Top 1200 American West Quotes & Sayings

Explore popular American West quotes.
Last updated on November 8, 2024.
I am behind Kanye West for American President 100 per cent.
There is nothing antithetical in American history, culture, or traditions to teamwork. Teams were important in America's history - wagon trains conquered the West, men working together on the assembly line in American industry conquered the world, a successful national strategy and a lot of teamwork put an American on the moon first (and thus fare, last). But American mythology extols only the individual...In America, halls of fame exist for almost every conceivable activity, but nowhere do Americans raise monuments in praise of teamwork.
One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories.
No one in the American Enterprise imposes their beliefs. We clash, and I think that's what the West is all about. — © Ayaan Hirsi Ali
No one in the American Enterprise imposes their beliefs. We clash, and I think that's what the West is all about.
I think people love the character of Iris West. I think a lot of fans are also excited that Iris West is now African-American. They want to see her be strong and intelligent and a love interest - and so people come out in full force to defend that and honor that. And I think that's cool.
The West in its modern form since 1945 is a miracle, and that`s in our American interests. It`s its good that the West is strong and at peace, and we should want more of that, not less.
I think the hardest accent for me to do is what I end up trying a lot of times, and it's like some sort of a general American sound. So not Southern and not east-coast or west-coast, but just a general American sound that no one really speaks, actually.
Guns are part of the American psyche, aren't they? This is collateral damage for having a Wild West mentality. It's intrinsic to the American psyche. It's never going to change.
When I was 6 years old I went to my first A's game at the Coliseum. It was the 1982 season and the A's went on to finish fifth in the American League West that year.
Europe began as the relatively empty, uncivilized Wild West of Asia; then the Western Hemisphere became the Wild West of Europe. Now the sun has set in our West and risen once more in the East.
West Indian cultural mentality and a North American life equals the perfect balance.
So there's that change of general consciousness, and then there's this boom after the war, this expansion into the West. It was like the 1950s. The American economy was pumping at top speed. The kinds of people who would move into these communities and organize their lives around a utopian dream now had dreams about the West.
During 1866 and 1922, Native Americans and black soldiers often intermingled in the American west, on the frontier.
Someone else is going to read for me or go at my place to the mosque, and/or to tell me you shouldn't take anything from the West because the West is the enemy and so on. It is to me to decide. I am intelligent enough to be critical towards the West and take what I need and reject what is bad for me.
I'm a chairman on the Board of Governors for the East-West Players, the longest-running Asian-American theater company in America. — © George Takei
I'm a chairman on the Board of Governors for the East-West Players, the longest-running Asian-American theater company in America.
Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.
Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.
One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories. You are as if born again, in the sense of the snake: You leave your skin behind and you begin again. For most people in the world, that is totally impossible.
The history of my state of Oklahoma offers a great example of pursuing the American Dream. It was built and settled by pioneers moving West to seek better lives.
Families in Logan, West Virginia, were going through the same struggles as families in the Bronx, San Francisco, and Houston. This was not a West Virginia problem. This is an American problem, and it has to change.
It was because of my great interest in the West, and my belief that its development would be assisted by the interest I could awaken in others, that I decided to bring the West to the East through the medium of the Wild West Show.
Now, I know it's a widespread assumption in the West that as countries modernize, they also westernize. This is an illusion. It's an assumption that modernity is a product simply of competition, markets and technology. It is not. It is also shaped equally by history and culture. China is not like the West, and it will not become like the West.
My mother was actually born in Ohio but raised in West Virginia where her family had a laundry. She has a West Virginian accent. My father was born in China, but he's the son of an American citizen. My paternal grandfather was born in San Francisco in 1867.
Up to our own day American history has been in a large degree the history of the colonization of the Great West. The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain American development.
The act of choosing what to place in your piece when you're a historian or a non-fiction writer already renders it into fiction for someone else. In some ways fiction comes a lot closer to reality. When you start talking about something as brutal as slavery and life in the American West, it's really important to take a non- judgmental stance. We romanticize a great deal about life in the American West, but I thank God I wasn't living during that time. No matter what color you were, it was rough, crude, tough living.
This boa, the American columns, are being besieged between Basra and other towns north, west, south and west of Basra… Now even the American command is under siege. We are hitting it from the north, east, south and west. We chase them here and they chase us there. But at the end we are the people who are laying siege to them. And it is not them who are besieging us.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
It's a warm wind, the west wind, full of birds' cries; I never hear the west wind but tears are in my eyes. For it comes from the west lands, the old brown hills, And April's in the West wind, and daffodils.
Ever since the 1860s when photographers travelled the American West and brought photographs of scenic wonders back to the people on the East Coast of America we have had a North American tradition of landscape photography used for the environment.
When you study history in American schools, very rarely is the name John Brown mentioned. We know who Kanye West is or Twyla Tharp or Shania Twain.
Someone might say about a person, "Oh, they are a 'Westerner." But who are Westerners? Greek, Bulgarian, German, English, Scandinavian, Spanish, American, Latin. All different nations, all different people. Different individuals live in the West. There's no such thing as "West" just as there's no such things as "East." What is "East?" Turkey, Iran, China, India, Japan. They are all different. They are all unique.
To me, no painter has ever quite understood the light, the distances, the aboriginal ghostliness of the American West as well as Maynard Dixon. The great mood of his work is solitude, the effect of land and space on people. While his work stands perfectly well on its claims to beauty, it offers a spiritual view of the West indispensable to anyone who would understand it.
I subconsciously mimic whomever I'm talking to, so I've been mistaken for a Canadian, a South American, and somebody from the West Country.
In speaking to you men of the greatest city of the West, men of the state which gave to the country Lincoln and Grant, men who preeminently and distinctly embody all that is most American in the American character, I wish to preach not the doctrine of ignoble ease, but the doctrine of the strenuous life.
We must stop posing as victims of the West and behaving negatively towards the West. We must participate with the West on an equal footing in the reconstruction of the world.
From the American retelling of Romeo and Juliet in West Side Story to the Japanese adaptation of King Lear in Ran, Shakespeare's cultural influence is virtually limitless.
At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine.
The sexual revolution transformed the American West: Now even cowboys can get laid.
The car was full of unhappy people heading west. It was the Great American Family Road Trip, all right. Whaaa-hoo! — © Kim Harrison
The car was full of unhappy people heading west. It was the Great American Family Road Trip, all right. Whaaa-hoo!
Every manly icon the West has ever admired has embodied the very spirit of American independence.
We use American influence with Israel not to promote economic growth in the West Bank, but to try and impede Jewish - never Arab - construction in the capital city.
The West, in the form of American capitalism, is seen as having won, but people are beginning to offer alternatives again, sometimes in retrograde ways like radical Islam.
With a far-future setting merging Chinese and American culture, 'Firefly' also saw high-tech futurism blended with the traditional Wild West.
I am happy to be a regional writer. My region is the American West, old Mexico, West Virginia, New York, Europe, Australia, the human heart, and the male groin.
This boa, the American columns, are being besieged between Basra and other towns north, west, south and west of Basra. The Americans are the people who are under siege.
Long a student and admirer of the American West, its history, its art, its culture, its cast of personalities, I'm aware that in the West a great confluence of events and people combined to create something unique in the annals of human history.
If anyone can be said to embody the American Dream, it's Kim Kardashian West.
I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.
Latin American countries are part of the West and that it is reasonable to expect a certain degree of openness in their societies that we do not demand of, say, China or Vietnam.
I became interested in photography during my first visit to the United States. I was a student at a university in Holland. I was overwhelmed by the beauty of the American West. That was when I learned about the tradition of nature in American photography.
The American crow is at an all-time low of 82 birds. Others hit by the West Nile, like the black-capped chickadee, have rebounded. — © Jeff Chapman
The American crow is at an all-time low of 82 birds. Others hit by the West Nile, like the black-capped chickadee, have rebounded.
The American journey has not ended. America is always still to build ... West is a country in the mind, and so eternal.
The West has never been all of the world that matters. The West has not been the only actor on the stage of modern history even at the peak of the West's power (and this peak has perhaps now already been passed)... It has not been the West that has been hit by the world; it has been the world that has been hit - and hit hard - by the West.
My initial fear was that Trump would be something in the order of an American fascist, be militaristic and aggressive. My take on it after the first 100 days is that he's dangerous in a different way. Fascists are dangerous because they're competent people. Trump is incompetent. My fear is not just as an American Muslim, although that's part of it, but as an American who believes very strongly in the idea of a pluralistic, cosmopolitan, transatlantic Western identity. What he's doing to the West and the United States, I don't think the U.S. can recover from this.
During the Cold War, the West was extremely careful not to allow the gap between the rich and poor to widen too far, first and foremost to counter communist depictions of the squalid masses in the West. But the same remains true today: If the West does nothing about the growing social inequities, it endangers its internal legitimacy.
The American West is just arriving at the threshold of its greatness and growth. Where the West of yesterday is glamorized in our fiction, the future of the American West now is both fabulous and factual.
We are one people despite the ostensible rifts, cracks, and differences between the American and Soviet democracies. We are one people and it is not in our interests that the West should liberate the East, for in doing this and in liberating the enslaved nations, the West would inevitably deprive Jewry of the Eastern half of its world power.
I loved the audacity of that American principle which says. When life gets tainted or goes stale, junk it! Leave it behind! Go West!
I think, Russia is pushing against the West in general, not just the United States but the institutions of the West, the key governments in the West using a variety of tools, as well as military assault on Ukraine.
My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.
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