Top 34 Acoustics Quotes & Sayings

I prefer to sing in the shower 'cause the acoustics are really, really good, I mean, when you're singing against the tile walls then you really hear yourself, hear your voice, you know, throwing itself back at you.

We have traveled through space and time. We have been many places. Visited many worlds. And there is good news: the acoustics everywhere are terrific.

The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.

I want to be able to show my vocals off and when I do do live performances, I'm going to do some acoustics just with a guitar and a stripped back version.

Stradivarius, in particular, was the most amazing craftsman and one of the great artists and scientists that ever lived because he figured out something with the sound and the science of acoustics that we still don't understand it completely.

I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.

I would be happy if I could meet some musicians interested in different acoustics and traditional music. Maybe I will find some Native American or Latin tunes. Anything. Even maybe a great heavy metal guitar player or drummer, and we can do something wild together. My next step is making more music without formats or borders. Not just simple songs or doing covers, but music with more ideas. I think it will again be a synthesis with something else.

Although a crisp texture is the single most prized quality in an apple - even more desirable than taste, according to one study - crispness is more a matter of acoustics than of mouth feel.

A few days ago I walked along the edge of the lake and was treated to the crunch and rustle of leaves with each step I made. The acoustics of this season are different and all sounds, no matter how hushed, are as crisp as autumn air.

I've always been interested in finding out more about the properties of acoustics.

After tea, we discussed a variety of topics before the fire; and Mrs. Micawber was good enough to sing us (in a small, thin, flat voice, which I remembered to have considered, when I first knew her, the very table-beer of acoustics) the favourite ballads of "The Dashing White Sergeant", and "Little Tafflin".

If you're playing in a room that holds 15,000 people, it's just a question of how bad the room acoustics are and in what way they're bad.

The magic of film isn't just because of the big screen, or the acoustics, but the ineffable shared experience of going to the movies.

From my earliest childhood, my attention was specially directed to the subject of acoustics, and specially to the subject of speech, and I was urged by my father to study everything relating to these subjects, as they would have an important bearing upon what was to be my professional work.

In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.

With real estate, it's location, location, location. In public speaking, it's acoustics, acoustics, acoustics.

I like hearing fiddles, steel guitar, acoustics up loud - really rock & roll stuff but with a country sound behind it. That's just who I am. I'm not trying to prove a point; I am just doing what I like. But I don't have any problems with any other artist coming in and doing their own thing.

I prefer to sing in the shower because the acoustics make you sound great, baby.

With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.

The Smith Center is a theater where you want to keep the lights on. The acoustics are amazing, and this is a stage that was built for sound.

It's like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most - acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar.

The acoustics seem to get louder

We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.

A few years ago, the Bose Acoustics Corporation had a new product, the Bose Wave Music System. And their ad campaign for it was not successful until they changed one thing. At the top of the ad they said, "Hear what you've been missing." And that caused the skyrocketing of the interest in purchasing of the product. Why? Because with something new, people are uncertain, and when they are uncertain, they want to avoid losses.

In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.

I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.

I think it's one of my favourite theatres ever, so quirky and wonderful and steeped in history. The space is wonderful and the acoustics are brilliant.

Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted out in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.

At first acoustics attributed to the different sounds only a limited number of characteristic features.

I really think the acoustics that Gibson's been making for the last ten years or so are as good as any the company has ever produced and that's saying a lot.

You have a long history of changes in diagnosis, from no touching to touching, to assessing acoustics and visuals. But visual is a problem, because if you're a living being you can't see beyond the surface of the skin. Now you don't have that problem. Laparoscopic surgery, inserting a camera into the body, is sometimes called "Nintendo surgery" - the best training for laparoscopic surgeries has actually been video games.

With a live performance, you feel nervous because there's a sense it could do well or badly based on how well you are performing, whereas the only variable with a film premiere is technical, which invariably you have very little control over, whether the sound is good, whether the acoustics of the room are good.

I like those older theaters - the acoustics are perfect, I mean, you just have that feel of there's been a thousand shows in there and now you get to be one.

Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.