Top 195 Grabbing Quotes & Sayings - Page 4

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Last updated on November 7, 2024.
Taking a deep breath that smelled of rain, she was poised to move when a hand clasped her elbow. Memories of another hand grabbing her sent panic shooting through her veins. She swung around. "Whoa. You okay?" Lucas lightened his clasp around her arm. Kylie caught her breath and stared up at the werewolf's blue eyes. "Yeah. You just...surprised me. You need to whistle when you come up on me.
Just sit tight. Reinforcements should be here soon. Hopefully nothing happens before-" Lightning crackled overhead. The wind picked up with a vengeance. Worksheets flew into the Grand Canyon, and the entire bridge shuddered. Kids screamed, stumbling and grabbing the rails. "I had to say something," Hedge grumbled. He bellowed into his megaphone: "Everyone inside! The cow says moo! Off the skywalk!" "I thought you said this thing was stable!" Jason shouted over the wind. "Under normal circumstances," Hedge agreed, "which these aren't.
The good thing about life is that you can research anywhere you are. I'm just constantly gathering little bits of information all the time. I'm always grabbing something out of the headlines, out of the news or reading a book about astronomy and just trying to figure out how to get my head around the facts but the bigger stress is trying to connect those facts to normal life situations and our relationship with God.
My stepfather used to be a clown in The Shrine Circus. He took me backstage when I was 23. I saw three elephants chained to the cement floor in the warehouse of the Michigan State Fairgrounds. Sadness, hopelessness and fear were emanating from their eyes, from their bodies. They were swaying neurotically from side to side. A monkey was screaming in his cage, grabbing the bars of his prison. Two tigers were pacing feverishly in their tiny cages. Cruelty was staring me in the face. I knew something was wrong. If you pay attention to energy, you can tell when a fellow being is in peril.
There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.
You win over people just like you win over a dog. You see a dog passing down the street with an old bone in his mouth. You don't grab the bone from him and tell him it's not good for him. He'll growl at you. It's the only thing he has. But you throw a big fat lamb chop in front of him, and he's going to drop that bone and pick up the lamb chop, his tail wagging to beat the band. And you've got a friend. Instead of going around grabbing bones from people... I'm going to throw them some lamb chops. Something with real meat and life in it. I'm going to tell them about New Beginnings.
Save yourselves!" Percy warned. "It is too late for us!" Then he gasped and pointed to the spot where Frank was hiding. "oh no! Frank is turning into a crazy dolphin!" Nothing happened. "I said," Percy repeated, "Frank is turning into a crazy dolphin." Frank stumbled out of nowhere, making a big show of grabbing his throat. "oh no," he said, like he was reading from a teleprompter, "I am turning into a crazy dolphin.
The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.
This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about how his own Paps, how he had beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.
We're human beings we are - all of us - and that's what people are liable to forget. Human beings don't like peace and goodwill and everybody loving everybody else. However much they may think they do, they don't really because they're not made like that. Human beings love eating and drinking and loving and hating. They also like showing off, grabbing all they can, fighting for their rights and bossing anybody who'll give them half a chance.
We're not going to deputize a whole bunch of American citizens to start grabbing people or turning them in, in part because the ordinary American citizen may not know whether or not this person is illegal or not. But, you know, the notion that we're going to criminalize priests, for example, or doctors who are providing services to individuals, and throw them in jail for doing what their calling asks them to do, which is to provide help and service to people in need, I think that is a mistake. I think that's out of America's character.
On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.
There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
William strode to her. That’s how it’s done. Drink it in. She surveyed the carnage behind him. “Did you have fun?” He showed her his teeth. “Yes. Now they won’t take you anywhere.” Cerise stepped closer to him, so close he only needed to lean in and dip his head and he would kiss her. Since he saved her, maybe he could just grab her and— “That was the stupidest thing you have done since I’ve met you,” she ground out through her teeth. Belay the grabbing.
Man is the only Patriot. He sets himself apart in his own country, under his own flag, and sneers at the other nations, and keeps multitudinous uniformed assassins on hand at heavy expense to grab slices of other people's countries, and keep them from grabbing slices of his. And in the intervals between campaigns he washes the blood off his hands and works for the universal brotherhood of man - with his mouth.
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