Top 1200 Workplace Conflict Quotes & Sayings

Explore popular Workplace Conflict quotes.
Last updated on November 28, 2024.
From its onset, the labor movement has been at the forefront of the fight to improve working conditions and workplace safety. At the local level, knowing their union has their back gives workers the confidence and support they need to stand up and report harassment, poor working conditions, or workplace safety violations.
I write what I call precinct drama, and I tend to write things set in the workplace. Having an institution which gives a workplace its distinctive identity is really important to creating something which feels different.
The greatest rules of dramatic writing are conflict, conflict, conflict. — © James Frey
The greatest rules of dramatic writing are conflict, conflict, conflict.
One of the things I love about our source text as Christians, the Bible is that it teaches us not to avoid conflict. And it teaches us that before the fall of man, in Paradise, there was conflict. God wants conflict to be a part of your life.
So let us decide whether you want a shelter, a safety zone, which will no longer yield conflict, whether you want to escape from the present conflict to enter a condition in which there shall be no conflict; or whether you are unaware, unconscious of this conflict in which you exist. If you are unconscious of the conflict, that is, the battle that is taking place between that self and the environment, if you are unconscious of that battle, then why do you seek further remedies? Remain unconscious.
It sometimes feels like the workplace is immune from social upheaval. We go to work and do the best we can, and at the end of the day, we return to our lives. We don't abandon who we are, however, when we begin and end our workday. Who we are shapes how we are perceived in the workplace and, in turn, how we perform in the workplace.
Dads in the family are even more important than women in the workplace. The workplace benefits from women, but the family needs dads.
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
Our lives are not dependent on whether or not we have conflict. It is what we do with conflict that makes the difference.
Peace is not absence of conflict, it is the ability to handle conflict by peaceful means.
I think the government must recognise that the wounds of conflict are even more grievous on the mind than the body, and indeed may even serve to fuel further conflict. Where conflict cannot be avoided, provision of adequate psychosocial services to prevent the adverse mental health consequences should take priority.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
The only conflict that is possible in Soviet culture is the conflict between good and best.
You won't have a story unless you have conflict, which means if there's no conflict in a situation, people look for a way to make some. — © Diana Gabaldon
You won't have a story unless you have conflict, which means if there's no conflict in a situation, people look for a way to make some.
There's always been conflict, inherent conflict between players and coaches.
The Amity Established this place as a safe house. No conflict allowed." "The Amity will have trouble enforcing that policy," says Marcus. "How do you stop conflict without conflict?
Great drama is all about conflict, and what's a better conflict than Republican-Democrat?
When you're a writer, you're always looking for conflict. It's conflict that drives great stories.
You never want conflict. But sometimes conflict is inevitable.
I see conflict. But the conflict is what makes it relatable. I'm conflicted; you're conflicted. I'm not perfect - nobody is. I'm just blessed to be able to express my conflict through song.
I truly feel absolutely at home on the stage. It's very comfortable to me. It's very much my workplace, very much my workplace. I feel that an audience and I are happy with one another. I'm grateful for that.
The purpose of formulating [a] conflict as a game is not that of resolving the conflict by 'solving the game.' It is that of displaying the structure of the conflict and thereby exposing features of it that may be concealed by rhetoric. In particular, appreciation of the peculiar structure of some of the so-called mixed - motive conflicts represented nonzero-sum games may change the conflicting parties' perception of their situation.
For far too long, women have been undervalued in the workplace for the work they provide compared to their male counterparts that do the same job - something that can be systemically ruinous, unfair and terrible for our workplace.
I like workplace shows and White House was a very glamorous workplace to set a show in; it appealed to a sense of romanticism and idealism that I have.
Is there any conflict between science and religion? There is no conflict in the mind of God, but often there is conflict in the minds of men.
Recently there's been a trend to apply the term "bullying" to any kind of conflict at work, for example overwork and long hours. Although some bullying behaviours may be present in these issues, in my view this dilutes and devalues the term "workplace bullying" which should be used only for the more serious cases of conflict involving a serial bully. If there isn't a serial bully involved, it's probably not bullying you're dealing with.
I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
I don't really buy the death-drive thing too literally; it feels overly neat and convenient. But I am suspicious of fighting back being the dominant model for cinematic conflict and personal conflict and political conflict.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
There is no conflict in the absolute universe, but there is conflict in the relative world.
There's rampant sexism, of course there is! It just goes without saying. Every woman in the workplace knows this; [every woman] in the workplace has to work harder than a man to prove themselves.
An unconscious, gentle process whereby people who want to be loving attempt to be so by telling little white lies, by withholding some of the truth about themselves and their feelings in order to avoid conflict. Pseudocommunity is conflict-avoiding; true community is conflict-resolving.
Everyone has a conflict inside of them - the conflict between what you should do and what you want to do.
A lot of women will be sort of 'competitive like a guy' in the workplace, but then when they go home, they realize that's not fully authentic for them. They would like to have a more expansive or more authentic relationship in the workplace around competition.
Novels are usually built on conflict, sometimes very, very difficult conflict. It's why men write war novels - because there you go, there's the conflict writ large.
To be in conflict with the authorities is one thing. We Russian writers have got used to that. But to be in conflict with your own people - that is truly terrible.
An actor is looking for conflict. Conflict is what creates drama. We are taught to avoid trouble [so] actors don't realize they must go looking for it. Plays are written about...the extraordinary, the unusual, the climaxes. The more conflict actors find, the more interesting the performance.
I always talk about Meredith and Derrick from 'Grey's Anatomy,' and I loved them the most when they sort of opened and closed each episode with them in bed, happy with each other, and you didn't need to insert extra conflict into them, because there was plenty of conflict in the show. So they were this port in the storm of conflict.
I like conflict, drama's conflict and if you don't have that in the character it's really not a worthwhile role to play for me. — © Matt Dillon
I like conflict, drama's conflict and if you don't have that in the character it's really not a worthwhile role to play for me.
One of the real dilemmas we have in our country and around the world is that what works in politics is organization and conflict. That is, drawing the sharp distinctions. But in real life, what works is networks and cooperation. And we need victories in real life, so we've got to get back to networks and cooperation, not just conflict. But politics has always been about conflict, and in the coverage of politics, information dissemination tends to be organized around conflict as well.
I think that internal conflict works very well, because, after all, all the best drama is fuelled by conflict.
Cooperation isn't the absence of conflict but a means of managing conflict.
It is well to remind ourselves that anxiety signifies a conflict, and so long as a conflict is going on, a constructive solution is possible.
Workplace romances - or even the illusion of a workplace romance - can carry many ramifications and consequences.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Honestly, years ago, it was acceptable to have all kinds of workplace misconduct. So many women were being harassed by loser guys in the workplace. That doesn't work anymore. The world has changed.
Colleges are a unique space in our culture. They're a temporary constellation of humans, like a workplace. And the rules about sexual assault and harassment in a workplace are narrow rules. They're stricter than what's considered criminal on a city street. By this logic, the same rules should exist at universities too.
All conflict we experience in the world, is a conflict within our own selves.
I don't like to be feared, and I can't work in conflict, I'm very bad with conflict. I try to avoid it, it paralyzes me. — © Nadine Labaki
I don't like to be feared, and I can't work in conflict, I'm very bad with conflict. I try to avoid it, it paralyzes me.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
Sometimes when you take a tough action against one side in the conflict, they see you as part of the conflict and they attack you.
The GDR people found love at the workplace, and the West is always telling stories about finding love when work is over and you have your free time and your leisure time. That's when you fall in love. But in the Communist state, you fall in love in the workplace, because that's mainly where you are.
One of the things I love about our source text as Christians, the Bible, is that it teaches us not to avoid conflict. And it teaches us that before the fall of man, in Paradise, there was conflict. God wants conflict to be a part of your life.
In one decade, women had gotten more protection against offensive jokes in the workplace than men had gotten in centuries against being killed in the workplace.
I'm no longer afraid of conflict, and I don't think conflict is a bad thing.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
What really matters in a workplace, what helps an employer if you've got a unionised workforce is if your shop stewards know the rules of the game, if your safety reps are taught to be able to examine situations to make sure the workplace is more safety. Better informed delegates, better workplace safety saves companies money. Unions are very good at safety. We are good at teaching delegates how to resolve disputes.
Conflict acting on intelligence creates imagination. Faced with conflict, creatures are forced to imagine what will happen, where the next threat will come from. If there has never been conflict, imagination never develops. Wits arise in answer to danger, to pain, to tragedy. No one ever got smarter eating easy apples.
It is not conflict of opinions that has made history so violent but conflict of belief in opinions, that is to say conflict of convictions.
At the heart of every great movie is conflict. It's the same with a meeting. There should be conflict and tension.
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