Top 1200 Interior Space Quotes & Sayings

If, in making a portrait, you hope to grasp the interior silence of a willing victim, it's very difficult, but you must somehow position the camera between his shirt and his skin. Whereas with pencil drawing, it is up to the artist to have an interior silence.

I like interior decoration, so I might do something in that. I might, at some point, take two years off to study interior decoration.

Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we’ll ever need.

It was the corner sweet-shop in Australia that first piqued my interest in interior design. I went into this space with a mixture of apprehension and excitement as a child. It was filled, floor to ceiling, with the most incredible rounded glass bowls filled to the brim with bonbons, buttons, and sweets.

A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.

Architecture is basically the design of interiors, the art of organizing interior space.

If I wasn't acting, I think I would like to do interior design. Yeah, because you know, with the Balinese background, and being there and buying furniture, stuff like that. I love to do-up our home, so I would be an interior decorator, for sure.

The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.

10-5 space 16-5-14-19-5 space 17-21-5 space 10-5 space 20-1-9-13-5.

[I had a sense of interior panic].Always. I didn't really know what to call it for a long time, but I have a friend in Greece who used that word panic a lot, and I found myself resisting it, until I totally accepted that as a precise description of my interior condition. It was mostly panic from one moment to the next. And nothing much else was going on.

For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.

Space, space: architects always talk about space! But creating a space is not automatically doing architecture. With the same space, you can make a masterpiece or cause a disaster.

I sell a complete package... a life style that's in harmony with and exemplified by the exterior and interior living space. I'm obsessive about the way I live and work, so when it comes to renovating, I believe in finding the true integrity of a house, then breathing life back into it in a way that connects with a certain type of buyer.

Family: A social unit where the father is concerned with parking space, the children with outer space, and the mother with closet space.

I feel my writing comes from a desire to... well, it's motivated by many things, but it's inherently a contradiction in that I'm writing for myself, and it's a very interior journey. On the other hand, I feel that writers do make that interior journey out of a desire to connect.

I don't think I have ever really gotten Leopold Bloom's interior ramblings out of my head! I am sure that voice continues to inspire the walking consciousness in my work - that is, the way I carry on an interior monologue as I walk through this city.

When I was a kid, I was a bit of a space geek. I loved the space program and all things NASA. I would read books about our solar system; I had pictures of the Space Shuttle on my bedroom wall. And yes, I even went to Space Camp.

["Fear & Loathing in Las Vegas"] is a very hard book to translate to film because there's so much interior monologue. The what if factor. I tried to write it cinematically and let the dialogue carry it but I forgot about the interior monologue. It's kind of hard to show what's going on in the head. I think we should do it like a documentary.

While we've taken seeds into space, and astronauts on the International Space Station have eaten lettuce they've grown, we haven't produced fruit in space, so we can't pollinate something.

Thinking about interior peace destroys interior peace. The patient who constantly feels his pulse is not getting any better.

I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.

To me, every hour of the light and dark is a miracle, every inch of space is a miracle, every square yard of the surface of the earth is spread with the same, every cubic foot of the interior swarms with the same; every spear of grass-the frames, limbs, organs, of men and women, and all that concerns them, all these to me are unspeakably perfect miracles.

Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.

I only ever worked on interiors, and an interior is an interior. I don't know what they did about exteriors.

There is not the Newtonian universe deployed throughout the parsecs and kiliocosms of physical space and the interior mental universe. They are the same thing.

Faeries are seen through the heart, not through the eyes. Remember that faeries inhabit the interior of the earth and the interior of all things, so look, in the first place, in the interior of yourself.

I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting maybe I'm just a frustrated interior designer stuck in a singing career.

For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.

I have been on stage on a few occasions where I felt I couldn't escape the interior of my - my interior thoughts. But Peter Wolf once said, what's the strangest thing you can do on stage? Think about what you're doing.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.

A great novel is concerned primarily with the interior lives of its characters, as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.

I was a boarding school product from the age of eight, and I hated it. Though I do have a theory that boarding school is good training for writers because its so desperately lacking in privacy: you make space for yourself by having an interior life.

I've completed half of my space training at Space City in Moscow. I love adventure, and I've been training in a centrifuge and MiG Fighter with a view to going into space and being a spokesman for space exploration!

You have to say now that space is something. Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it?

In 2009 I went up on the space shuttle. I was in space for 16 days and docked at the space station for 11 days. The entire crew did five space walks, of which I was involved with three of them. When you're doing a space walk, you always have a buddy with you. It's a very dangerous environment when you're doing a space walk.

The majority of the world is empty space. Empty space, empty space, empty space. All that we see in the world, the life, the animals, plants, people - it's all empty space. That's amazing!

From without, no wonderful effect is wrought within ourselves, unless some interior, responding wonder meets it. That the starry vault shall surcharge the heart with all rapturous marvelings, is only because we ourselves are greater miracles, and superber trophies than all the stars in universal space.

A man will treat a woman almost exactly the way he treats his own interior feminine. In fact, he hasn't the ability to see a woman, objectively speaking, until he has made some kind of peace with his interior woman.

I do feel that a poem needs not just space, but, ideally, space around that space - space for meditation, reverie, subliminal link-ups. I sense that poetry happens at a level above or below intelligence. It doesn't come into being at a purely rational level.

Being alone has a power over me that never fails. My interior dissolves (for the time being only superficially) and is ready to release what lies deeper. When I am willfully alone, a slight ordering of my interior begins to take place and I need nothing more.

There must be an open space in the paintings - an entry space for the viewer, or even for me. Just white space where you can get into it.

Empty space is never-wasted space. Wasted space is any space that has art in it.

But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.

Venus [Williams] has an amazing line; I love her collection. I'm always at her office. She has an interior design company and her EleVen company. They have a wonderful office space and I'm always there for the interior part and get to see what she's doing with EleVen.

If I wasn't an actress, I'd be a designer. I love interior design and inventing things that are practical but also beautiful - looking at a space and creating magic.

Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.

Anyone who has become entranced by the sound of water drops in the darkness of a ruin can attest to the extraordinary capacity of the ear to carve a volume into the void of darkness. The space traced by the ear becomes a cavity sculpted in the interior of the mind.

Anything that is in space has form. Space itself has form. Either you are in space, or space is in you. The soul is beyond all space. Space is in the soul, not the soul in space.

Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.

Strange as it may seem, wrote Richard Feynman, we understand the distribution of matter in the interior of the Sun far better than we understand the interior of the Earth.

Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.

Graphic novels and comic books, by and large, as you know, have cover art, and they have interior art. The interior art is never as detailed as the cover art.

Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it? And, you know, everybody has their own idea about what it is, but there's no coherent final consensus on why there is space.

A product can live on one great idea. An interior needs 1,000 great ideas to really live, which makes interior design a whole orchestration of this art of juxtaposition, placement, and combination.

'Storm Warnings' is a poem about powerlessness - about a force so much greater than our human powers that while it can be measured and even predicted, it is beyond human control. All 'we' can do is create an interior space against the storm, an enclave of self-protection, though the winds of change till penetrate keyholes and 'unsealed apertures.'

In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.

Volvo has one weakness, and that is in the interior design. They have not adapted to the Chinese people's perception of luxury when it comes to the interior design, and this has to be addressed.

I can't imagine anywhere I'd rather be than outside the space shuttle in my space suit next to the Hubble Space Telescope.

A lot of my ideas come from McNally Jackson bookstore. One of my favorite things to do is just go there and look through architecture books and interior design books. Something about the aesthetics of space and beautiful images works with my brain.

The dimension that counts for the creative person is the space he creates within himself. This inner space is closer to the infinite than the other, and it is the privilege of the balanced mind... and the search for an equilibrium is essential - to be as aware of inner space as he is of outer space.