Top 1200 Comic Art Quotes & Sayings - Page 3

Explore popular Comic Art quotes.
Last updated on November 24, 2024.
When comics are in the room, people have a tendency to try to make them laugh. That doesn't really make you funnier. It makes you a comic's comic, but you aren't going to get a fan base doing that.
I'd have to say that the things that mean the most to me are the examples of original comic art that I'm able to look at every day, most of them either by notable friends and/or for projects that I've worked on.
It's not easy for me as a writer to suspend my disbelief in a fantastical zone. I can do it. But it's more natural for me to write stories that are comic. Or hopefully comic.
I wanted wherever possible to lean into the comic form and do things in the story telling that could only be done in comics and which pay homage to the many strands of comic and visual storytelling tradition.
Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book." — © Len Wein
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
It's gratifying to hear that from people who care about comic art. I never know what to make of it when someone writes to say, "Calvin and Hobbes is the best strip in the paper. I like it even more than Nancy."
Being a hardcore old-school comic book lover, it took me a while to accept the need for comic book movies.
The Valkyries were an idea that my boss and I came up with when, at the comic shop one day, I mentioned how great it would be if there were a girl gang for women working in comic shops.
I definitely read the comic books and got as familiar with the comic books as possible. I was always a fan of Spider-Man and most superheroes. There aren't a whole lot of little boys out there that aren't.
Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.
Comic book companies are like comic book villains; they keep coming back after they die.
I had the 'War of the Worlds' comic book. I had lots of comic books.
What great comedians, great comic writers, great comic actors do is that they just read the headlines with the right eyebrow position and it's funny.
The comic convention itself tends to come second to the giant announcements in Hall H and the movies and the TV. So I think it's always good to remind people that there is a wonderful comic convention going on.
It used to be that comic strips were the big thing, and comic books were toilet paper.
When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.
I grew up really into comic books, and I actually thought I was going to be a comic-book artist. That was my ambition before I realized I couldn't keep characters looking the same from panel to panel.
There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
My grandfather bought me my first Marvel comic book when I was six years old, and since then, it has been an ongoing love. It was an 'X-Men' comic book. — © Stefan Kapicic
My grandfather bought me my first Marvel comic book when I was six years old, and since then, it has been an ongoing love. It was an 'X-Men' comic book.
I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.
You either ignore the comic book and make a great movie or you stay very close to the comic book.
I grew up with comic books, and I'm from the Caribbean, so comic books were really a great interrogator of American culture for me.
But one of my absolutely favorite things to do is go to comic book stores on the weekends. I'm a huge comic book nerd.
To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate - unlike most films.
I enjoy the art, and I enjoy drawing. I think my printing to this day looks like the printing right out of a comic book.
What looks tragic might be comic on second consideration, and what is comic might bring tears in time.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.
As a female comic, if you talk about sex in any capacity, you will be branded a 'sex comic,' so I might as well go full force on it.
We all know showbiz isn't easy, but being a comic - especially being a female comic - can be quite punishing.
Hellboy was entirely the comic I wish someone much more talented than I was doing, because I would have been a huge fan of that comic. But nobody was doing it, so it fell to me to do it.
I feel like there are comic book artists who are comic book artists, and then there's comic book artists who are cartoonists.
I'm a huge comic book fan, and I've read a lot from all different comic book outlets.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
'Malice' wasn't about horror to start with but an underground comic driven by the power of rumour. However, as nothing fuels a rumour like fear, I decided that it had to be a frightening comic.
No matter how much people want to pretend that they're embarrassed by it, that they don't watch it, everybody knows about it. It's truly, I believe, one of the only art forms that America has actually given to the world, besides jazz and comic books.
Well, I've been a big fan of comic books since I was a little kid. In fact, I used to write and draw my own comic books when I was on the old Lost in Space series.
I never wanted to be known as a fat comic, just a comic who happens to be fat.
And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living.
There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else. — © Aziz Ansari
I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else.
When you start to talk about comic books, a lot of the time, people forget about the comic part of it. They need to be funny.
'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
When I moved from Boston to L.A., I floundered. I definitely did time at the Improv and the Comedy Store, making 20 bucks a night. I learned how to be a starving comic. I was an in-debt comic: I ate well on loan.
It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.
Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.
I'd done performance art sporadically from about 1976 - very personal street things on my own. Acting seemed like a natural step from that. But I didn't really want to 'be' anything: presenter, comic, actor. I just wanted to perform.
I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
If you speak to his friends like Adam Sandler, David Spade or Tim Meadows - the people he came up with at 'SNL' - they would all agree that Norm was the purest amongst them. He was the comic's comic.
I still love comic books. When you have a kid, that's an excuse to keep reading all the comic books.
A comic's like anybody else - he does what he does to support himself and feed his family. But if a comic says the wrong thing, there's a chance the audience will want to take you down.
I stole comic books from my brother when I was a kid, but I was never like an avid fan. I can't claim to be like a comic book geek. — © Anna Kendrick
I stole comic books from my brother when I was a kid, but I was never like an avid fan. I can't claim to be like a comic book geek.
The comic strip is what I looked at, and it's another reason I did it. The comic strip, where animals would comment on human behaviour, interested me.
Comedy, I'm still in awe of. I think you need a comic genius somewhere in the mix. It's got to be the actor or someone. But the 'comic genius' actors are the darkest people on the planet - and that kind of scares me!
I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.
My own personal geek culture years were when I was much younger. I collected comic books up until a certain age. I wanted to be a comic book artist when I was younger.
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