Top 1200 Just Move On Quotes & Sayings - Page 2

Jesse Helms wants me to move to the right, Lowell Weiker wants me to move to the left, and Teddy Kennedy wants me to move back to California.

In chess you might find a good move. Then you might find a better move. But take your time. Find the best move.

Life is like a game of chess...there are many moves possible, but each move determines your next move...where you wind up is the sum total of all your past moves...but first you have to make some kind of move.

From one week to the next, everything changes from who you're playing to the defense's scheme. You just try to build on the things that you did well and correct the things that you did poorly in the game; then, move forward from there and hopefully continue to get better and better and better as you move forward.

I think it's important to move people beyond just dreaming into doing. They have to be able to see that you are just like them, and you made it.

I think that contradictions, unless they're understood, unless they're analyzed, unless they're thoughtfully probed, unless people have a sense of what those contradictions mean - there's just as much of a chance that they'll move into embracing fascism as there is that they'll move into a more radical conception of democracy itself.

In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk.

When you’re in love you don’t have to do a damn thing. You can just be. You can just stay quiet in the world. You don’t have to move an inch.

I had always fancied a go at the comedy and when it started to go reasonably well and the opportunity arose for me to move into it full time, I just couldn't turn it down. I just took the risk, and I just wanted to see if it would work and thankfully it did.

The cosmic humor is that if you desire to move mountains and you continue to purify yourself, ultimately you will arrive at the place where you are able to move mountains. But in order to arrive at this position of power you will have had to give up being he-who-wanted-to-move-mountains so that you can be he-who-put-the-mountain-there-in-the-first-place. The humor is that finally when you have the power to move the mountain, you are the person who placed it there--so there the mountain stays.

There are times when we do not recognize that it is time for us to move forward. When life is ready for us to move and we resist, life will move us by any means necessary. What may feel like a disaster is actually a graduation. Remain open to being guided, supported and protected by the universe.

When my husband gives me this ultimatum, "You either stop singing, or you move out," then it became very clear that what I needed to do - not just because I wanted to sing, but because I didn't want to live with anybody who issued ultimatums to me like that - would be to move out.

Our body is not in space like things; it inhabits or haunts space. It applies itself to space like a hand to an instrument. And when we wish to move about, we do not move the body as we move an object.

My whole teaching consists of two words, meditation and love. Meditate so that you can feel immense silence, and love so that your life can become a song, a dance, a celebration. You will have to move between the two, and if you can move easily, if you can move without any effort, you have learned the greatest thing in life.

Just for a while": Death's opening chat-up line in His great seduction, before he drugged you with soporific comforts, distracted you with minor luxuries and ensnared you with long-term payment plans. Join the Rat Race "just for a while." Concentrate on your career "just for a while." Move in with your girlfriend "just for a while." Find a bigger place, out in the burbs "just for a while." Lie down in that wooden box "just for a while.

We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.

I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extraordinarily eloquent music.

Sometimes clients have a sophisticated view of their design problem, sometimes they do not. I often spend time with the client redefining the problem, going back to the beginning. Often the problem is just a symptom. Sometimes you have to move back in order to move forward to understand what the nature of the solution should be.

How do you move on? You move on when your heart finally understands that there is no turning back.

If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean.

Ten-year-old boys move differently than middle-aged women, who move differently than athletic guys, who move differently than government bureaucrats.

I am a person who has to move. I'm like a shark - if it doesn't move, it dies. I'm in good shape.

You just can't move back with your mom at 64. It just doesn't quite work.

When I hear music, my body just starts to move. It has nothing to do with training or anything. That's just me. That's just my body. And I was like that as a child, too.

I don't want San Francisco to be just a place where people just move for opportunities.

People who want to wage cultural wars ought to keep in mind that cultural views often don't move at all for a very long time, but when they move they can move very fast.

When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.

Don't move. Just die over and over. Don't anticipate. Nothing can save you now because you have only this moment. Not even enlightenment will help you now because there are no other moments. With no future, be true to yourself and express yourself fully. Don't move.

The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover m?vie].

There was no real plan B. It was like, I'm gonna move back to Seattle and move in with my parents.

Don't wait to be sure. Move, move, move.

As we see this work move forward and move on, I would only declare to you as I stand before you today that in those 90 and more years that I've had, as I've witnessed and felt and seen and been part of the spiritual experiences that have been mine, that this is the work of the Lord. It's just as has been revealed. I've sensed it and I feel it, and I so declare to you.

I'm just really appreciative of the loyal fans in St. Louis who just lost their team. It's not an easy situation to go through. On the other hand, we have to move forward.

Don't be afraid to write bad songs and then start over and re-evaluate. Songs are like plants, in that you grow them. Some grow really fast, and others need pruning and care...And, finally, a song needs to move you. If it doesn't move you, it will never move anybody else.

OK, if he's a grappler, good for me, I know what to do. If he's a kickboxer, I gotta get in a clinch and move a certain way. If he's a karate man, he moves a different way, but I'm still going to have to clinch. So, a sumo wrestler, I have to clinch. It's just, how I get there, how I move it.

I’m not sentimental about anything. Life flows by, and you flow with it or you don’t. Move on and move out.

Hate is just a form of criticism. You can never truly grow as a person until you’ve taken everything the world can throw at you. Sometimes you just have to let it hit you and move on

I love acting. It's way different from singing, but I like really put my ten thousand hours in to be really good. I want to be a premier actor. I want Oscars, I want recognition, and I want to move people just as much as I move people with my music, the same with my acting.

We will move forward, we will move upward, and yes, we will move onward.

Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.

If you think about computing, there isn't just one way to compute, just like there's not just one way to move around. You can have shoes, you can have a car, you can have a bicycle, submarine, rocket, plane, train, glider, whatever. Because you have one doesn't mean you get rid of another one... But PCs continue to be important.

It is hard to begin to move when you don't know where you are moving, how to move, or if you are going to get there.

Grace does not work like a penny in a slot machine. Grace will move you only when you want it to move you, and only when you let it move you. The supernatural order supposes the freedom of the natural order, but it does not destroy it.

I decided to move out of the apartment I was sharing with my best friend before graduation and move back home. My parents had recently separated, and I wanted to move back home with my mom and my siblings.

Most people, when they move, well they just move depending on whatever's around them. At this very moment, as I am writing, Constitution the cat is going by with her tummy dragging close to the floor. This cat has absolutely nothing constructive to do in life and still she is heading toward something, probably an armchair.

My style is clubby and groovy - you can jump to it, but you don't just have to just jump to it. It's not just really bass-heavy and hurts your ears; you move with it, and it sounds kind of tribal.

If a person does this for just a couple of years and discovers that it just isn't for him, that's okay. At least he can move on knowing that he gave it his best shot.

Seasteads cost money, and if you want to succeed as a Seastead you have to find ways to attract people to move there. If I was a billionaire I wouldn't want to move to a seastead, but if I was a member of the bottom billion, most of whom want to leave their dysfunctional governments, I might want to move to a seastead.

I have no desire to prove anything by dancing. I have never used it as an outlet or a means of expressing myself. I just dance. I just put my feet in the air and move them around.

The Rock taught me you don't always have to talk or move all the time. You can just stand there and soak it in. Let the crowd just do what they do.

When I left Manchester I just took that as a challenge - to try to prove people wrong. And when you do, there is no better feeling than that. I knew in my gut it was the right time to move and I just believed.

My ultimate goal? To move my momma out of Birmingham. To move my whole family out of Birmingham, my friends, my family, me. It don't even need to be out of Birmingham, just to a better community, a gated community or something.

Lemurs are extraordinarily leapers. I mean they are just really going from tree to tree and then if there is not a tree, they just come down to the ground very gracefully. But it is the music that makes them seem to be dancing. They are basically getting from one place to another and that's just natural for them. They are just natural acrobatic dancers, just the way they move. It's beautiful!

Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.

Creating stuff is hard. But, if that terrifies you, you will just be numb, and you better just stay at home and watch TV and do something else. Move into the woods and live with the trees.

Your natural instinct when people are throwing punches at you is to back up. That just makes it more dangerous for you. You'll get hurt that way. You've got to teach yourself to go forward, move your feet and move your head. I'm not going to lie, that was tough for me to learn.

You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.

Everything is cause and effect. If you don't move, nothing will move with you, and nothing will move toward you.

I really would move to L.A. I'm thinking so hard about it. Like, I wanna move to L.A., but I'm such a New York City girl - the fast life, the runways on the street - but I love L.A.'s vibe, so I would move here, but I'm still thinking about it!

You can't just think up a move in your head and go, 'Okay, I'll just pick somebody up, and I'm just going to throw them backwards into the post.' You have to think, 'Would you want someone to do the same thing to you?'