Top 1200 I Can Read Quotes & Sayings - Page 20

When I was a kid, I read the science-fiction shelves, and I read the fantasy shelves.

You just can't tell or calibrate motive or intelligence or sense. So I don't read anything unless someone tells me that it's really smart or illuminating. I don't read any reviews anymore and it's been really liberating.

I find putting oneself out there difficult. I think writing and sharing writing require different skill sets. I want to be read, but it takes courage to ask someone to read your work.

My sorrow is I used to read all the time and now, as a writer, I don't have the time to read.

When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.

As an editor, I read Charlotte Rogan's amazing debut novel, 'The Lifeboat,' when it was still in manuscript. I read it in one night, and I really wanted my company to publish it, but we lost it to another house. It's such a wonderful combination of beautiful writing and suspenseful storytelling.

Learning to read in one language helps us read a second language.

I will say this: I know no wise person who doesn't read a lot. I suspect that you can read on the computer now and get a lot of benefit out of it, but I doubt that it'll work as well as reading print worked for me.

People who read Anne Lamott, like people who read Anne Rice, believe that tragedy is romantic, but the people who read Anne Lamott believe it ironically.

There are three infallible ways of pleasing an author, and the three form a rising scale of compliment: 1, to tell him you have read one of his books; 2, to tell him you have read all of his books; 3, to ask him to let you read the manuscript of his forthcoming book. No. 1 admits you to his respect; No. 2 admits you to his admiration; No. 3 carries you clear into his heart.

You don't read in your own field. You read in that field when you're young, so that you can learn.

In the olden days, I believe Mozart also improvised on piano, but somehow in the last 200 years, the whole training of Western classical music - they don't read between the lines, they just read the lines.

When you publish a book, you do so in part to end the silence. All censorship is silence. I would never, as an author, feel right requiring a young person whose family would object to the book to read it. Just as I would never force that person to read it, I would ask those folks to not force others not to read it. To me, that is just good manners.

People seem to read so much more nonfiction than fiction, and so it always gives me great pleasure to introduce a friend or family member to a novel I believe they'll cherish but might not otherwise have thought to pick up and read.

From the very start of all of this, my mom has read the scripts first. And if she liked something, she let me read it. She told our agent what kinds of parts that we would want.

I've been interested in writing and storytelling since I learned to read, but it wasn't until I read Dylan Thomas, when I was 14, that I became interested in language itself, and saw it as more than a transparent medium for a story.

A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.

Read poems to yourself in the middle of the night. Turn on a single lamp and read them while you're alone in an otherwise dark room or while someone else sleeps next to you. Read them when you're wide awake in the early morning, fully alert. Say them over to yourself in a place where silence reigns and the din of the culture — the constant buzzing noise that surrounds us — has momentarily stopped. These poems have come from a great distance to find you.

I have read books that are so cliched and lazy, my eyes have bled. But I also have read books marketed under the chick-lit umbrella that are so honest, clever and gritty that I've wanted to give up writing and paint walls instead.

Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.

I don't read. I don't like to read Harry Potter or anything like that. It's not my style.

It has long been my boast that I can read or eat anything. But unfortunately, although I eat like a Hoover, I read so slowly that I am always on the smart book three years after everyone else has finished.

I started to write as a child as soon as I could read, or even before, when my mother read me Beatrix Potter at bedtime. Writing seemed to me to be the only sensible way to live and be happy.

I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.

Some read to think, these are rare; some to write, these are common; and some read to talk, and these form the great majority.

My husband and I like to reminisce about how, when we were 9, we read straight through L. Frank Baum's 'Oz' series, books filled with wizards and witches. And you know what those subversive tales taught us? That we loved to read!

A man who chooses not to read is just as ignorant as a man who cannot read.

If Bush had read all the documents about the Russians and British in Afghanistan in the 19th century, he would have not done what he did in the 21st. He would have understood how difficult it was to control this territory. He probably didn't read them.

I got interested in the question of literacy because writers are always moaning about why more people don't read books. They long for the good old days when people read serious novels.

In a funny way, poems are suited to modern life. They're short, they're intense. Nobody has time to read a 700-page book. People read magazines, and a poem takes less time than an article.

I read almost exclusively nonfiction when I read, because even though it's harder to find a great true story, when you find one, the idea that it actually happened is immensely powerful.That's what moves me the most.

I really, honest to God, didn't know what to read until I was out of college and living in Boston, and someone said, 'Well, why don't you read Hemingway?' And I thought, 'OK. I guess I'll try this Hemingway fellow.'

My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.

This book should be read as one would read the book of a dead man.

I am a recluse at present & do nothing but write & read & read & write

It's so important as a creative person to go out and look for things. Go to galleries, talk to people, read books. Yes, you can just type something into Google, but if you read and interact, you'll have a deeper understanding of the world.

I don't read. I don't like to read 'Harry Potter' or anything like that. It's not my style.

A classic is something that everybody wants to have read and nobody wants to read.

Do let him read the papers. But not while you accusingly tiptoe around the room, or perch much like a silent bird of prey on the edge of your most uncomfortable chair. (He will read them anyway, and he should read them, so let him choose his own good time.) Don't make a big exit. Just go. But kiss him quickly, before you go, otherwise he might think you are angry; he is used to suspecting he is doing something wrong.

I would like my novels to be read the way I read the novels I love.

I actually didn't read the book [Fast Food Nation]. I wasn't aware of it. But when I read the script, I thought "Wow." It became a project that was just so exciting to be a part of. Maybe a few times in a career [you] get a chance for a role that really means something, and this was it.

If I finish a book a week, I will read only a few thousand books in my lifetime, about a tenth of a percent of the contents of the greatest libraries of our time. The trick is to know which books to read.

I have myself, for many years, made it a practice to read through the Bible once ever year.... My custom is, to read four to five chapters every morning immediately after rising from my bed. I employs about an hour of my time.

We're in a strange situation where people either don't read at all or they read a lot. There's a huge gap in between. That's something that would be good to bridge so it doesn't have to be one thing or the other. Books could be part of life in a more relaxed way. I'd like to see that.

When I was a child and teenager I read whenever I had the opportunity, but since then I've found it hard to read as much as I'd like, children, work, and pets all providing powerful incentives to escape into a book and a practical reason why I rarely do so.

I never read. The paper or anything. I watch a lot of movies, and TV series and stuff. But I never, never read.

Sometimes you read something, and you have to read more and more about the background.

We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.

Read myths. They teach you that you can turn inward, and you begin to get the message of the symbols. Read other people's myths, not those of your own religion, because you tend to interpret your own religion in terms of facts -- but if you read the other ones, you begin to get the message.

When I read, I take notes and underline things. So reading is a vigorous process for me, but I read in bed. My poor husband is trying to go to sleep, and I'm reaching over him to get the Post-it notes.

No matter who you are, no matter where you live, and no matter how many people are chasing you, what you don't read is often as important as what you do read.

There are people out there who will not read books, but somehow they'll read my books.

Read everything. If you haven't read everything, you'll never be able to write anything.

I never read books - and still don't read books - to develop them.

I read everything, including the labels on canned food. I'm a hopeless print addict, a condition alleviated only by daily meditation which breaks the linear-Aristotelian trance. National Lampoon, Scientific American are what I read most obsessively.

For many years, I read mystery novels for relaxation. But my tastes were too narrow - and, having read all of Agatha Christie and John Dickson Carr, I discovered that the implausibility and the thinness of the people distracted me unduly from the plot.

I don't read as much as people may expect. In fact, sometimes I feel that I should probably read more, but then I do believe that one of the big problems of our times is that there's too much reading and not enough thinking.

I can't sight-read classical etudes - I would have to see it and learn it. But yeah, I can read. It is a wonderful tool. It's like speaking another language. Anyone that says reading music can hurt your playing is either stupid, lazy, or ignorant.

I read a book called 'Transatlantic', which is a history of the great shipping lines. Also, of course, I had read about the Titanic and saw Leo drowning at the end of the 'Titanic' movie and all that stuff.

I'm a painfully slow reader. And to this day, I mean, I love reading, and I'm very careful - very selective about what I read because I don't read very fast and, therefore, not a great deal.