Top 6 Quotes & Sayings by Leo Lionni

Explore popular quotes and sayings by an American author Leo Lionni.
Last updated on November 14, 2024.
Leo Lionni

Leo Lionni was an Italian-American writer and illustrator of children's books. Born in the Netherlands, he moved to Italy and lived there before moving to the United States in 1939, where he worked as an art director for several advertising agencies, and then for Fortune magazine. He returned to Italy in 1962 and started writing and illustrating children's books. In 1962, his book Inch by Inch was awarded the Lewis Carroll Shelf Award.

The Domino Effect could stand for anything. It could be just the simple game of the domino rocks falling off one after another, all kinds of decision we make that come back to our face. For example take an anorexic model that stops eating until she dies, or the bombs that a are thrown in a war and the effect they have on people, or even something simple as listening to a record that you like until you get bored of it and leave it in your shelf.
From time to time, from the endless flow of our mental imagery, there emerges unexpectedly something that, vague though it may be, seems to carry the promise of a form, a meaning, and, more important, an irresistible poetic charge.
Don't eat me. I am an inchworm. I am useful. I measure things. — © Leo Lionni
Don't eat me. I am an inchworm. I am useful. I measure things.
I believe that a good children's book should appeal to all people who have not completely lost their original joy and wonder in life. The fact is that I don't make books for children at all. I make them for that part of us, of myself and of my friends, which has never changed, which is still a child.
The good designer aims at a perfect fusion of the various considerations which enter into his design. He aims at an untortured unity-a direct whole. He arranges his levels consciously or subconsciously, adhearing to the requisites of the problem he is asked to solve or to his own inclination. Some designers see total act through a disc of aesthetic considerations-others, more practical minded, may put economic considerations at top level.
In our everyday garden grow the rosemary, juniper, ferns and plane trees, perfectly tangible and visible. For these plants that have an illusory relationship with us, which in no way alters their existentiality, we are merely an event, an accident, and our presence, which seems so solid, laden with gravity, is to them no more than a momentary void in motion through the air. Reality is a quality that belongs to them, and we can exercise no rights over it.
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