Top 93 Quotes & Sayings by Milo Ventimiglia

Explore popular quotes and sayings by an American actor Milo Ventimiglia.
Last updated on December 25, 2024.
Milo Ventimiglia

Milo Anthony Ventimiglia is an American actor. Making his screen acting debut on The Fresh Prince of Bel-Air in 1995, he portrayed the lead role on the short-lived series Opposite Sex in 2000 before landing his breakthrough role the following year as Jess Mariano on Gilmore Girls (2001–2007).

My father was a very fun dad. He was always coaching our soccer sports teams; he made sure that we had activities to do. He was kind of goofy and fun. But at the same time, he had a lot of lessons to teach us so that we didn't grow up and just not be good people.
I don't think of myself as anything more than a person who sits in the living room with you telling you a story. I just happen to be in 16 million living rooms.
I think there's this idea that the depth of an actor's performance is built on tough times or horrible events or isolation, but I never found that. I figured that my imagination coupled with the story can get me anywhere.
Enjoy every moment. — © Milo Ventimiglia
Enjoy every moment.
I have a hard time with awards shows in general because I've never been part of the conversation. I just show up to work and do my job because I love the job and I love the people I get to make TV with. When someone wants to applaud it more than just watching it, that makes me somewhat uncomfortable.
I found that people want stories that are not too dissimilar from theirs. People want to be reminded that, let's say, struggle in your family is being felt by other people, that you're not alone.
I feel like there's a currency to your personal life and your performance - your acting, your work. If that personal life starts to outweigh what the work is, then your work suffers. Your actual performance suffers because the audience won't see the character, they'll see you.
I was either going to be an actor, a Naval aviator, or a pediatric surgeon. Those were the three things that I wanted to do.
There were a million different things I could have chosen or wanted to do, but the path of an artist was the one that pulled me the most.
It would upset me if someone watching a show was thinking about me, Milo, as an individual at the supermarket or at a concert, wherever, and they're not thinking about what the character is experiencing.
I think, being a kid, you always think about being a movie star. And then as I got older, I started thinking about just the work.
For me, I think my traveling is usually a lot of photographic memories, and I take a lot of photos.
I got very lucky with the family I was born into. From my older sisters to my mother and father, they're just good, kind-hearted people.
In general, I pack really simply. Every shirt that I pack is going to work with every pant that I pack and every sweater that I pack. So, I can mix and match easily.
Acting is very sacred. Anyone who stands in front of a crew with the camera recording their emotions is a brave individual.
I go to the store. I go get my car fixed. I have friends. I have a life, but nobody needs to know about it. Because I'm just the same as anyone else.
I was used to playing misled youth, rough-and-tumble guys. It was nice to get back to a big-hearted, warm and gentle soul, a guy who is destined for something a lot larger than he ever expected.
I'd love to hold a koala. They sleep 22 hours a day, eat eucalyptus leaves and just hang out. I want to spend some time with that guy. — © Milo Ventimiglia
I'd love to hold a koala. They sleep 22 hours a day, eat eucalyptus leaves and just hang out. I want to spend some time with that guy.
I've got two older sisters, which I think was the best thing but also the worst thing. They dressed me up like a girl, but at the same time, I think they taught me a lot of what they experienced and what they lived through and passed that on to me as a young man and influenced how I approached not only women but people.
For me personally, it doesn't matter if I'm in a short film, a commercial, a digital series, a TV show, or a movie. Acting is acting. You have to embrace whatever medium you happen to be in and not worry about everything else around it.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events - the parties and the premieres that people go to to get noticed - I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
My sisters and mom raised me to respect women and open doors for them.
I'm tough on the outside and soft on the inside... I'm really a shy guy.
I'm a homebody, I'd rather be in the kitchen cooking than hanging out in a bar.
Some places that I have been, I have brought a token or some home from different places I have been. Some of them are around the house, and some of them are tucked away safely.
Sleep when you can, rest when you can, take care of yourself, eat well, and hopefully, you just take advantage of the opportunities that are presented to you and spread some good.
I have dual citizenship with Italy.
I'm happy to be on a show that's bridging that gap of 'Okay, I'm not a teenager anymore, I'm a man.'
You have to pay attention to the work on the page and make it as good as possible because it could be your last.
I'd love to have kids.
My first commercial ever was a Dr. Pepper commercial. And then I did a Mountain Dew commercial. A lot of soft drinks.
I have a Crock-Pot, and I have an All-Clad slow-cooker - I have two different ones. The All-Clad is larger, for maybe a gang of people, and my Crock-Pot's a little smaller if I'm just making something for myself.
I was going to go be an auto mechanic.
Certain things work for me, certain things don't. [Going out for drinks is] about connecting, hanging out, and having a reason to spend time together. But you don't really need any kind of reason, other than you want to spend time with somebody.
I love being around people that contribute. It doesn't matter where the good idea comes from. A good idea is a good idea.
I think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
I don't want to impose on anyone else and make anyone else emotional or anything. I tend to quietly cry, kind of turn away.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
I learned that I'm not young enough to think I know everything. Honestly. I think you hit a certain point in life where you expect that you have so much to learn, and you may think that you've arrived, but you have kind of just begun.
For me, digital is just another avenue. It doesn't mean that it has to be poor quality or poor content. But, you still run into the same struggles. You can't have full-on language, violence or sexual situations. You can't run rampant with the fact that it's digital. You can't do anything you want. You still have a responsibility to tell a story first, and show what the character is going through first, and then maybe you have a little bit of lee-way to show a more real side of life.
When I was born, they didn't work. They're broken, the nerves in my lower left lip. When I was kid, I would talk out of the side of my face. When I was 16 and came up to Hollywood from Orange County, I was in this cattle call audition for Batman and Robin at Warner Bros., and they interviewed me out front of the studio. When I got home, I was like, "Oh, this was exciting!" But then when I watched the news, I was like, "Mom, what is wrong with my mouth?!"
Sometimes you're working in highly emotional scenes and you'll get lost in the moment. You're having fun with your friend at work. It's an opportunity to give to them as much as they've given back to you.
I think we need to feel, to come together, to look at our differences as a benefit to who we are as people on the same planet. — © Milo Ventimiglia
I think we need to feel, to come together, to look at our differences as a benefit to who we are as people on the same planet.
I tell people, "It's the hardest thing to explain, but it's the easiest thing to understand." And all anybody really needs to know is, the struggles of life, the joy of life, the excitement and the heartbreak of life is something we can all connect to. And I like to hope that the inclusivity of the show [This Is Us] is something that audiences will relate to.
Sometimes I'm an ass, sometimes I'm sweet as peaches.
It's [high school] an interesting time in your life because you're trying to act older and mature but you really have no idea what you're doing. You're scared and it's okay to be scared. It's okay to not know completely what you want or what you should be doing and to stumble a little bit.
When your a kid,everybody runs around witha red cape-we all wanted to be SUPERMAN or BATMAN.
I've got two older sisters, which I think was the best thing, but also the worst thing. They dressed me up like a girl, but at the same time I think they taught me a lot of what they experienced and what they lived through, and passed that on to me as a young man and influenced how I approached not only women, but people. I got very lucky with the family I was born into. From my older sisters to my mother and father, they're just good, kind-hearted people.
I think there's an initial shedding of the skin of a character when you've played them for so long, almost like a snake losing its skin. But when a job is done, I kind of walk away from it because I know that I need to prep for whatever else I'm going onto - I need to get back to being myself, which... Who knows exactly who that is, with all the talking voices in my head. You know, back to being a bit of a blank slate again. It becomes a necessity as an actor - at least for the way that I act.
You have to be able to sustain life. So moments are going to be lighter, but moments are also going to be heavier. I think just the understanding that life goes in a million different directions, and hopefully, if you find excitement by what these characters are experiencing and what they're living through, and you're impacted by them as human beings, then that's the sustainability of the show [This is Us].
My father was a very fun dad; he was always coaching our soccer sports teams, he made sure that we had activities to do. He was kind of goofy and fun. But at the same time, he had a lot of lessons to teach us so that we didn't grow up and just not be good people. I try and reflect a lot on how I was raised by my father in the character that I'm playing now in being a dad. You've got to be strong for these kids. You also have to be fun and teach them all the lessons, not just one, or two, or three.
The older I get, the easier it is to just be present in the moment, and understand what a man is going through.
When you're in morgue you're seeing life that no longer exists. It gives you an appreciation when you look someone in the eye, you shake their hand, and you hug your friends, your girlfriend, your family. It just gives you an appreciation for the life that surrounds you. At the same time you understand how fragile it is. That you don't need to be an idiot or get so angry at times.
I think that any good storytelling lends itself to closing a chapter but also knowing that there's a few more volumes beyond that to dream off of. — © Milo Ventimiglia
I think that any good storytelling lends itself to closing a chapter but also knowing that there's a few more volumes beyond that to dream off of.
Unless I'm running and yelling, then you really see how crooked my mouth is!
I'm tough on the outside and soft on the inside [...] I'm really a shy guy.
I used to sit when I was a kid, from 14 or 15 on, with a book or a paper or a magazine in front of a mirror and teach myself to speak with a more straight mouth, so it wasn't so pronounced.
If you have your mind in the right direction, and your heart is full of the right kind of stuff, you'll succeed and you'll triumph over adversity, over really anything.
I just try not to subscribe to the ways of celebrity. I'm not a celebrity, I'm a working actor. A lot of the events -- the parties and the premieres that people go to to get noticed -- I'm just not into. I'll hang out with my friends, go see punk shows, read at home. At the same time, I have a production company, which is a lot of work.
I pretty much grew up in the Clubber Lang/Ivan Drago era. That was more my time. I've always been a fan of the films, even the fifth, that I know some people didn't care for, I've always enjoyed them.
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