Top 140 Catchy Quotes & Sayings - Page 3

I went to my old school, where all the kids I'd been with for eight years were about to graduate. But the sisters wanted me to repeat the whole term; so I went to the principal and pleaded with her to allow me to graduate with my class. She finally agreed on the condition that I write the graduation play. It was called How Do You Spend Your Leisure Time?Catchy title, huh?

In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.

I kind of write in a very classic way. I sit in the piano, working on some catchy, cool melodies and coming up with song concepts for those melodies. I kind of write in a very traditional way '- how people have written since the early '40s.

I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!

I could get a T-shirt that says 'All in for Week 4 of the Preseason.' That's not quite as catchy, and I don't have an endorsement deal with an apparel company. Maybe someone will sign me now. I don't make enough money to get fined. Maybe I'll get a deal with some off-brand or something that sells at Walmart or something.

I was called "T-Bow" but the people got it mixed up with "T-Bone." My name is Aaron Walker but "T-Bone" is catchy, people remember it. My auntie gave it to me when I was a kid. Mother's mother was a Cherokee Indian full blooded. There were sixteen girls and two boys in my mother's family, all dead but two.

Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list.

David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.

I like Taylor Swift a lot. She has really fun, catchy songs. It's so funny: I always say any guy that's gonna date her, just be careful, because if it doesn't work out, they know by now the next single is gonna be about them! I love how real she is. I really respect her a lot as an artist.

In 1942 Cachao wrote a tune for Arcao, 'Rareza de Melitn,' with a memorable catchy tumbao. In 1957 Arcao recorded a reworking of it under the name 'Chanchullo'; and in 1962 Tito Puente reworked that into 'Oye como va,' still with that same groove. In this form, audibly the same, it powered Carlos Santana's multiplatinum 1970 cover version, close to three decades after Cachao first played it.

Most advertisers spend millions upon millions of dollars to buy commercial time during the Super Bowl, and millions in creating eye-popping ads, hoping to create catchy, unforgettable commercials. Unfortunately, most Super Bowl commercials end up being unmemorable. Costly mistakes for brands and creative flameouts for advertising firms.

The title's so upfront. It gives fair warning about the play's content. I'm writing about a kind of disenchantment, an anger, but quite a cool 90's anger, at a time when we're not very good at openly being angry. . . . I don't think I ever thought the title was titillating. I thought it was incredibly catchy. If the play is about the reduction in human relations down to a consumerist rationale, then thematically, the title is entirely linked into the thesis of the play.

The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.

They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.

You can't just have slogans, you can't just have catchy phrases. You have to have an agenda. And I think what the Republican Party has to do, if it's going to incorporate the tea party efforts in it, is to come up with an agenda that the American people can see, touch, and actually believe in, and something they believe in.

I remember laughing when we made those slogans up [about abortion]. . . . We were looking for some sexy, catchy slogans to capture public opinion. They were very cynical slogans then, just as all of these slogans today are very, very cynical.

That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.

Seldom do we experience the charisma and character of a dynamic personality such as Lou Holtz, the very successful former football coach of Notre Dame. Lou has left his distinctive mark of success everywhere he has coached. Winning Every Day is not just a catchy phrase, but with Coach Holtz, a way of life.

From the beginning, I've always had a knack for catchy melodies. But I went through a period when I was trying to be rock n' roll and have a rock n' roll attitude. I was fighting my nature by trying to play really hard and sing really hard. But at a certain point, I realized that I loved syrupy pop music with tons of harmony.

I love what Chris & Katy are bringing to the table with Coal Train Railroad. It makes ME feel like a kid again! I think children of all ages will love the humor, silliness and the catchy, cool, and crazy music that reminds us all that music should be fun to listen to. I’m honored (and slightly tickled) to be part of this wonderful project. Thanks!