Top 1200 Epic Poems Quotes & Sayings

Explore popular Epic Poems quotes.
Last updated on November 15, 2024.
If the shot is going to be epic, if it's going to be awesome, and to make it epic and awesome you have to hit the ground and possibly hurt yourself, I choose to hit the ground and possibly hurt myself. Because in my silly stunt man mind, an epic shot that lives forever on film, I'll get over it in a couple of months!
You mean you have to be epic already, for it to make you more epic?
The true evolutionary epic, retold as poetry, is as intrinsically ennobling as any religious epic. — © E. O. Wilson
The true evolutionary epic, retold as poetry, is as intrinsically ennobling as any religious epic.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
Poems don't have to rhyme... Poems are about beauty and emotion; in other words poems are about feelings.
A blend of fact and fiction has been used in various forms since the dawn of creative writing, starting with sagas and epic poems.
As you know, I describe Shirat ha-Yam as part of an epic story that has qualities of history and which also has qualities of the mythological, of an epic.
The epic disappeared along with the age of personal heroism; there can be no epic with artillery.
I am all for titillating trivialities. I am all for the epic touch. I could almost say that everything in Time, should be either titillating or epic or starkly, supercurtly factual.
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
And now may the blessing of God rest upon all men. I have told unto them the Epic of Kings, and the Epic of Kings is come to a close, and the tale of their deeds is ended.
The 'Iliad' covered only two months of the great ten-year war with Troy. At least six other epic poems preceded or continued the events in the 'Iliad', but they survive only as fragments.
When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them. — © Jeongyeon
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
If I thought there was any hope of turning 'World War Z' into a movie, I wouldn't have written it as a giant, epic, global story, because that requires a giant, epic, global budget.
Why haven't we fixed sick yet? You scientists there-- put down those starfish and HELP us. I hereby demand that all the people who are good at math make the world free of illness. The rest of us will write you epic poems and staple them together into a booklet.
There are definitely connections between poems, but I wanted each to stand on its own. I guess it goes back to the idea of trying to zoom in and out, and to modulate, so there are different ways of looking at any experience for the reader. Even having short poems and long poems - there has to be some kind of variation in the experience of reading as a whole.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I think if you put something in a file that says "war poems" or "love poems" that you already restrict the way in which the poem might move.
The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.
In Iowa, we're fortunate to have a public-private initiative called the EPIC Corporate Challenge. EPIC stands for 'Economic Potential for Iowa Companies and Communities.'
The most exhilarating for the writer and the reader, are gift-things-poems which arrive on their own energy, poems that in William Shakespeare's term "slip" from you.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
I think it is our job, as writers, to be epic. Epic and tiny at the same time. If you're going to be a fiction writer, why not take on something that means something. In doing this, you must understand that within that epic structure it is the tiny story that is possibly more important.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
I believe that the Kane/Undertaker story, if you look at epic storytelling like Greek mythology, that is what it is. It is the best piece of epic storytelling that the WWE has ever done.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
Epic will manually curate the Epic Games storefront rather than relying on algorithms or paid ads.
Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.
Epic's Support-A-Creator program was launched as a one-time event, but it's now permanent and is available to all creators and all developers on the Epic Games store.
I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.
With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
An epic subject requires a writer of epic skill and scope, and we have a perfect pairing in Cleopatra and Stacy Schiff. Absorbing and illuminating, this new biography will endure.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
For me, it makes sense to address shocking experiences through poems because of the way poems also have that effect on the reader.
I feel like Shakespeare is so epic, in a way that sci-fi genre stuff is epic, it transcends the mundane, and it takes you to this place of real passion and real beauty.
I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.
I had written here and there about my mother in my poems. There are poems for her in my first and second books. — © Tracy K. Smith
I had written here and there about my mother in my poems. There are poems for her in my first and second books.
Cinemascope has become synonymous with 'epic,' and absolutely if you're shooting armies and certain kinds of vast landscapes, you do want that panoramic canvas to work on. But if you look at art history there's not a whole lot of epic paintings that are in that aspect ratio.
We like epic stories, we like adventure, we like epic fights, so if you can mix a great story that can also really teach someone about a different experience, you have the potential to really help people.
If poems very different from my own bring pleasure to a group of readers, who am I to say that the poems should have been written differently?
I guess that would have been 1968. I was a freshman in college and I wasn't writing good poems, but I was at least trying to write poems then.
Even though we've written epic poems and made incredible films about love, I still don't think anyone can understand what it is, or why it means everything.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
These are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where “writing infects the landscape” and there are “more letters than leaves” - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense. — © Matthea Harvey
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
The poem in Where Good Swimmers Drown are love poems. But love poems that defy the divisions between emotion and intellect, private and public, life and art, writer and reader. To read Elbe's poems is to discover not only what it means to be in love, but what it means to be alive.
The true epic of our times is not "Arm's and the Man," but "Tools and the Man"--an infinitely wider kind of epic.
I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems.
My poems please the brave: My poems, short and sincere, Have the force of steel Which forges swords.
To realise belatedly that there are Swahili epic poems which rival their European equivalents for sweep and power has been exciting.
I like the idea of building this wandering, epic narrative in a form that people don't expect epic narratives to appear.
It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.
I was talking to different labels: Columbia, RCA , Epic. I decided not to sign with Epic even after L.A. Reid offered me a crazy deal.
It's hard when you play something that people are like, 'Wow that's really cool - you just did something really epic,' because you're not always going to be playing epic characters in a role.
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