Top 21 Quotes & Sayings by Georg Solti

Explore popular quotes and sayings by a Hungarian musician Georg Solti.
Last updated on December 25, 2024.
Georg Solti

Sir Georg Solti, was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.

I would never have become music director of the Chicago Symphony, which would have been an extremely sad loss.
Friends are very important to me, and I have always had many of them. There are probably many reasons why this is so, but two seem to me more valid than any of the others I am a naturally friendly person, and I hate to be alone.
Although both sides of my family were religious, I was never forced to practice the Jewish faith. I did not really rebel against it, but then, as today, I disliked organized religion. I have a strange inhibition about praying with others.
The academy gave me a grounding in discipline and hard work that has sustained me throughout my life, and the lessons I learned there I now try to impress on young people. — © Georg Solti
The academy gave me a grounding in discipline and hard work that has sustained me throughout my life, and the lessons I learned there I now try to impress on young people.
The experience awakened 'my tremendous musical ambition, which has never subsided to this day.
The stag tells him that he is the eldest of the sons - the father's favorite - and he warns the father that if he tries to shoot any of the stags, their antlers will tear him to pieces.
After about six months, I told my mother that I wanted the lessons to stop, and she was intelligent enough not to force me to continue. Besides, the lessons cost money, which was anything but abundant in our household.
I was born and trained to communicate music, just as the sons were born and trained to hunt, and I was lucky to have grown up in Hungary, a country that lives and breathes music-that has a passionate belief in the power of music as a celebration of life.
I wanted to get away from my past and everything connected with it.
My entire learning process is slow, because I have no visual memory.
I can only hope that neither of my daughters was scarred by their upbringing.
But one day, when I was still young, I was parted from my family and left my native country. I hunted and searched for music, and destiny turned me into the object of my hunt. The circumstances of life became my 'antlers' and prevented me from returning home.
During the first six years of my life, Hungary was one of the most important components of the Habsburg dynasty's vast Austro-Hungarian Empire, but after World War I it became an independent national entity.
Between the two men, somewhere, a truth is lying, and that is what I try to find.
Everyone says you have to be a specialist, and if you conduct Wagner you cannot conduct Mozart - this is nonsense.
I can only hope that neither of them was scarred by their upbringing.
Mozart makes you believe in God because it cannot be by chance that such a phenomenon arrives into this world and leaves such an unbounded number of unparalleled masterpieces.
From Toscanini I learnt the essential and desperate seriousness of making music.
The joy of working with the Chicago Symphony was immeasureable.
I have a theory that there is something abnormal about children who like to practice instruments They are either geniuses or, more often, completely untalented. I certainly did not like to practice, and the teacher who hit me, and the view of the park, did not help to improve my attitude.
Fight the tendency to become complacent and do one kind of music - that is the death of a musician. — © Georg Solti
Fight the tendency to become complacent and do one kind of music - that is the death of a musician.
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