Top 1200 High Notes Quotes & Sayings

On Pinwheel, you can find and leave notes all around the world. The notes can be public or private, shared with an individual, a group, or everyone.

Be aware of the high notes, Of the blissful faces and their soft messages, And listen for the silent message Of a highly decorated gift.

In Spanish, for whatever reason, I lean more toward the high notes.

Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.

For notes related to books I'm writing, I've wondered whether I should organize my notes better, but I do find that the action or scrolling through them and seeing odd juxtapositions of ideas helps to stimulate my own ideas and creativity. I worry that if I kept the notes in a highly-structured way, I might lose some of these benefits.

I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin' the right notes or the wrong notes.

The notes I handle no better than many pianists. But the pauses between the notes - ah, that is where the art resides.

I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.

Accordingly, when the supply of gold runs short, the security behind the notes is diminished, the loaning of notes is restricted or suspended, and the panic follows.

Economy: that what you played had to have meaning, not just a bunch of sixteenth notes. You learn to make better choices of notes as you get older.

I don't think I handle the notes much differently from other pianists. But the pauses between the notes - ah, there is where the artistry lies!!

Performing isn't only about the acrobatics and the high notes: It's staying in the moment, connecting with the audience in an authentic way, and making yourself real to them through the music. I am more than the notes I hit, and that's how I try to approach my life. You can't get it all right all the time, but you can try your best. If you've done that, all that's left is to accept your shortcomings and have the courage to try to overcome them.

We use convertible notes a lot at our fund - 8VC - so often that we just call them 'notes' to save time.

There are seven notes - Sa Re Ga Ma Pa Dha Ni no one is original in the world. We have to play around the notes and make our own stuff.

The criticism is that it's too simple, but my feeling is it's more of a challenge making someone feel an emotion in four notes than in 25 notes.

Albums like 'Major Moves' or 'High Notes' - those still sound good to me.

A lecture has been well described as the process whereby the notes of the teacher become the notes of the student without passing through the mind of either.

I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.

Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.

When I'm in the car and somebody comes on the radio singing the high notes, I try to sing along.

I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.

I read a lot of 'Spark Notes' in high school.

Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? Who knows why certain notes in music are capable of stirring the listener deeply, though the same notes slightly rearranged are impotent? These are high mysteries, and this chapter is a mystery story, thinly disguised.

To me, the biggest notes and the longest notes are the easiest notes.

I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin the right notes or the wrong notes.

I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing.

Who am I, if I'm not this singer with big high notes? I identify with my voice. But I'm more than just the acrobatics.

The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.

The worst letters come from retired high school English teachers. They will literally take a book and pick it to pieces and send me 14 pages of notes.

I've been doing that song ["Live Wire"] on my own for years, so no, I'm not worried about [high notes] at all.

In rock n' roll, there are notes that aren't like notes. They're something in between, and it's the way you scoop into it.

People don't realise how much energy it takes to sing and hit all those high notes - but I always feel like I've done a marathon.

As a soprano who sings 'Lucia di Lammermoor,' I have the high notes and the trills. No problems there. But going into the low registers is lots of work.

The silence between two notes is as beautiful and meaningful as the notes themselves.

I still struggle with my low notes. It's just always been something for me: I'm not a low singer. I have a really high voice.

The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.

Dont play any notes. Notes are for babies.

After you free yourself from the incredible expectations of love through the media from the time you were so high, you realise that it's the spaces between the notes that make music.

The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.

The Bassbone is just what I have been looking for... I can maintain the integrity of two instruments on stage or in the studio with control over the balance and keep my high standards for my low notes!

One series of notes, high and delicate, sang of a sweet moonlight kiss gone sour; another line of music rippled with regret over opportunities forever lost.

I have a box of things from Becca, my high school girlfriend, and Vanessa; and each one of them was love. I have the notes, the valentines, 20 mixed tapes, all of it. It's important to keep that stuff.

It was like being high when you reach those high notes.

I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.

Get the most out of everything in your life; the happiness and the sadness, the success and the failure...get a good perspective of what life is all about. Let the orchestra of your life play all the notes, the high notes, the low rumblings of the difficulties and perplexities that all we all face.

Lots of times it really doesn't matter what notes you play, but what notes come before and after a run.

When comedy is good, it's jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It's all melody to me.

There are men too superior to be seen except by a few, as there are notes too high for the scale of most ears.

I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.

In the best possible scenario, whenever you get notes from people, they're good notes, and they see things that you wouldn't have seen otherwise, and they make you a better writer.

A lot of the musicians asked me if when I hit my high-Cs on the records I had a clarinet take the notes. Some [thought] I had invented some kind of gadget so I could play high register. They weren't satisfied until they handed me a trumpet that they had with them and had me swing it. Then they cheered.

The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides.

Lecture is the transfer of the notes of the lecturer to the notes of the student without passing through either.

A lot of young drummers have a tendency to really overplay. Sometimes simple is better, and the notes that aren't played between the spaces are bigger than the notes that are.

If I have a song where I hit some really high notes, I want to try to bring in equivalently low notes somewhere in there.

You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.

You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes.

Lee Morgan used to stand behind me when I was playing a ballad and he'd be hollering, "Play the pretty notes, man, play the pretty notes." I thought I was playing the pretty notes, but you know, things like that help you to reach a little further.

I can't hit some of the real high notes I used to hit, but it makes you have to explore different avenues.