Top 47 Casablanca Quotes & Sayings

I'm an incurable romantic, and 'Casablanca''s one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.

Like Rick in Casablanca: "We'll always have Paris." When what we'll always have is, like, Brooklyn and arguments about [Lev] Trotsky.

The commentators of 1963 speak, in discussing Africa, of the Monrovia States, the Brazzaville Group, the Casablanca Powers, of these and many more. Let us put an end to these terms. What we require is a single African organisation through which Africa's single voice may be heard, within which Africa's problems may be studied and resolved.

Aristotle said time is a measure of change, and this movie is about changing in time, through time, while remaining the same person. That's a philosophical paradox and a moral dilemma. But 'Casablanca' says it's possible. You can have both. That's what it means. And that's my wish for you: that you would have both.

I love beautiful black-and-white movies - anything Bette Davis, especially Now, Voyager, Casablanca, Mildred Pierce; anything by Orson Welles, Truffaut, or Godard; and Paper Moon by Peter Bogdanovich.

Casablanca is back on the big screen in a new print and looks and sounds better as time goes by. It is the product of numerous accidents, all of them happy, and I laugh, cry and have my better instincts appealed to whenever I see it.

Even as a teenager, my sensibility was different because my parents introduced me to some amazing films. I grew up watching films like 'Kabuliwala,' 'Casablanca,' and 'Mandi.'

I woke up last night and thought: 'I must call somebody in my next novel Casablanca.' It's such a great name. I don't want to call anybody Fred or Jane or Susan, so when three people get into bed together, you don't know who they are.

Believe it or not, one of my favorite songs is 'La Marseillaise'. I'll watch Casablanca just to hear it. It is enough to get me off my ass and want to jump on a horse and yell, "Charge!"

We Christians joyfully recognize the religious values we have in common with Islam. I would like to repeat what I said to young Muslims some years ago in Casablanca: 'We believe in the same God, the one God, the living God, the God who created the world and brings his creatures to their perfection.

I feel like I hadn't given that many classic films, like, a really good chance. I watched 'Casablanca' a really long time ago when I was like, 12. I didn't like it that much, and then when I saw it again in class, I loved it.

They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.

I am proud of Edinburgh's status as a financial centre, but where is it on the index of global financial centres? Sixty-fourth. Below Hamilton, Casablanca and Mauritius. London, by contrast, is second only to New York. That's a link worth keeping.

Chess - it's a nonmainstream game. And the irony is that when you look at Hollywood, it kept using chess as the symbol of intelligence for its heroes, for its top characters, all the time. So it's from "Casablanca" to "Harry Potter." You always have chess as a very important element to demonstrate intelligence, while in normal life people think it's just a weird intelligence - like AI.

If its December 1941 in Casablanca, what time is it in New York?

In the liberal remake of 'Casablanca,' the police captain comes upon the scene of the shooting and orders his men to 'round up the usual weapons.' It's always the weapon and never the shooter.

The backstreet cafe in Casablanca was for me a place of mystery, a place with a soul, a place with danger. There was a sense that the safety nets had been cut away, that each citizen walked upon the high wire of this, the real world. I longed not merely to travel through it, but to live in such a city.

Good actors aren't enough. You need charisma. Can you imagine 'Casablanca' without Bogart and Bergman?

I loved watching classics such as 'Casablanca' and goofball comedies such as 'How To Murder Your Wife' on WGN-TV.

I'm an incurable romantic, and Casablanca's one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.

Maybe the best example of the unmuscled hero is Humphrey Bogart in 'Casablanca.' Bogart was 15 years older than Ingrid Bergman, and it did not matter at all. He had the experience, the confidence, the internal strength that can only come with age.

I love beautiful black-and-white movies - anything Bette Davis, especially 'Now', 'Voyager', 'Casablanca', 'Mildred Pierce'; anything by Orson Welles, Truffaut, or Godard; and 'Paper Moon' by Peter Bogdanovich.

One thing that I think works in 'Casablanca' and which I've lectured a lot about - in terms of what I've been trying to achieve as a designer - is the film's creation of its own form of reality.

In Paris, when the picture came out [Casablanca] they weren't too pleased with it. They didn't like the political point of view. The picture was taken off immediately and was never sold to television. A while ago it was brought in and opened in five theatres in Paris, as a new movie. They had a big gala opening where I appeared and people were absolutely crazy about it.

Capt. Renault: What on Earth brought you to Casablanca? Rick Blaine: My health, I came to Casablanca for the waters. Capt. Renault: The waters? What waters? We're in the desert! Rick Blaine: I was misinformed.

Who ever heard of Casablanca? I don't want to star opposite some unknown Swedish broad.

Because I was born in Casablanca and my parents were from the south of Spain, I do not have a big central root in France. I feel French but in a few ways, not at all French.

I love 'The Godfather' and 'Casablanca' - great stories, acted well, made well.

I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.

Try this experiment: Pick a famous movie - 'Casablanca,' say - and summarize the plot in one sentence. Is that plot you just described the thing you remember most about it? Doubtful. Narrative is a necessary cement, but it disappears from memory.

There can be few situations more fearful than breaking down in darkness on the highway leading to Casablanca. I have rarely felt quite so vulnerable or alone.

It would be difficult to tell," Wulf said. "I've always been a romantic. I've seen Casablanca twice, and I sat through the entire ordeal of Titanic". "Didn't you enjoy Titanic?" "I was relieved when the ship went down".

At Casablanca we did 'Midnight Express,' 'Flashdance,' and 'The Deep.' My willingness for risk has always been my strength.

Rick Blaine: We'll always have Paris. We didn't have Paris, we lost it until you came to Casablanca. We got it back last night. Ilsa Lund: When I said I would never leave you. . . . Rick Blaine: And you never will. But I got a job to do too. Where I'm going you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now . . . here's looking at you kid.

I know for a fact, obviously, because my kids grew up watching the show, that there are some things they are introduced to from 'The Simpsons', and then later in life they see the thing we're parodying. My kids had not seen 'Casablanca,' and we'd done parodies of 'Casablanca.'

Morocco is completely alive for me because I spent about a third of my life there. The first few times I went back to Casablanca, I walked through the streets and remembered how years earlier I had walked those same streets and prayed that a miracle would happen and I would leave and become famous.

Most people would rather stay home and watch Casablanca for the fourth time or the 10th time on Turner Classic Movies than go see Matrix 12 or whatever the hell the flavor of the month is.

The great apologist has to have lived large and wild. If he's going to kiss the world's boo-boos and make up, he'd better plant some bruises first. A master apologizer has to be a Lord Byron, a Rick in Casablanca, a Lee Atwater, anyway.

Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.

Thank you for your coffee, seignior. I shall miss that when we leave Casablanca.

I loved 'Casablanca.' You know, right vs. wrong. I think I like a movie where there is a victory, right over wrong, but there's always some price to be paid.

Well everybody in Casablanca has problems. Yours may work out.

Personally, I don't use fragrance, and only use essential oils. Stephan [Weiss] said, "Donna, we have to do fragrance - fragrance will last forever - fashion goes up and down. And I said, "I love Casablanca lilies, I love the smell of your neck and I love suede. If you can combine these three together, we can discuss it."

If it's December 1941 in Casablanca, what time is it in New York?

If, by chance, you were to meet me at the Casablanca airport or on a boat sailing from Tangiers, you would think me self-confident, but I am not. Even now, at my age, I am frightened when crossing borders because I am afraid of failing to understand strangers.

You never marry the person you first see 'Casablanca' with.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?