Top 14 Quotes & Sayings by Maureen Corrigan

Explore popular quotes and sayings by an American journalist Maureen Corrigan.
Last updated on November 23, 2024.
Maureen Corrigan

Maureen Corrigan is an American author, scholar, and literary critic. She is the book critic on the NPR radio program Fresh Air and writes for the "Book World" section of The Washington Post. In 2014, she wrote So We Read On, a book on the origins and power of The Great Gatsby. In 2005, she published a literary memoir Leave Me Alone, I'm Reading: Finding and Losing Myself in Books. Corrigan was awarded the 2018 Nona Balakian Citation for Excellence in Reviewing by the National Book Critics Circle for her reviews on Fresh Air on NPR and in The Washington Post, and the 1999 Edgar Award for Criticism by the Mystery Writers of America for her book, Mystery & Suspense Writers, with Robin W. Cook.

Prolonged travel in the alternate world of books can also make a reader more prone to fantasy thinking and estranged from his or her “real” life.
I think, consciously or not, what we readers do each time we open a book is to set off a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies." pg. xvi
A hilarious academic novel that'll send you laughing (albeit ruefully) back into the trenches of the classroom. . . . [A] mordant minor masterpiece. . . . Like the best works of farce, academic or otherwise, Dear Committee Members deftly mixes comedy with social criticism and righteous outrage. By the end, you may well find yourself laughing so hard it hurts.
It's not that I don't like people. It's just that when I'm in the company of others - even my nearest and dearest - there always comes a moment when I'd rather be reading a book.
Flawless . . . Tightly choreographed . . . Shipstead gains entry into exclusive worlds and trains her opera glasses on private social rituals, as well as behind-the-scenes hanky panky . . . Similar to classic ballet, the power of Astonish Me arises out of the pairing of a melodramatic storyline with scrupulously executed range of movement . . . Shipstead sweeps you into this insider world of sweat, narcissism, and short-lived magic . . . Transcendent.
According to a Wall Street Journal article some 59 percent of Americans don t own a single book. Not a cookbook or even the Bible. — © Maureen Corrigan
According to a Wall Street Journal article some 59 percent of Americans don t own a single book. Not a cookbook or even the Bible.
We read literature for a lot of reasons, but two of the most compelling ones are to get out of ourselves and our life stories and – equally important – to find ourselves by understanding our own life stories more clearly in the context of others.
Whatever (its) virtues, (the) writing explores the culture of work but marginalizes work itself.
Reality TV, blogging and self-publishing are all evidence of a society's or culture's desire to be more public. And that's a sign of a healthy or energetic culture.
To read Helen Macdonald's memoir, H Is for Hawk, is to feel as though Emily Bronte just turned up at your door, trailing all the windy, feral outdoors into your living room.
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
The Unfortunate Importance of Beauty is a farcical fictional meditation on female beauty structured as a mash-up of an old episode of Friends, a fairy tale and a murder mystery.
All of the disparate books on my list contain characters, scenes or voices that linger long past the last page of their stories.
In our daily lives, where we're bombarded by the fake and the trivial, reading serves as a way to stop, shut out the noise of the world, and try to grab hold of something real, no matter how small.
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