Top 1200 Real Time Quotes & Sayings

Explore popular Real Time quotes.
Last updated on November 26, 2024.
Writing is a real activity conducted in real time.
My last real job was selling air time for CBS affiliates. I quit that when I was 28, and that was the last real job I had. I beat the system. I've been able to do this full-time for almost 15 years.
But the point is, now, at this moment, or any moment, we're only cross-sections of our real selves. What we really are is the whole stretch of ourselves, all our time, and when we come to the end of this life, all those selves, all our time, will be us - the real you, the real me. And then perhaps we'll find ourselves in another time, which is only another kind of dream.
Today, everything is about speed and real time. We are no longer concerned with real space.
I often wonder whether real conversation in real time may eventually give way to these sanitized and easier screen dialogues, in much the same way as killing, skinning and butchering an animal to eat has been replaced by the convenience of packages of meat on the supermarket shelf… Perhaps future generations will recoil with similar horror at the messiness, unpredictability and immediate personal involvement of a three-dimensional, real-time interaction.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
The long-term study of GMO foods is going on in real time and in real life. Not in a lab.
I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.
Is time our invention, or is time a real thing... I realize we're measuring it, but in the cosmic scheme of things, is there really time? — © Art Bell
Is time our invention, or is time a real thing... I realize we're measuring it, but in the cosmic scheme of things, is there really time?
If you take real-life circumstances and take out all the pauses then you have a thriller. It has to be non-stop, high stakes and fascinating all the time. Real life is like that from time to time.
People can make a real difference. One person at a time, one job at a time, one life at a time.
Music making features real-time creation, real-time decisions and actions. It's basically improvisation, which is the stuff of everyday life. In the realm of discourse about music, improvisation is marginal, but in the realm of doing it, it's omnipresent. Strange distinction here: we're improvising all the time, but when we tend to talk about music, we tend to talk about objects that are fixed, like recordings, scores, pieces.
Time limits are fictional. Losing all sense of time is actually the way to reality. We use clocks and calendars for convenience sake, not because that kind of time is real.
Imagining may be the first step in making it happen, but it takes the real time and real efforts of real people to learn things, make things, turn thoughts into deeds or visions into inventions.
I have this coat that I got in a nefarious deal years ago. It's a Johnny Carson coat, and I've had it remade three times. It's mine all the time. Carson was a real man, and I thought, 'Coats for real men by real men? I'm in.'
In the 1920s the young English physicist Paul Dirac began trying to understand and describe the space-time evolution of the electron, the first elementary particle discovered by J.J. Thomson in 1897. Dirac was puzzled by an unprecedented property of space-time, discovered by Lorentz in his studies of electromagnetic forces, whereby if space was real, time had to be imaginary, and vice versa. In other words, space and time had to be a ‘complex’ mixture of two quantities, one real and the other imaginary.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
Time doesn't exist. It doesn't exist in any way. It's more subjective than real. Time doesn't exist. I believe in memory. Memory is the real inspiration. Memory creates time. Memory is pure power. Pure power and pure strength, and pure utilization of space and time (if time is something we can really ever label). But I don't believe in time itself.
Strikes (1981) are real life. It took up seven weeks of real time. That's a fifth of a pregnancy. — © Dan Quisenberry
Strikes (1981) are real life. It took up seven weeks of real time. That's a fifth of a pregnancy.
The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.
We always have visions, before a thing is made real. When we realize that although the vision is real, it is not real in us, then is the time that Satan comes in with his temptations, and we are apt to say that it is no use to go on. Instead of the vision becoming real, there has come the valley of humiliation.
I think a lot of people try to time the market when it comes to buying or selling a property or investing in real estate, but the real secret to real estate is not timing the market, but time in the market.
In improvisation, there is only one time. This is what computer people call real time. The time of inspiration, the time of technically structuring and realizing... the time of playing it, and the time of communicating with the audience, are all one.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
What Republican voters have shown us is that when they have the choice between the real thing and the fake one, they go with the real one every time.
Housewives' is real, yes. We say what we're thinking at the time. But filming our real lives is a huge production that takes a long time. Sometimes you have to sit there for hours and hours while the show is being produced.
Well, I think first of all there was a failure to have real, clear information at our disposal. There was a real lack of situational awareness. We didn't have the capabilities on the ground to give us real-time, accurate assessments of the physical condition of the city.
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
There is a part of yourself that is not subject to change, it is the silent witness behind the scenes. That is essentially your spirit, the spirit being an abstract but real force. It is as real as gravity. It is as real as time. It is incomprehensible. It is mysterious but it is powerful and it is eternal.
On Facebook, Twitter, texting, e-mails, remember, it's a mode of communication, it is not communication. It's not real life. So step aside, make sure people see something other than the top of your head and live in real time, in the real world.
It's real time intensive so there's not much time for goofing around, but we are really close and we have a good time with each other. It's a great group. — © Will Estes
It's real time intensive so there's not much time for goofing around, but we are really close and we have a good time with each other. It's a great group.
I know what blood poisoning is, Katniss," says Peeta. "Even if my mother isn't a healer." I'm jolted back in time, to another wound, another set of bandages. "You said that same thing to me in the first Hunger Games. Real or not real?" "Real," he says. "And you risked your life getting the medicine that saved me?" "Real." I shrug. "You were the reason I was alive to do it.
If you create a visual that actually captures the imagination, that's not real. It will look real, and that will spread at such lightning speed that by the time it's found out, it has already done its damage. It's a very, very scary time that we're living in. I say it's an age of absurdity.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
In any commersial setting time comes in three forms. There's real time, there's perceived time, and there's a combination of two.
Let's be honest, you and I have probably seen a whole lot of family films - you have to do something special. Jim Strouse has the ability to write this hairpin turn between emotion and comedy that is very real. In real life, you don't have time to prepare for the bad stuff and you don't have time to prepare for the good stuff, it just sort of happens.
You will love again, people say. Give it time. Me with time running out. Day after day of the everyday. What they call real life, made of eighth-inch gauge. Newness strutting around as if it were significant. Irony, neatness and rhyme pretending to be poetry. I want to go back to that time after Michiko's death when I cried every day among the trees. To the real. To the magnitude of pain, of being that much alive.
Everybody is responsible for their own actions. It's easy to point the finger at somebody else, but a real man, a real woman, a real person knows when it's time to take the blame and when to take responsibility for their own actions.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
Have you noticed that only in time of illness or disaster or death are people real? I remember at the time of the wreck-- people were so kind and helpful and solid. Everyone pretended that our lives until that moment had been every bit as real as the moment itself and that the future must be real too, when the truth was that our reality had been purchased only by Lyell's death. In another hour or so we had all faded out again and gone our dim ways.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.
In the web products and services world, you have a real-time interaction with your customers, and then a real-time editing of how you as a company are doing.
I like movies that are about real people in real time with real problems. — © Josh Radnor
I like movies that are about real people in real time with real problems.
Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.
As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.
The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.
I don't really want more time; I just want enough time. Time to breathe deep and time to see real and time to laugh long, time to give You glory and rest deep and sing joy and just enough time in a day not to feel hounded, pressed, driven, or wild to get it all done-yesterday.
We strive for a culture of constant communication. Team members know in real time if there are performance issues. Team leaders know in real time if a team member is unhappy.
Theatre is real-time - you get that real-time audience reaction, which is fantastic. And with art pieces, people don't ever have to explain themselves. You can do something and really follow a research. With architecture, you have to be much more public. You have to build consensus. You have to work within the law. There are more complexities.
It's time to focus on real solutions that will create jobs and build our economy for real strength and stability - not just for the fortunate few, but for every American.
I think China knows that in the early stages of Covid, it didn't do what it needed to do, which was to, in real time, give access to international experts, in real time to share information, in real time to provide real transparency.
I'm not gonna squeal out that this is my 23rd retirement, my real, real retirement. But you know there comes a time where you need to look to go in another direction in life, and I have entered that time.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this; I could no longer stand real time. In order to function, a shot must show only what is useful.
We musicians play in Time and with Time, but sometimes it is Time that plays with us. One day, unpredictably, the evolution of culture makes real an oeuvre which has lain in obscurity.
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