Top 1200 Literary Works Quotes & Sayings - Page 3

The only works of righteousness that serve to justify a sinner are the works of Christ.

Sometime during the 1990s, when I was teaching philosophy at UCSD, my friend, colleague, and music teacher, Carol Plantamura, discussed the possibility of teaching a course together looking at ways in which various literary works (plays, stories, novels) had been treated as operas, and how different themes emerged in the opera and in its original. One of the pairings we planned to use was Mann's great novella and Britten's opera. Unfortunately, the course was never taught, but the idea remained with me.

My advice for finding a literary agent would be first, put your work out there as much as possible and hopefully someone will find you, because I still have literary agents writing to me after they find my site. You want someone who understands your work and is going to be your cheerleader from day one.

All satanic works are performed from the outside inward; all divine works from the inside outward.

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.

That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.

It's such a strange marriage, a song and someone that sings it. When that works, it really works, and when it doesn't, it doesn't.

Our generation grew up with the Review as a fact of life. It was America’s literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world.

Good works is giving to the poor and the helpless, but divine works is showing them their worth to the One who matters.

When a dish works, it works for everyone, whether you're Asian, European, African, American or anybody else.

Any virtual community that works, works because people put in some time.

In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.

My mother works in a bank and my dad is the head of my management team and also works in finance.

The mind, in short, works on the data it receives very much as the sculptor works on his block of stone.

The confession of evil works is the first beginning of good works.

... life is broken down into these stages: you're born and you don't know how anything works; gradually you find out how everything works; technology evolves and slowly there are a few things you can't work; at the end, you don't know how anything works.

My mother works in a bank, and my dad is the head of my management team and also works in finance.

The grounds of your justification are the perfect works of Jesus Christ. We're saved by works, but they're not our own.

We want to be a works partner. Ferrari and Mercedes have their own works teams so where would you be in the pecking order if you're a customer?

Lulled into somnolence by five hundred years of print, literary studies have been slow to wake up to the importance of MSA (media-specific analysis). Literary criticism and theory are shot through with unrecognized assumptions specific to print. Only now, as the new medium of electronic textuality vibrantly asserts its presence, are these assumptions clearly coming into view.

All works of nature created by God in heaven and on earth are works of sculpture.

Conventions of generality and mathematical elegance may be just as much barriers to the attainment and diffusion of knowledge as may contentment with particularity and literary vagueness... It may well be that the slovenly and literary borderland between economics and sociology will be the most fruitful building ground during the years to come and that mathematical economics will remain too flawless in its perfection to be very fruitful.

We can be reluctant to recognize how much of our culture was literary, particularly now that so many of the institutional purveyors of literature happily have joined in proclaiming its death. A substantial number of Americans who believe they worship God actually worship three major literary characters: the Yahweh of the J Writer (earliest author of Genesis, Exodus, Numbers), the Jesus of the Gospel of Mark, and Allah of the Koran.

Life is pretty simple: You do some stuff. Most fails. Some works. You do more of what works. If it works big, others quickly copy it. Then you do something else. The trick is the doing something else.

What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .

The way the media cycle works, the way the news works, and the way people's attention span works, is that we only learn that people exist when there is crisis.

The law works fear and wrath; grace works hope and mercy.

Edmund Wilson was our greatest American literary critic because he was more than a literary critic: He was a fearless, even radical judge of the society he lived in. (See, for example, _A Piece of My Mind_; _The Cold War and the Income Tax_; the introduction to _Patriotic Gore_.) Our conventional critics cannot forgive him for those scandalous lapses in good taste.

The ratio of authentic literature to trash in pornography may be somewhat lower than the ratio of novels of genuine literary meritto the entire volume of sub-literary fiction produced for mass taste. But it is probably not lower than, for instance, that of another somewhat shady sub-genre with a few first-rate books to its credit, science fiction.

I'm very inquisitive, and I always have questions and need to touch things to see how it works or why it works.

I feel engaged with young people in Pakistan. But that said, it's still a small minority that reads novels, literary fiction. But it isn't necessarily a small minority of the wealthy elite in the city of Lahore. It can often be and I often do meet at literary festivals students who've ridden a bus 12 hours from a very small town just to hear some of their favorite writers come and speak.

Put your hand on your heart to keep it from flying off to the lovely magical literary island Mary Ann Shaffer and Annie Barrows have created in The Guernsey Literary and Potato Peel Pie Society. This novel is a delightful mix of fine writing, powerful emotions, glorious settings and amazing characters who deal with life in a way that will have readers falling in love on every single page.

I'm turned off by the groupie thing. I'm a romantic; I like finding the right woman, and if it works, it works.

When a man works by faith, he works by mental exertion instead of by physical force.

The all-volunteer army works. It works particularly when we pay our troops well.

I can recommend nothing better... than that you endeavor to infuse into your works what you learn from the contemplation of the works of others.

The mission of the A.R.T. is to expand the boundaries of theater through works of the canon and the new works of tomorrow.

We are stimulated to emotional response, not by works that confirm our sense of the world, but by works that challenge it.

My mom works in funerals, and my dad works at Burger King.

All of the great Disney works took works that were in the public domain and remixed them.

My older son works in finance and private equity, which he loves, and Lucas works in film and theater.

I'm a storyteller, I'm not a literary writer, and I don't want to be a literary writer. People say to me, "Oh, when are you going to write something different?" What? I don't want to write anything different. I'm writing relationships between people, all different colors, all different sizes, all different sexual orientations, and that's what I want to do.

Our best performances are so stained with sin, that it is hard to know whether they are good works or bad works.

The horror genre is an extremely delicate thing. You can talk to filmmakers and even psychologists who've studied the genre, and even they don't understand what works or what doesn't work. More importantly, they don't understand why it works when it works.

On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir?

A word is used "correctly" when the average hearer will be affected by it in the way intended. This is a psychological, not a literary, definition of "correctness". The literary definition would substitute, for the average hearer, a person of high education living a long time ago; the purpose of this definition is to make it difficult to speak or write correctly.

Most families aren't all in the public eye as we are. It works as a blessing. It works in our favor.

We should so work as if we were to be saved by our works; and so rely on Jesus Christ, as if we did no works.

I have a database of all my works that I maintain to keep track of works and editions.

I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.

If I write a joke and it works, and it works consistently, that is gold to me.

When humor works, it works because it's clarifying what people already feel. It has to come from someplace real.

Sometimes there's a disjoint between what works on the page and what works with visual story telling.

Each natural agent works but to this end,- To render that it works on like itself.

I'm generally a very pragmatic person: that which works, works.

But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.

Internally, when we manage portfolios, we figure out what works in large cap, what works in mid cap, what works in small cap. Generally speaking, large cap stocks want earning stability, strong cash flow, margin expansion.

My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.

How have people come to be taken in by The Phenomenon of Man? We must not underestimate the size of the market for works of this kind [pseudoscience/'woo'], for philosophy-fiction. Just as compulsory primary education created a market catered for by cheap dailies and weeklies, so the spread of secondary and latterly tertiary education has created a large population of people, often with well-developed literary and scholarly tastes, who have been educated far beyond their capacity to undertake analytical thought.

Johnny Winter doesn't know the word 'subtlety.' But it works, it works.