Top 100 Quotes & Sayings by Rainn Wilson - Page 2

I grew up watching comedy. It was among all the geeky things that I did.

I think it needs to be with a heart-based wisdom and this heart-based wisdom needs to go hand in hand with science and with social activism and love for our planet and love for our whole human family that spans the whole globe and this may sound very high and mighty or airy-fairy, but it's going to have to go to that or else we're just all going to destroy each other.

I definitely have been known to be grossly insensitive in many different ways, you can ask the wife. To speak without a filter sometimes and not being able to edit myself with much sensitivity.

I want to keel over on stage playing King Lear at age 99 or something like that.

We live in a really racist culture and it's got to be addressed.

I really like the stuff that is very absurd and very real at the same time. I think Anton Chekhov is the greatest comedy writer of all time. I think he would make a great addition to The Office staff. If you look through Chekhov plays there is a lot of awkward pauses in there. His mixture of pathos, absurdity, truthfulness and whimsy is just mixed together perfectly.

A lot of actors are just like la la la - they're never really connected and then they're in the scene and then boom. They're looking you in the eyes and they're just really focused.

I think that doing comedy and playing Dwight is a service. Not to get grandiose about it, but I have a talent for playing oddball characters and I can make people laugh and that can help bring families together and people will really enjoy it and it puts a smile on their face and I think that is a really great thing.

I've actually rented Bjork's swan dress. I know that's kind of recycling, but I saw An Inconvenient Truth.

I was raised to think about philosophy and religious thought and the soul and the spirit of humankind in a different way, also really socially progressive teachings of the Baha'i faith, the equality of men and women, the elimination of racial prejudice, the equality of science and religion, so it was a big cauldron of big ideas in my household. And we were weird and unhappy family, but nonetheless that was a really positive thing that came out of it.

I think that actors are terrible communicators as people by and large. I think our tendency is to kind of be self-centered and tune people out and just kind of get really me-focused, so I think communication for actors is a big challenge actually.

We live in a really sexist culture, that's got to be addressed. And a really homophobic one. And all those things need to be addressed and looked at.

Absolutely. I am a father, and I know best. If there's any question, just ask me.

[Internet] technology, like anything else that mankind creates is a tool and that tool can be used for good or for evil, like a light saber. Technology is supposed to bring people together, streamline things and make life easier and in a lot of ways it does that. However, technology can also disconnect you from other people and break down the social network, the real social network of family and friends and interpersonal communication, and isolate people, make them feel alone, make them feel small. So it's a tool that needs to be used correctly.

My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time. He was always so frustrated having to work to support the family that I was like, I'm never going to do that. I don't want to just be working a menial job to support my family and dreaming of being an artist. We learn from our fathers in that way.

Creativity is absolutely for everyone. I firmly believe this. I think if you're the driest accountant with the plastic pocket pen protector it's in how you interact with the world. There is artistry in everything that we do and there is expression in everything that we do.

The camera adds ten pounds and ten thousand dollars.

When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.

Our society is all about focusing on the externals, "These people like me, I'm successful because of these people, they view me as being good" and we need to take that vision and instead of expanding it outwards we need to look inside ourselves.

I can relate to someone whose life is falling apart, and they are doing the best to get by, using humor to survive. Backstrom really wears his heart on his sleeve and his life is unraveling... I would much rather hang out with that person than a slick procedural detective who has all the answers... it's human, it's frail, it's interesting.

I'm a much better listener when I'm acting than I am as a person in real life because you learn as an actor that listening is so important. You have to really key into what the other person you're acting with is saying and how they're saying it and react in the moment to what is going on.

If you cloned JFK and Abraham Lincoln and made them president it wouldn't matter. Our system is just too corrupt and too broken. I think that science is corrupt and broken. I think health and nutrition. I think the economic systems, the international relations, the environment, everything, the engines of everything are broken.

When I grew up in Seattle, by the way, in the 70's, it was a fishing village. There were loggers and fishers and my dad had a sewer company and it wasn't the way Seattle is now. Culturally, it was very different back then.

I think creative blocks come from people's life journeys. If you don't know who you are or what you're about or what you believe in it's really pretty impossible to be creative.

(In) most cop shows, every cop in the squad speaks exactly the same and the same kind of short clipped film noir-ish talk.

I was doing great plays. It wasn't changing the world. I was getting good agents and doing film and TV and I wasn't happier. I was like "Wow, there is an unease inside of me." And that led me back on my kind of more spiritual path to the Baha'i faith in a new and fresher way and I came to also understand at that point that there was no difference between being devout and being an artist. There is no difference between creativity and spirituality and philosophy and that is what Soul Pancake, the book, and SoulPancake.com are about is: it's all about human expression and it's about seeking to transcend.

And I want to find a way to be of service to humanity. I think that's crucial. So want to be an artist and a servant, a humanitarian, and I want to play goofy weirdoes.

I use two million Twitter followers as a tool. The reason I have Twitter is so people can get to know me as a different person other than Dwight. I just realized all of the sudden like everything thinks I'm Dwight. They think that I'm Dwight from the office and that I'm this kind of annoying, difficult, nerdy, creepy guy and they don't know Rainn Wilson - although I'm a little bit nerdy, annoying and creepy. I'm not as much as Dwight Schrute.

I think meditation helps greatly with creativity. If it's a pure expression of yourself no matter what it is or what medium, it's going to shine. It's going to resonate.

I love being an actor, and I don't want to be a spokesman for anything, I don't want to do anything crazy or fancy like that. I just love playing characters and getting paid for it, and that's what I want to do till the day I die.

I used to play a lot of chess and competitive chess and study chess and as you get to the grandmasters and learn their styles when you start copying their games like the way they express themselves through... The way Kasparov or Bobby Fischer expresses themselves through a game of chess is it's astonishing. You can show a chess master one of their games and they'll say "Yeah, that is done by that player."

You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property.

I've been through some very dark times in my life and I've been through those very dark times that's affected my world view, the lens that I see people through, so I can relate to that.

People are flawed. I like peaking into their flaws. The way to humanize them is not to play them in any general way, but to make them very specific. If you make them specific, they have hopes and dreams and loves and vulnerabilities and quirks and you get to know them and you get to appreciate them.

If it’s a pure expression of yourself no matter what it is or what medium, it’s going to shine. It’s going to resonate. You could look inside of yourself and you could have a canvas and you could paint a dot in it, but if that is where your creative purpose is taking you then it needs to be that dot.

I play Dwight. That is just much me being of service and worshiping as if I'm on my knees in some temple somewhere or bowing my head in prayer to God in some way. It's really all just the same thing.

This is one doodle that can't be un-did, Homeskillet.

I like playing misfits, I like playing oddballs, I like playing characters with rough edges.

Not everything is a lesson. Sometimes you just fail.

I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.