Top 72 Quotes & Sayings by David Benioff

Explore popular quotes and sayings by an American writer David Benioff.
Last updated on September 20, 2024.
David Benioff

David Friedman, known professionally as David Benioff, is an American writer, director and producer. Along with his fellow collaborator D. B. Weiss, he is best known as co-creator, showrunner, and writer of Game of Thrones (2011–2019), the HBO adaptation of George R. R. Martin's series of books A Song of Ice and Fire. He is also known for writing 25th Hour (2002), Troy (2004), City of Thieves (2008) and co-writing X-Men Origins: Wolverine (2009).

McCullers is one of those rare writers who remembers what childhood is like. Not incidents, which anyone can recall, but states of mind, which are so difficult to recreate.
Every adaptation requires that the screenwriter make difficult choices - and in particular, difficult cuts.
We always talk about how the first several seasons were faithful to the books, and anybody who wanted to could go onto Wikipedia and learn Ned Stark gets beheaded or about The Red Wedding, and most people don't want to know - because why ruin a story?
Movies that are subtitled don't usually do as well in American theatres. — © David Benioff
Movies that are subtitled don't usually do as well in American theatres.
'Game Of Thrones' was too big a canvas for a movie, but 'Dirty White Boys' is like a great old Western: there's so much compression, and it's so pressurized, it demands to be told in one sitting.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
If you're writing a screenplay for a feature, you don't have any involvement with the casting process, the editing process, the set design, the costume design, or any of that stuff.
Some of my happiest childhood memories are going to the movies with my dad and seeing whatever was out that week. In 1977, when I was 7, it was 'Star Wars.' That was a life-changer.
My favorite food in the world is hard shell crabs from Maryland.
'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
But in a 24-hour day, the 25th hour is also the impossible hour, an hour that doesn't exist, that can only be created by the imagination.
It would be far less interesting, after 'The Empire Strikes Back,' to have an hour-long movie in between 'Empire' and 'Return of the Jedi,' where Luke is training. It's so much cooler to cut from end of 'Empire' to beginning of 'Return,' where he's become the Jedi.
Simon Critchley's 'The Book of Dead Philosophers' - it's a quick thumbnail sketches of philosophers through the ages. — © David Benioff
Simon Critchley's 'The Book of Dead Philosophers' - it's a quick thumbnail sketches of philosophers through the ages.
I'm just not a natural teacher.
Iwan Rheon is a great actor, and he's going to go on to a long brilliant career. And most of the characters he'll play will not be evil. He's not one of those who can only play a bad guy.
I like having my own story remain my story.
I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.
I love reading novels, and I love going to movies, but I kind of hate going to an adaptation of a novel, and it starts off with a voiceover.
It is actually a lot harder to sit down and write from A to Z. But for me at least, it's the only way I can do it, at this point, with any moderate success.
I don't like extremely long movies. I tend to get a bit impatient. There are definitely exceptions, like 'Lawrence of Arabia,' but for the most part, I feel that movies should usually be shorter and not longer.
I was a huge fantasy geek growing up. I was the dungeon master in my D&D game.
Once you realise that heroes die, everything becomes that much more terrifying.
If you bill something as a memoir, you're implying that everything in it is true.
I don't type my sentences on an arena's pitch, surrounded by thousands of cheering or booing fans - I don't feel pressure to please a crowd.
With screenplays, it's all about being as concise as possible. If you have a scene that's set in a bar, you just have to write, 'Interior: Bar.'
We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.
We have amazing stunt performers and in Miguel Sapochnik, a director who's so good at spending hours and hours and hours on every shot beforehand, so that he knows exactly what he wants when he gets to the battlefield on the day. We only shoot ten-hour days, so you have to pack a lot into those ten hours.
Just the notion of falling for someone, that involves weakness.
'The 25th Hour' came out of the decision - a really very conscious decision - that I needed a story set within a compressed time frame because that would help focus the story.
Despite his dodgy politics, Yeats remains an inspiration for his genius and the simple fact that the older he got, the better he wrote.
It's crazy enough to be the person crawling through the bushes in Northern Ireland with a telescopic lens taking pictures - there are crazy people out there. But the idea that people want to go to sites and find out those spoilers... it's like if there was a website called Last Pages of Great Books, would you read that?
Sometimes I get jealous when I'm reading a great book by a younger writer. But 'White Tiger' is so good, I almost forgot to hate Aravind Adiga.
A certain luxury when you get to writing a novel is to have the space to have your characters just banter.
The reality is, 'Game of Thrones' has been a successful show for HBO, which has put us in a position to come and pitch another show and get them excited about it. And that's what helped get us here.
With the movies, people are not going to wait around. The deadline is a deadline. In publishing it's more a polite suggestion.
I've never flown a kite.
For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?
You just do the best you can and hope people see the potential in it. — © David Benioff
You just do the best you can and hope people see the potential in it.
Fiction novels, that's my game.
I can't measure up to Homer. His composition has survived for nearly three millennia and remains the world's most beautiful and mournful depiction of war. But the story of the Trojan War does not belong to Homer. The characters he employs were legendary long before he was born.
Truth might be stranger than fiction, but it needs a better editor.
Hollywood screenwriters tend to have the longevity of NFL running backs. So the truth is no one can put more pressure on us than we put on ourselves.
Contrary to popular belief, the experience of terror does not make you braver. Perhaps though, it is easier to hide your fear when you're afraid all the time.
I'll tell you a secret. Something they don't teach you in your temple. The Gods envy us. They envy us because we're mortal, because any moment might be our last. Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.
You don't like the girl. You don't know what color eyes she has, you don't like her.
This is good, life must continue, we are fighting barbarians, but we must remain human.
the lonliest sound in the world is other people making love.
This wasn't the way I had imagined my adventures, but reality ignored my wishes from the get-go, giving me a body best suited for stacking books in the library, injecting so much fear into my veins that I could only cower in the stairwell when the violence came. Maybe someday my arms and legs would thicken with muscle and the fear would drain away like dirty bathwater. I wish I believed these things would happen, but I didn't.
There's never been a fantasy movie of the epic battle of good versus evil that ended with evil winning. — © David Benioff
There's never been a fantasy movie of the epic battle of good versus evil that ended with evil winning.
There are a few moments in your life when you are truly and completely happy, and you remember to give thanks. Even as it happens you are nostalgic for the moment, you are tucking it away in your scrapbook.
I've always envied people who sleep easily. Their brains must be cleaner, the floorboards of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed.
The secret to winning a woman is calculated neglect.
I have never been much of a patriot. My father would not have allowed such a thing while he lived, and his death insured that his wish was carried out. Piter commanded far more affection and loyalty from me than the nation as a whole. But that night, running across the unplowed fields of winter wheat, with the Fascist invaders behind us and the dark Russian woods before us, I felt a surge of pure love for my country. We ran for the forest, crashing through the stalks of wheat, beneath the rising moon and the stars spinning farther and farther away, alone beneath the godless sky.
You're a writer. Make it up.
I was like a well trained pianist who knows which note to hit, but can't make the music his own.
?I was cursed with the pessimism of both the Russians and the Jews two of the gloomiest tribes in the world. Still if there wasn't greatness in me maybe I had the talent to recognize it in others even in the most irritating others.
The eternal challenge for screenwriter adapters is figuring out how to make something work on screen, when so much of what made it work in the book were the thoughts of the character, and obviously wanting to avoid voiceover.
She leaned forward and kissed me on the lips. He mouth was cold, her lips rough from the winter wind, and if the mystics are right and we are doomed to repeat our squalid lives ad infinitum, at least I will always return to that kiss
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
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