Explore popular quotes and sayings by an American photographer Garry Winogrand.
Last updated on November 25, 2024.
Garry Winogrand was an American street photographer, known for his portrayal of U.S. life and its social issues, in the mid-20th century. Photography curator, historian, and critic John Szarkowski called Winogrand the central photographer of his generation.
There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
It's very easy to make successful photographs - it's very easy.
There is nothing as mysterious as a fact clearly described.
I think that there isn't a photograph in the world that has any narrative ability... They do not tell stories - they show you what something looks like. To a camera.
For me the true business of photography is to capture a bit of reality (whatever that is) on film...if, later, the reality means something to someone else, so much the better.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
No one moment is most important. Any moment can be something.
Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.
Great photography is always on the edge of failure.
If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.
You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
It's the easiest thing in the world to do that, to make successful photographs. It's a bore.
A photograph is the illusion of a literal description of how the camera 'saw' a piece of time and space.
I have a burning desire to see what things look like photographed by me.
When I look at photographs, I couldn't care less "how."
There are no photographs while I'm reloading .
I photograph to see what the world looks like in photographs.
If you didn’t take the picture, you weren’t there.
I don't know. I don't go around looking at my pictures. I sometimes think I'm a mechanic. I just take pictures. When the time comes, for whatever reason, I get involved in editing and getting some prints made and stuff. There are things that interest me. But I don't really mull over them a lot.
There's no way a photograph has to look... in a sense. There are no formal rules of design that can apply.
When I’m photographing I see life.
In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.
I have a good friend who's a very good printer. And he does a certain amount of printing for me. I do all the developing. If somebody's going to goof my film, I'd better do it. I don't want to get that mad at anybody else.
The world isn't tidy; it's a mess. I don't try to make it neat.
The photograph should be more interesting or more beautiful than what was photographed
Photography is not about the thing photographed. It is about how that thing looks photographed.
I'm still compulsively interested in women. It's funny, I've always compulsively photographed women. I still do.
When the woman is attractive, is it an interesting picture, or is it the woman? I had a lot of headaches with that, which was why it was interesting. I don't think I always got it straight.
All things are photographable.
I sometimes think I'm a mechanic. I just take pictures.
I'm trying to learn more and more about what's possible.
Photographers mistake the emotion they feel while taking the photo as a judgment that the photograph is good
You've got to deal with how photographs look, what's there, not how they're made.
I have no expectations. None at all.
Most photographs are of life, what goes on in the world. And that's boring, generally. Life is banal, you know. Let's say that an artist deals with banality. I don't care what the discipline is.
I really try to divorce myself from any thought of possible use of this stuff. That's part of the discipline. My only purpose while I'm working is to try to make interesting photographs, and what to do with them is another act - an alter consideration. Certainly while I'm working, I want them to be as useless as possible.
What I know bores me.
Let's put it this way - I photograph what interests me all the time. I live with the pictures to see what that thing looks like photographed. I'm saying the same thing; I'm not changing it.
There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.
What if I said that every photograph I made was set up? From the photograph, you can't prove otherwise. You don't know anything from the photograph about how it was made, really.
You're talking about meaning. I want to talk about the picture.
There are things I photograph because I'm interested in those things.
Sometimes I feel like . . . the world is a place I bought a ticket to. It’s a big show for me, as if it wouldn’t happen if I wasn’t there with a camera.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
I don't have anything to say in any picture. My only interest in photography is to see what something looks like as a photograph. I have no preconceptions.
You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.
All I'm doing is photographing. When I was working on The Animals, I was working on a lot of other things too. I kept going to the zoo because things were going on in certain pictures. It wasn't a project.
People are just dumb. They misunderstand.
If you ever watch children play - what do you observe when you watch children play? You know, they're dead serious. They're not on vacation.
There is no special way a photograph should look.
Photos have no narrative content. They only describe light on surface.
I don't know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs.
Every photograph is a battle of form versus content.
A photograph can look any way.
I photograph to find out what something will look like photographed.
There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.
Sometimes photographers mistake emotion for what makes a great street photograph.
I photograph what interests me. I'm not saying anything different.
I get totally out of myself. It's the closest I come to not existing, I think, which is the best - which is to me attractive.