that seems best to fit what I'm thinking about. I don't set out to find a bizarre way of writing.
I was fed up with the situation I found myself in in the 1960s. I didn't like being a barrister's wife and going out to dinner with other professional people and dealing with middle class life. It seemed claustrophobic.
What's poetry? It's not real but maybe it's more than real. It's dreaming while you're awake. — © Caryl Churchill
What's poetry? It's not real but maybe it's more than real. It's dreaming while you're awake.
Painting doesn't mean just describing; it's a state of spirit.
You're pretending this isn't your life. You think it's going to happen some other time. When you're dead you'll realise you were alive now.
[Margaret] Thatcher had just become prime minister; there was talk about whether it was an advance to have a woman prime minister if it was someone with policies like hers: She may be a woman but she isn't a sister, she may be a sister but she isn't a comrade.
Parties are a cruel kind of fun.
Paper is like Joyce Carol Oates: white.
England that little gray island in the clouds where governments don't fall overnight and children don't sell themselves in the street and my money is safe.
You make beauty and it disappears, I love that.
What I like about a dog it stops people getting after you, they're not going to come round in the night. But they make the place stink because I might want to stay out a few days and when I get back I might want to stay in a few days and a dog can become a tyrant to you.
We’ve got ninety-nine per cent the same genes as any other person. We’ve got ninety per cent the same as a chimpanzee. We’ve got thirty per cent the same as a lettuce. Does that cheer you up at all? I love about the lettuce. It makes me feel I belong.
How could I go on my travels without that sweet soul waiting at home for my letters?
NELL. Because that's what an employer is going to have doubts about with a lady as I needn't tell you, whether she's got the guts to push through to a closing situation. They think we're too nice. They think we listen to the buyer's doubts. They think we consider his needs and his feelings.
People aren't evil and people aren't good. They live how they can one day at a time. They come out of dust they go back to dust, dusty feet, no wings, and whose fault is that?
I'd go without food if I could have a flower.
There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.
You can't win every week. — © Caryl Churchill
You can't win every week.
Polly Findlay showed real insight and imagination in her production of my translation of Seneca's Thyestes at the Arcola. I enjoyed her use of the space and the detail of her work with the actors, and I'm looking forward to seeing what she does with Light Shining.
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