Top 69 Beckett Quotes & Sayings

Explore popular Beckett quotes.
Last updated on November 7, 2024.
Samuel Beckett once said, "Every word is like an unnecessary stain on silence and nothingness." ...On the other hand, he SAID it.
The writers we tend to universally admire, like Beckett, or Kafka, or TS Eliot, are not very prolific.
My favorite playwright is probably Samuel Beckett, and he was always laughing at the abyss. — © John Cameron Mitchell
My favorite playwright is probably Samuel Beckett, and he was always laughing at the abyss.
I don't think there's been any writer like Samuel Beckett. He's unique. He was a most charming man and I used to send him my plays.
Look at Sam Beckett. Most depressed man who ever lived, but he sure was funny.
He [Samuel Beckett] is great, a very great writer. Any modern writer is bound to be influenced by [James] Joyce. Of course, by Beckett as well.
There's something hopeful about 'Endgame.' Beckett strips everything away and asks what remains. There's this surgical dissection of the soul, but at the bottom, you find shafts of light.
As Beckett said, it's not enough to die, one has to be forgotten as well.
I was in Hollis' band for eight years, playing drums. At one time we had Barry Beckett, Jimmy Johnson, David Hood - everybody but Roger Hawkins. We had a hell of a band.
The Australian Gerald Murnane, a genius on the level of Beckett, is known in Australia and Sweden but almost nowhere else. And I loved Reality Hunger, David Shields' recent novel take on the art of the novel.
Where do I begin? I loved working with Kate Hepburn, which was one of the highlights of my life; Working with Richard Burton in Beckett was another great joy.
Beckett's 'Stories and Texts for Nothing' is probably my favorite book.
I would say recently I've gotten back to perusing [Samuel] Beckett's novels. Listening to the way Donald Trump speaks without saying anything has made me think about language.
There's always a host of voices you're inspired by. I love Don DeLillo, and I love Isaac Bashevis Singer, and I love Beckett, and I love Pinter. He's one of the funniest voices in English literature since Dickens.
The conversation with the dead is one of the great pleasures of life. Somebody who is sitting reading Chekhov, Beckett, reading Toni Morrison - you are not in any way dead, in many ways you are intensely alive.
Beckett was the most thorough of playwrights. He tells you what to do and if you've any humility at all, you'll take his advice. — © Adrian Dunbar
Beckett was the most thorough of playwrights. He tells you what to do and if you've any humility at all, you'll take his advice.
I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.
[Abbas Kiarostami] is a great artist and a poet. I sometimes think that if Samuel Beckett made films, he'd make them like Kiarostami makes them.
Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.
These are your beautiful days, Julia Beckett," he promised softly.
All of a sudden we were going on school trips, seeing these amazing plays by the likes of Samuel Beckett. My whole world went from 'This is really fun' to 'This is fascinating to me'.
In Kamby Bolongo Mean River damage and delusion walk hand in hand, and everything we think we know is gradually called into question. Reading like a cross between Samuel Beckett's 'The Calmative' and Gordon Lish's Dear Mr. Capote, Robert Lopez's new novel gets under your skin and latches on.
Samuel Beckett. He is a kind of hero for me.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
Beckett does not believe in God, though he seems to imply that God has committed an unforgivable sin by not existing.
I admire [Samuel] Beckett, but I am totally against him. He seeks no improvement.
I am not interested in living in a city where there isn't a production by Samuel Beckett running.
I don't know if [Samuel] Beckett is something you ever bring to the beach - get out of the water, towel off, and start reading some of "The Unnamable." Although, because it's the kind of book you can open to any page and start reading, it is beach reading in that way.
Samuel Beckett's estate will not license productions of his plays that are not performed as written.
My exposure to Beckett and to late O'Neill was probably important right at the time I gave up poetry and the novel.
Notable American Women is a weird nougat of a book that suggests Coetzee, Kafka, Beckett, Barthelme, O'Brien, Orwell, Paley, Borges-and none of them exactly. Finally you just have to chew it for its own private juice.
It seems to me that after the second world war, Beckett finally realized he had something to write about.
Poets think in short lines. Unless you're Samuel Beckett, Twitter might be more difficult for novelists.
Throughout the 1960s and 1970s devoted Beckett readers greeted each successively shorter volume from the master with a mixture of awe and apprehensiveness; it was like watching a great mathematician wielding an infinitesimal calculus, his equations approaching nearer and still nearer to the null point.
Discovering Samuel Beckett in college was a big deal for me. I realized you could be very funny and very dark at the same time.
We grew up on Harold Pinter, Sam Shepard, Samuel Beckett. You're making something about men on the verge of a nervous breakdown, you're going to look to those guys. — © Robert Eggers
We grew up on Harold Pinter, Sam Shepard, Samuel Beckett. You're making something about men on the verge of a nervous breakdown, you're going to look to those guys.
Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.
Kamby Bolongo Mean River is an original and fearless fiction. It bears genetic traces of Beckett and Stein, but Robert Lopez's powerful cadences and bleak, joyful wit are all his own.
I spent a lot of time in college studying theater of the absurd and Beckett and Genet, and then I spent a lot of time after that at 'Gossip Girl' auditions, thinking, 'Wow, I really wasted my money.'
Like his admirer Samuel Beckett, Johnson locates his voices among conditions of such deprivation that even the most miserable memories are gilded by comparison: this paradox fuels equal parts of comedy and pathos. Never sentimental, at once corrosive and elegiac, House Mother Normal is a remarkable achievement.
Ben Marcus has created an innovative and unflinching portrait of the turmoil of the human condition, providing the reader a most rare gift: something truly new. Notable American Women contains strains of Donald Antrim and Samuel Beckett but is beholden to neither; it is a brave, original book.
Opens up a whole new view of Beckett. The strong mutual attraction between Beckett and Cunard may help explain the leftist political views he expressed both in these superb and long-neglected translations for Negro and elsewhere in his work.
My son is actually named after Beck, the musician. We heard Beck on the radio and thought that was a good nickname for a child. We named our son Beckett so we could call him Beck - we reverse engineered. And then after he was born and I saw the name on the birth certificate I realized Beckett was a really pretentious name, way too literary. Luckily he's grown into it. We nearly named my second son Dashiell. Can you imagine? Beckett and Dashiell. It would have been a disaster of pretentiousness.
Artemis: "Right, brothers. Onward. Imagine yourself seated at a cafe in Montmartre." Myles: "In Paris." Artemis: "Yes, Paris. And try as you will, you cannot attract the waiter's attention. What do you do?" Beckett: "Umm...tell Butler to jump-jump-jump on his head?" Myles: "I agree with simple-toon." Artemis: "No! You simply raise one finger and say clearly 'ici, garcon.'" Beckett: "Itchy what?
The one living playwright I admire without any reservation whatsoever is Samuel Beckett. I have funny feelings about almost all the others.
I went and saw him [ John Hurt ] here in L.A.He did a one-man Beckett show of Krapp's Last Tape. I went back and saw him afterwards, and what an actor he is. He is so gifted.
People often say Beckett is difficult or bleak, but engaging with it is the most life-affirming, uplifting thing. It's his use of language. The music of the words works on your subconscious. You end up deeply moved but don't know why. That's where the magic lies.
Beckett had an unerring light on things, which I much appreciated.
I'd never done any Beckett before 'Krapp,' and I haven't done any of his other plays since. I've always felt that 'Krapp' is an autobiographical piece. — © John Hurt
I'd never done any Beckett before 'Krapp,' and I haven't done any of his other plays since. I've always felt that 'Krapp' is an autobiographical piece.
I belong to that generation who, as students, had before their eyes, and were limited by, a horizon consisting of Marxism, phenomenology and existentialism. For me the break was first Beckett's Waiting for Godot, a breathtaking performance.
The first play I saw was a Samuel Beckett play which was great.
All really great artists, Jackson Pollack, John Cage, Beckett or Joyce - you are never indifferent to them.
People ask me all the time, "What are your influences? Are you trying to do Beckett?" It's like, "No, I'm trying to do me." Whatever that is. I don't know what that is, but that's the basis. I'm trying to be true and I'm trying to be honest.
When I was a very young student I loved and admired the work of Sam Beckett, who is famously pessimistic, and whose writing is an extraordinary examination of emptiness. I wanted to be like Beckett. I don't have the same attitude toward the world, I'm naturally optimistic, and so of course I could never be like Beckett. You can't force yourself to become like someone you admire.
Ibsen, Chekhov, Shakespeare, and Beckett to me are the most revolutionary.
Food is a necessary component to life. People can live without Renoir, Mozart, Gaudi, Beckett, but they cannot live without food.
[Contemporary writer] could be a kind of [Samuel] Beckett who would not be felt to be totally committed to despair.
My favourite writer is Beckett and I keep going back to wallow in his work like a deep pool of dark humour or like an oxygen tank when you can't breath in a world consumed by piety, hypocrisy and self-satisfaction.
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