Top 30 Falsetto Quotes & Sayings

Our whole intention was to make a record of songs that we grew up with and change them up a little bit, but we kind of stumbled on writing "Joseph's Lullaby." The irony is when I originally wrote the song, it was called "Mary's Lullaby." I wrote it from Mary's standpoint and it was in a higher key, a real falsetto, and it just wasn't right. One day, the producer's wife said, "Well, it's kind of odd that you're singing from Mary's perspective, being the guy. Why don't you do Joseph?

If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.

This is newness: every little tawdry Obstacle glass-wrapped and peculiar, Glinting and clinking in a saint's falsetto. Only you Don't know what to make of the sudden slippiness, The blind, white, awful, inaccessible slant. There's no getting up it by the words you know. No getting up by elephant or wheel or shoe. We have only come to look. You are too new To want the world in a glass hat.

I always surprise myself with my voice. A lot of people don't get it, and they're like, 'You can't sing. Stop. What are you doing?' And it's funny to hear a lot people say I sing in falsetto because it's not falsetto - that's my voice.

Love That’s it: The cashless commerce. The blanket always too short. The loose connexion. To search behind the horizon. To brush fallen leaves with four shoes and in one’s mind to rub bare feet. To let and rent hearts; or in a room with shower and mirror, in a hired car, bonnet facing the moon, wherever innocence stops and burns its programme, the word in falsetto sounds different and new each time. Today, in front of a box office not yet open, hand in hand crackled the hangdog old man and the dainty old woman. The film promised love.

sasha growled low in his throat. "Send the wolf to watch them," he mocked in falsetto. His nostrils flared. "I swear Z, if I live, I'm going to rip that damned goatee off your face and stick your shaving cream in the fridge.

I thought everybody had falsetto. And since I wasn't a schooled singer who studied with anybody, I just thought anybody who had a voice could do anything they wanted with their voice.

It was a surprise to me and a happy accident that it was such a skill [natural falsetto] - a latent skill and that there was a way to exploit it. And it was a key to playing great role Frankie Valli in such a huge show.

I have a name,” I grumped, my stomach pinching me harder. “Yes, but it has no pizzazz. Ra-a-a-a-chel. Rach-e-e-e-eel,” he said, trying it out in different ways. “No one will tremble in terror at that. Oh my God!” he said in a high falsetto. “It’s Rachel! Run! Hide!

It was just as shocking for me to sing opera in a falsetto soprano in Germany.

I think you couldn't do this role or you couldn't be Frankie Valli himself unless you had a natural falsetto. And I had sort of discovered it by accident as a child or a young adult when you realize you have a special skill that you don't really have any use for you, and you just take it out at parties or to amuse your friends or to annoy your girlfriends.

I don't know whether it is a boon or a bane but I can't act. I can just be. To me, that's the beauty of a performance. Otherwise, there is a falsetto, which sounds jarring.

'Fix' - definitely, when I first heard the demo of that song, it was kind of intimidating because of the high falsetto parts. It was one of those things. I got into the vocal booth and wasn't sure I could do it or how well I could do it. There was something about the song that I really took to.

You've got Chris Stapleton doing what he's doing, and Sam Hunt, Florida Georgia Line... Everyone has their own lane, and we felt like the falsetto was my lane.

I feel like the falsetto is my niche and my sound and something different.

We wanted to really push ourselves on 'Past Lives' to actually hold back sometimes, sing in falsetto, let the music open up and take its space.

The only thing I miss on stage is the falsetto.

I love - you know, I'm a big fan of Prince and Curtis Mayfield and Smoky Robinson. It's something to be said about a man who can be very masculine but still display that sensitive side, and that falsetto does it perfectly.

I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.

Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.

The falsetto stuff, it must be a reaction to the black gospel singers that I really enjoy listening to.

So I take it you guys are going to stay inside my flat and not out in the hallway like my father’s guards? (Kiara) You know that’s the most pathetic way to guard someone. (In a falsetto he added.) Please protect my life by being outside so that when they come in and kill me you can’t hear it. (Syn)

Everyone thinks I'm singing falsetto, but that's my normal singing voice.

From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.

That's one thing I really wanted to work on after 'Dopamine,' my falsetto.

I'm a natural baritone, so I had challenges in that middle range, which would be that tenor area, singing in my natural voice. And I worked on that. But basically the falsetto thing, I didn't even know it was a falsetto until a music teacher commented on it, that I had a very nice falsetto. I didn't even know what it was. I said, 'Oh, OK.'

Working with other artists and writers over the past couple years has really given me a clear idea of my strengths and weaknesses and what is unique about me as an artist. I figured it's my storytelling lyrics, falsetto range and tone of voice, so I write songs to utilize those.

Say what you want about Maroon 5 not making music like the kind found on 'Songs About Jane,' the fact remains that they know how to write a really good pop song that highlights lead singer Adam Levine's falsetto.

I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.

I like money. It's fun to fold and stack and smell and look at. It's just plain fun to count money, and I often do it in a loud falsetto while wearing nothing but a captain's hat and a coin changer.