Top 72 Femme Fatale Quotes & Sayings

Explore popular Femme Fatale quotes.
Last updated on November 14, 2024.
It still baffles my brain that I actually get to portray a character on American television that's this gay, femme-y Filipino guy.
I think it's not a femme fatale when someone is not doing it to manipulate men or be like a black widow. She loves him. She does it out of love. She wants him so badly to stay with her.
I’ve never considered myself a femme fatale as I’ve never seduced anyone and ruined their lives. At least as far as I know. — © Scarlett Johansson
I’ve never considered myself a femme fatale as I’ve never seduced anyone and ruined their lives. At least as far as I know.
I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun, and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.
I'm not really a femme fatale.
Stained is about a lonely bookshop keeper, and her past comes back to haunt her. I play a femme fatale, schizophrenic serial killer. They offered me the part and I was like, "I'm just curious why you thought I would be perfect for this role," and the director (Karen Lam) said, "You have this look that, when you're smiling, you're really sweet, but when you're not smiling, you look like you could kill somebody."
I guess I'm just not the film femme fatale type. I giggle too much. I have freckles and a turned-up nose, and I walk like an athlete.
I'd go to lesbian parties. I felt like I wasn't hard enough to be butch, but I wasn't wearing heels and a skirt - I wasn't femme - so I felt like I was sort of invisible.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
Trans women should be accepted and celebrated, whether they look a little bit more on the masculine side of the spectrum or they're the femme of all fems.
And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
La femme marie  e est un esclave qu'il faut savoir mettre sur un tro" n e. A married woman is a slave whom one must put on a throne. — © Honore de Balzac
La femme marie e est un esclave qu'il faut savoir mettre sur un tro" n e. A married woman is a slave whom one must put on a throne.
When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.
She looks like a warrior. I mean, Bellatrix does mean warrior. And she's also a bit of a fatale. She's the right hand of Voldemort, and the only woman death eater.
Let's call a spade a spade: when people look at me, they say, 'Oh, she's the androgynous one.' I'll tell you what type of character I would never be offered out there: The femme fatale. Or the white-trash, heterosexual hillbilly.
Perfume is like a personal signature, which is why I like to mix my own. For years I've paired Femme by Rochas with Shalimar and love the results.
I'm a high femme lesbian who loves butch women. That erotic identity has an enormous amount to do with how I live my life, who I live my life with and what it is we can or can't do.
I think I was scared of the drag thing, as a lot of gay boys are. It's sort of knocked out of you in junior high. I wouldn't find guys who were very feminine attractive. Then, doing 'Hedwig,' I got to be man and woman, really butch and really femme at the same time, and I realized, this is kind of the ideal.
I'm from New York; I've been in show business all my life. I'm a wild and crazy gal, yet I always play these soft, warm, loving earth mothers. It's a pain in the butt. I'm a femme fatale!
Femme people exist, and they are layered and they are complex and they are intelligent.
Le plus beau vêtement qui puisse habiller une femme, ce sont les bras de l'homme qu'elle aime. Mais, pour celles qui n'ont pas eu la chance de trouver ce bonheur, je suis là.
I suppose you could pass for a starlet. You do have that femme fatale air about you. Like you crush boys’ dreams in your spare time.
I'd love to play a femme fatale. And I wouldn't mind working with George Clooney.
I think that plain old intellectualism [can be] a more powerful force than the idea of the femme fatale.
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
My sex appeal lies in suits and ties, but my body is femme.
I resent it when they write the part of a woman who's just a sexy femme fatale who seduces people to ger her way, perpetrating the myth that that's how woman have to operate, instead of using their brains or their wit.
I am cursed with a right leg that arouses the desire of any male dog that happens to be passing. I used to think that this only happened to me but I've discovered that many people have the same problem. They have a femme fatale limb.
We live in a culture that does not encourage women to be epic heroes of their own Big Stories but the mothers and lovers and wives and mistresses and muses and personal assistants, the femme fatales and fantasies and manic pixie dream girls, in someone else's Big Story, and this someone else is usually a dude.
I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in a convent.
Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
Women are very different, but the woman I wish to be is the ultra-femme girl, and it's not something that's instilled in me, it's just something that when I look in the mirror, it's how I want to present myself.
There's something very, very liberating about Harley Quinn. Much more so than a character like Catwoman or Poison Ivy. Those are great characters. But then again, those characters are more of the femme fatale and the temptress roles.
I don't think we're the screaming femme fatale running away from danger as much as we used to be. I think people are seeing us as much more multi-layered personalities with desires, and wants, and needs as much as any male figure out there.
I was born into the most amazing family an underdog could be born into, and I was born into the LGBTQ community. And what a beautiful community we are. The art, the music, the fashion, the brains, the fight, the survival skills, the diversity, male, female, non-binary, Gender Non Conforming, cis, trans, femme, and all races.
I'm a very femme gay boy, so what better way to express that than through drag? It truly is the greatest mix of art forms.
On ne na|"t pas femme: on le devient. One is not born a woman: one becomes a woman. — © Simone de Beauvoir
On ne na|"t pas femme: on le devient. One is not born a woman: one becomes a woman.
There is this film called 'La Femme Nikita.' I want to play something like that. This woman with a gun in her hand but with tears in her eyes. I would love to play that kind of vulnerability on screen.
It's interesting to see the more femme that you present yourself, the more people sort of dehumanize you.
I've always said that I want to play a neo-femme action star, and I kind of got to do that in this movie-of-the-week called "Wyvern," where I got to shoot a gun and be a little bad-ass, but I'd like to do that even further. I'm dorky myself. I'll play "Zelda" for 10 hours.
Un homme n'a jamais pu e lever sa ma|"tresse jusqu'a' lui; mais une femme place toujours son amant aussi haut qu'elle. A man can never elevate his mistress to his rank, but a woman can always place her lover as high as she.
A blue-stocking is the scourge of her husband, children, friends, servants, and every one. [Fr., Une femme bel-esprit est le fleau de son mari, de ses enfants, de ses amis, de ses valets, et tout le monde.]
It's not often that I'm being called femme fatale.
The mystique of the femme fatale cannot be perfectly translated into male terms.
My dream role would be to play a femme fatale in a Quentin Tarantino movie.
I've worked with a lot of great glamorous girls in movies and the theater. And I'll admit, I've often thought it would be wonderful to be a femme fatale. But then I'd always come back to thinking that if they only had what I've had - a family, real love, an anchor - they would have been so much happier during all the hours when the marquees and the floodlights are dark.
A dress will never make a woman sexy, fatale, magnificent, mysterious. It's a way of walking, of standing, or existing, the way you give your hand or your regard. That's what makes the dress.
I don't know who are the men and who are the women. In French I used to say "je suis un femme et une homme." That is to say a feminine male and a masculine female. A she man and a he woman. What I am interested in is developing a singularity, which would be my own.
I would love to play the Femme Fatale or an action role like Trinity in the Matrix or something like that. You know, a part with a lot of costume changes. — © Josie Maran
I would love to play the Femme Fatale or an action role like Trinity in the Matrix or something like that. You know, a part with a lot of costume changes.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
Deux me' tresou un peu plusse parent donc l'homme de la femme. Two metres, or a little more, separates a man from a woman.
I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.
I really like action-dramas like 'The Professional' or 'La Femme Nikita.' I'd really like to be in a movie like that.
Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
I've been playing sexually aware women most of my life. At this point I expected to be playing moms and wives. It's exciting to play a femme fatale.
Flamboyance and fortitude, femme and butch-not poses, not stereotypes, but a dance between two different kinds of women, one beckoning the other into a full blaze of color, the other strengthening the fragility behind the exuberance. We who love this way are poetry and history, action and theory, flesh and spirit.
For Fleur de Chine, I imagined the romantic and mysterious women from Asia's cinematic past-from the '30s femme fatale in a cheongsam and dark lipstick, to the'60s Hong Kong heroine of In the Mood for Love. I wanted to capture that fascinating, exquisite and slightly scandalous femininity.
I love creator-owned comics. Most of my favorite books these days are creator-owned, from stuff DC publishes, like 'Fables,' to books like 'Saga,' 'Fatale,' 'Hellboy,' and 'Courtney Crumrin.'
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