Top 129 Quotes & Sayings by Erik Larson

Explore popular quotes and sayings by an American author Erik Larson.
Last updated on December 25, 2024.
Erik Larson

Erik Larson is an American journalist and author of mostly nonfiction books. He has written a number of bestsellers, including The Devil in the White City (2003), about the 1893 World's Columbian Exposition in Chicago and a series of murders by H. H. Holmes that were committed in the city around the time of the Fair. The Devil in the White City won the 2004 Edgar Award in the Best Fact Crime category, among other awards. Larson released his first fiction novel, in audiobook format only, titled No One Goes Alone on September 28, 2021.

Reading is such a personal thing to me. I'd much rather give someone a gift certificate to a bookstore, and let that person choose his or her own books.
To me, nuclear weapons are the secret crisis of our time. Frankly, everyone needs to reread John Hersey's 'Hiroshima.'
I knew from an online search that the Wisconsin State Historical Society, on the vast University of Wisconsin campus, held the papers of Sigrid Schultz, a spunky correspondent for the 'Chicago Tribune' who became one of Martha Dodd's friends in Berlin.
I pride myself on having a journalistic remove. — © Erik Larson
I pride myself on having a journalistic remove.
The Lusitania is important, of course, because this is where Germany began its maritime campaign using this brand-new weapon. We have to appreciate how the submarine, as a weapon against civilian shipping, was a particularly novel thing - so novel that many people at the time dismissed its potential power, its potential relevance.
What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.
I like all kinds of music, though I tend to prefer jazz and classics.
One question that often comes up is why, in this age of blogs and tweets and instant digital communication of all kinds, it still takes so long to publish a book.
I do think hubris played a role here as well, the belief that the Lusitania was too big and too fast to ever be caught by any submarine, and that, in any case, no U-boat commander would think to attack the ship because to do so would violate the long-held rules governing naval warfare against merchant shipping.
I'd always been interested in maritime history, especially the great liners. I'd have done a book about the Titanic if it hadn't already been done to death by James Cameron and Celine Dion.
In Washington, we had a grieving President Wilson, very, very much a lonely, grieving man. He had lost his wife of many years in August 1914 at about the same time the war broke out in Europe.
I figured, correctly, that Berlin in February was not a destination coveted by tourists. I found good airfares on Lufthansa, an airline I quite like, and got a great rate at a brand new Ritz-Carlton, which clearly hoped to seduce visitors into forsaking Hawaii for Potsdammer Platz.
I've really tried to strip my writing of as many adjectives and adverbs as I possibly can.
My secret weapon is my wife. She's the best judge. She's a scientist and a natural reader. We've developed a detailed code for how she marks a manuscript, and I think it's what saves me from wild digressions.
I started deliberately looking for characters, ideally outsiders and ideally Americans. So I just started reading widely, as I tell my students to do: read voraciously and promiscuously.
Isaac Cline was a creature of his times. He embodied the hubris of his times and, in many ways, was a victim of the storm, not just in material ways - loss of a family member and damage to the town - but also in metaphoric terms.
I've been asked a lot lately what message is there in the Lusitania for the modern day. To be honest, not much. Except that maybe hubris and overconfidence are always dangerous things.
I went to public school on Long Island, and it seemed every year we were being taught that you had a right to a fair trial and a right to confront your accuser. — © Erik Larson
I went to public school on Long Island, and it seemed every year we were being taught that you had a right to a fair trial and a right to confront your accuser.
My favorite zone is from 1890 -1915, that zone that spans the overlap of the so-called Gilded Age and the Progressive Era. People had such a boundless sense of optimism; They felt they could do anything they wanted to do, and they went out and tried to do it.
There is something about the name Berlin that evokes an image of men in hats and long coats standing under streetlamps on rainy nights.
I don't listen to music when I write, but I do turn on appropriate music when I read portions of my manuscripts back to myself - kind of like adding a soundtrack to help shape mood.
I never recreate dialogue. I have often been asked by people, 'You must have made this up because this is dialogue, right?' Anything in my books that is in quotes comes from some kind of living historical document: a letter, a memoir, a court transcript, a newspaper interview.
I was a promiscuous reader. I loved Nancy Drew books and Tom Swift - never the Hardy Boys - but I also read Dumas, Dickens, Poe, Conan Doyle, and Cornelius Ryan's war books. As to favorite character: I'm torn between Nancy, on whom I had an unseemly crush, and Edmond Dantes, the Count of Monte Cristo.
It's essentially taught in high school and college survey courses as an item on a timeline: 'The Lusitania was sunk; the U.S. gets into World War I'.
In 1933, the Gestapo was founded to become - to be a secret police agency to keep tabs on political opposition and so forth. Brand-new as of April 1933.
There is no secret orchard where ideas grow. Oh my, do I wish there were.
I'm very perverse. If someone tells me I have to read a book, I'm instantly disinclined to do so.
It troubled me that we had these reports of torture of detainees, we had people jailed at Guantanamo Bay who couldn't even talk to their lawyers and couldn't see the evidence against them - sort of fundamental bedrock civil liberties things.
When I'm interviewing somebody, I take notes with a Bic Cristal, the classic black-cap, clear-body, medium-weight pen. It works on many levels: You can chew the cap, and if you're really bored, you can bite the end off the back.
The Lusitania is a monument to this optimism, to the hubris of the era. I love that, because where there is hubris, there is tragedy.
That's what I love about history - nuance. I don't believe in unalloyed heroes. Everyone's got warts, and everyone's got a surprise side.
Whenever I finish a book, I start with a blank slate and never have ideas lined up.
Unalloyed heroes and unalloyed villains make me suspicious.
I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.
I was never concretely aware of the extent of anti-Semitism in the United States and in the upper levels of the State Department.
It's like being involved in a detective story, looking for that thing that nobody else has found.
One of the really amazing things about the Lusitania saga was that, at the time, there existed in the admiralty a super-secret spy entity known as 'Room 40'.
I didn't know anything about the Lusitania. I started reading because I had nothing else in my plate. And as soon as I start reading, I thought now this is interesting, you know, the hows of what happened, the actual - the actual sinking of the ship.
The SA, that is the - shorthand, those are the storm troopers. Those are the folks who are commanded by Captain Ernst Rohm. — © Erik Larson
The SA, that is the - shorthand, those are the storm troopers. Those are the folks who are commanded by Captain Ernst Rohm.
As a rule, I am very skeptical of tying books to anniversaries. I don't think readers care. I also feel that it just about guarantees that somebody else will be writing a book on the same subject, but being a former journalist, I'm always interested in, like, why write about something today? Why do it now?
I usually look for stories with barriers to entry, something complex enough that no one else is going to do it.
I've heard from the movie marketplace that James Cameron did such a killer job with 'Titanic' that it's almost impossible to do anything better.
I'm always looking for a sign - not in a spooky, supernatural way, but in a 'neurotic writer' kind of way.
'The Devil in the White City' - the 'White City' was the nickname for the World's Fair of 1893, the World's Columbian Exposition in Chicago.
It was David McCullough's 'The Johnstown Flood' that lit my imagination as to how I might one day go about writing book-length nonfiction, though my favorite of his books is 'Mornings on Horseback,' about the young Teddy Roosevelt.
How you frame a debate is very important. When you call someone an 'illegal alien,' you've already stacked the deck against them.
We, of course, have the power of hindsight in our arsenal, but people living in Berlin in that era didn't. What would that have been like as this darkness fell over Germany?
There's a powerful appeal in the 'I didn't know that' effect. I love it when people say, 'Gosh, I didn't know that.'
President Hindenburg had ultimate say over whether the government would survive or not.
The head of the hurricane research division, Hugh Willoughby, told me that hurricanologists can predict the behavior of storms if those storms behave predictably.
Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.
Captain William Thomas Turner, hero; villain, Schwieger. As I started doing research into him and into the submarine and so forth, I found that I was growing increasingly sympathetic to him. He's a young guy, 30, handsome, well-liked by his crew, humane.
There's something so relentless and foul about Hitler and his people, and the way things progressed from year to year. It just got to me in the strangest way. — © Erik Larson
There's something so relentless and foul about Hitler and his people, and the way things progressed from year to year. It just got to me in the strangest way.
I thought I'd go to a bookstore and see what moved me.
Trying to find ideas is the hardest part of my job. You'd think it would be the most fun. Just sitting around reading whatever I want, going to cafes and libraries. But I always feel so unproductive. I think I was raised too well by my parents.
The sinking of the Lusitania wasn't the proximal cause for the U.S. entering WWI. It was almost two years between the sinking and the war declaration, and President Wilson's request for war never mentions the Lusitania.
Yes, William E. Dodd was the - became the - America's first ambassador to Nazi Germany. Prior to that, he was a professor of history at the University of Chicago - mild-mannered guy.
For 'Thunderstruck', I discarded about a dozen ideas. And then one afternoon, I was thinking about wireless. I don't know why. I guess because it's become so ubiquitous. I was thinking that maybe there's something I could do about the origin of wireless, so I did what any self-respecting person does these days: I Googled 'wireless.'
Hitler was such an anomalous character - he was so over-the-top chaotic in his approach to statesmanship, his manner and in the violence which overwhelmed the country initially. I think diplomats around the world... felt like something like that simply would not be tolerated by the people of Germany.
I found a book facing out that I'd always meant to read: William Shirer's 'The Rise and Fall of the Third Reich.' About a third of the way through, I suddenly, finally caught up to the fact that Shirer had been there in Berlin, from 1934 on, and was finally kicked out when the U.S. entered the war.
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