Top 69 Quotes & Sayings by Mary Chapin Carpenter

I've never... when I was having songs on the airwaves, and that sort of thing, I never felt a sense of pressure anywhere except from myself, to do things the way I wanted to do them; to feel authentic; to feel like I was presenting my true self to the world.

I'm a liberal arts junkie.

So I came home and I had a resume and everything, but the only job experience I had was just playing in bars and clubs on my summers off. So, I was temping and stuff during the day and playing music at night.

I went to college and I never allowed myself to think for an instant that I would have this chance to do this.

It's a marvelous feeling when someone says 'I want to do this song of yours' because they've connected to it. That's what I'm after.

My sisters and I were fortunate to travel through Asia and Europe at very young ages. We confronted extraordinary beauty in Athens and unspeakable poverty in India.

I don't really remember my folks singing to us, but they read to us.

I don't think you need to dumb down to a child, you merely have to be clear, you know?

Emmy Lou Harris introduced me to the work of the Vietnam Veterans of America foundation and the Campaign for a Land Mine Free World.

When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.

As far as feeling freedom in my career now versus five years ago... I think if I feel any more free it's simply because of the experiences that I've had, and the wisdom I've accumulated from that time.

You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.

About age ten, we moved from the place where I was born, moved overseas.

There's timing. And then there's also certain people at the record company who worked incredibly hard and were incredibly enthusiastic about what I was doing.

I kept thinking, I went to college and I have to get a real job.

It's a pretty frantic world that we live in.

Dreamland is a book, but it's my song in book form. It's translated itself into a different medium.

I think that every new record is a chance to... I think what it is for me is my heart and soul at that moment in time... I've always felt that just being able to make a record is a privilege.

So I think that if I do feel more freedom right now in my career, it's not so much because I have less at stake but more a sense that I've learned more.

It's like the code of living by yourself. People who are single know what I'm talking about. You eat standing up, reading the paper. Or you say to yourself, this isn't even cutting it, I'm taking a TV dinner and I'm getting in bed here.

I was a liberal arts junkie and I figured, well, I'll go work for somebody somewhere. All I knew was that I was going to have to come home and figure it out.

You know, that single girl life and that sense of isolation - that doesn't leave you just like that. And that's what that song is about. I remember that, and that is imprinted on me, that sense.

I feel that it's nothing if not an incredible privilege to be able to get up on stage and play for people, and I don't ever take it for granted.

The bedrock thing of country music is, it's about storytelling. I feel like I was able to find a niche because I connected to that in some way.

I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you're told you play this note, this note, and this note, and you don't vary it. I know that works great for some people. It wouldn't work for me.

The joy of being in the studio is having people being utterly free to throw out their ideas.

You've gotta know happy. You've gotta know sad. 'Cause you're gonna know lonely and you're gonna know sad

Was it a light only she could see? A gypsy's spell? A mystery?

When I started out, it was this sense of, "Let's put out a record and see what happens and see where you go and see how you feel and where we can take it." That was a very different world back then.

When I was young I spoke like a child I saw with a child's eyes And an open door was to a girl Like the stars are to the sky It's funny how the world lives up to All your expectations With adventures for the stout of heart And the lure of the open spaces There's two lanes running down this road And whichever side you're on Accounts for where you want to go Or what you're running from Back when darkness overtook me On a blind man's curve I relied upon the moon and Saint Christopher

Everything changes in every genre, whether it's pop, rock or country.

In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone".

It seemed inevitable to try to address my feelings about everything that had happened. To a certain degree, it felt cathartic, but it's less cathartic to me than it is illuminating and helping me navigate my own feelings.

Gather up your telegrams Your faded pictures, best laid plans Books and postcards, 45's Every sunset in the sky Carry with you maps and string, flashlights Friends who make you sing And stars to help you find your place Music, hope and amazing grace Maybe what we leave Is nothing but a tangled little mystery Maybe what we take Is nothing that has ever had a name

A dreamer born is a hero bred.

I feel like politics have always informed what I do. If you know anything about my music, you know I've never been shy about stating how I vote.

Some people say that you should not tempt fate and for them I cannot disagree, but I never learned anything from playing it safe. I say fate should not tempt me.

I think on a stage in front of thousands of people is a wildly invigorating and amazing experience, and it requires a certain skill set; then being in the studio, and being curled up in the fetal position under the piano, that requires another skill set.

I was really young, but I can't say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.

20-some years ago, I'd have a big old radio with a tape deck, and I'd hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.

I grew up listening to everything, and when I got signed to a record deal out of Nashville, that was my introduction to what was happening in country music.

I like to feel that every day or most days, I do a little bit of writing. I am a creature of habit in terms of the way I live.

We all have two lives. The one we are given and the one we create.

In this world you've a soul for a compass And a heart for a pair of wings There's a star on the far horizon Rising bright in an azure sky For the rest of the time that you're given Why walk when you can fly?

I found Elvis on the Internet, I went camping with a young cadet, he showed me his bayonet.

I'm a bit of a perfectionist. I want to try it again and again, and a lot of times my fellow musicians have to hold me back and say, "Nah, I think we got it."

I love to write songs and sing them, and I didn't really know much more than that. Somehow it's gotten to the point where a friend can say, "It's very you," and that made me feel good.

Every sleepy boy and girl in every bed around the world- Can hear the stars up in the sky whispering a lullaby

Tonight, the moon came out, it was nearly full. Way down here on earth, I could feel it's pull. The weight of gravity or just the lure of life, Made me want to leave my only home tonight. I'm just wondering how we know where we belong Is it in the arc of the moon, leaving shadows on the lawn In the path of fireflies and a single bird at dawn Singing in between here and gone

I feel like they're different creatures, live and in the studio, but that's what makes it so interesting to me. If they didn't have any different shadings or colors, you might as well be a hologram or something.

God forgives somehow we have yet to learn the same.

It's a marvelous feeling when someone says I want to do this song of yours because they've connected to it. That's what I'm after.

I certainly felt the desire to reach as many people as I could; I wanted to make the most of this opportunity, sure. But I wouldn't call it pressure the way we're thinking of it now.

There's two lanes running down this road which ever side your on, accounts for where you want to go or what you're running from.

In this world, you've a soul for a compass and a heart for a pair of wings.

I think topical songwriting is a real gift, and it's hard not to be pedantic and show up with the sledgehammer message.

And I can tell by the way you're searching For something you can't even name That you haven't been able to come to the table Simply glad that you came And when you feel like this try to imagine That we're all like frail boats on the sea Just scanning the night for that great guiding light Announcing the Jubilee

Life is never a straight line - it's peaks and valleys. Why would you want to be the same person every day of your life?

Fool you once, you are forgiven. Fool you twice, you're just a fool.

Carry with you maps and string, flashlights, friends who make you sing, and stars to help you find your place, music, hope, and amazing grace.