Top 1200 Pirate Radio Quotes & Sayings

Even a woman who has the soul of a pirate, at least pirate morals, even a woman who prefer loneliness to the bickerings and constraints of heterosexual marriage, even such a woman who is a freak in our society needs a home... The only characteristic freaks share is our knowledge that we don't fit in.

Grime, in particular, is not really about pirate radio and local raves on top of pubs anymore. There are things I miss about those times but as an up-and-coming MC, back then, I would have loved to have had SoundCloud and YouTube and all these platforms to promote my music.

I grew up on the pirate radio scene which started out as drum 'n' bass music. U.K. garage picked up and got bigger on the back end of that.

Piracy was risky business, and injuries were commonplace; a single lost limb or gouged-out eye could end a pirate's career. To encourage pirates not to hesitate in battle - and out of a sense of fairness - many pirate crews compensated wounded crewmen in predetermined amounts.

The Pirate Bay is not in Sweden. It's a distributed system. We don't know where the servers are. We gave them to people we trust and they don't know it's The Pirate Bay.

I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.

But you can make good radio, interesting radio, great radio even, without an urgent question, a burning issue at stake.

Starting out, when I was on pirate radio, or even around 2005 when I was supporting Mike Skinner at Brixton Academy, I never really saw myself being able to play my own show there.

A captured pirate was brought before Alexander the Great. “How dare you molest the sea?” asked Alexander. “How dare you molest the whole world?” the pirate replied, and continued: “Because I do it with a little ship only, I am called a thief; you, doing it with a great navy, are called an emperor.

I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.

The study of celestial phenomena at radio wavelengths, radio astronomy came into being after the accidental discovery of cosmic radiation by radio engineer, Karl Jansky in 1933.

Thoughts of being a pirate and stealing her away to my ship race across my mind. Although I’m not a pirate, and she’s not my captured princess.

I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.

I'll always be fascinated with radio. Radio allows you to have a one-to-one relationship with the person sharing the music with you. You can also do very many things if you're listening to the radio, things you can't so if you're watching TV or watching a phone.

It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.

Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.

I have a weird sense that people ten years younger than me don't own a radio, or maybe they own a radio, but they don't call it a radio.

People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.

I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.

When we started out we didn't expect anything would come from it, definitely not money. We'd pay to go on pirate radio: twenty quid a month just to go on and spit for an hour.

Why couldn't there be even a western slasher, or why couldn't there be a serial killer in a kind of pirate buccaneer Caribbean, just someone that's just doing terrible, terrible things in the ports, the sexy ports of Jamaica during the Pirate Renaissance.

A red traffic light loomed, and Cecilia slammed her foot on the brake. The fact that Polly no longer wanted a pirate party was breathtakingly insignificant in comparison to that poor man (thirty!) crashing to the ground for the freedom that Cecilia took for granted, but right now, she couldn’t pause to honor his memory, because a last-minute change of party theme was unacceptable. That’s what happened when you had freedom. You lost your mind over a pirate party.

I have a pirate fetish-I just always thought eye patches were sexy. If you want to get my attention, wear a pirate outfit.

I know a lot of grime artists started off on pirate radio, but I missed that era; I was way too young.

With a sound like a bat hitting a watermelon, pirate fist connected with pirate jaw and a gold tooth bounced across the deck.

My access to music when I was growing up was through pirate radio, you know, transistor radio under the pillow, listening to one more and then 'just one more' until your favourite track comes on.

College radio is a very important medium that needs to survive in difficult economic times when some stations are being sold off and shut down. College radio is the future for broadcasting stars and pioneers of tomorrow, and we as a band, Coldplay, support the vital mission of college radio and we also support College Radio Day, the day when college radio comes together.

I ought to have Mike's Pirate School. The freshmen, all they get is the bandanna. When you're a senior, you get the sword and skull and crossbones. For homework, we'll work pirate maneuvers and stuff like that.

It was a free-for-all; the BBC wouldn't play anything so we had pirate radio playing the African-American music and the Beatles and greats like Howlin' Wolf and Robert Johnson and Motown's Martha Reeves and the Vandellas and Otis Redding.

I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.

They treat me like a fox, a cunning fellow (Schlaukopf) of the first rank. But the truth is that with a gentleman I am always a gentleman and a half, and when I have to do with a pirate, I try to be a pirate and a half.

Pirate Captain Jim "Walk the plank," says Pirate Jim "But Captain Jim, I cannot swim." "Then you must steer us through the gale." "But Captain Jim, I cannot sail." "Then down with the galley slaves you go." "But Captain Jim, I cannot row." "Then you must be the pirate's clerk." "But Captain Jim, I cannot work.

I like radio better than television because if you make a mistake on radio, they don't know. You can make up anything on the radio.

For my new book 'Pirate Hunters', I follow John Chatterton and John Mattera, two world-class scuba divers, who teach themselves to think and act as pirates while searching for what would be only the second pirate ship ever found and positively identified.

There's very little admirable about being a pirate. There's very little functional about a pirate. There's very little real about a pirate.

For many people, Mrs. Brown has come from the middle of nowhere. But Mrs. Brown was first written for radio. I wrote it for a radio series in 1992. It was a five-minute piece for radio, and it's been absolutely astonishing.

In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.

For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.

I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.

Pirate Hunters is a fantastic book, an utterly engrossing and satisfying read. It tells the story of the hunt for the rare wreck of a pirate ship, which had been captained by one of the most remarkable pirates in history. This is a real-life Treasure Island, complete with swashbuckling, half-crazy treasure hunters and vivid Caribbean settings-a story for the ages.

As much as I enjoy TV, I've always loved radio. And I love doing the NFL games, the Monday night games, on radio. Because you are the game. I really enjoyed calling basketball and hockey on the radio, but the presentation is more specific - you're talking all the time.

That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.

Through radio I look forward to a United States of the World. Radio is standardizing the peoples of the Earth, English will become the universal language because it is predominantly the language of the ether. The most important aspect of radio is its sociological influence. (1926)

Pirate radio is like street art.

I'm probably the only person who actually remembers pirate radio.

I don't really know much about pirates, or pirate culture. I'd be a contrarian pirate.

I have more respect for somebody who points at his ideal - in this case, the ideal of the pirate - and then becomes something that's more radical, more exciting, more subversive than a pirate could ever be.

Living in L.A. keeps me in my car a lot, and I'm constantly flipping back and forth between the following Sirius/XM Radio stations: NFL Radio, MLB Radio, POTUS, MSNBC, CNN, and Fox News.

I started DJing soundclashes. I used to go to Jamaica a lot. I was like a hip-hop sound boy, where I took the dancehall culture and mixed it up with the hip-hop as well. I kept going, going, and I got real hot in the streets of Miami - you know, doing pirate radio - then ended up doing 99 Jamz, the big station out there.

I had some really early recordings when I was 16 or 17. I was rapping over jungle beats with my friends. We used to do pirate radio stations in my area, down near Brighton. They were pretty terrible.

Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.

It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.

I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.

Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.

The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what's being said.

Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.

They are obviously pirate services. Sure they might be able to survive as small businesses, but it's hard to get advertisers to advertise on a pirate site. It's a hugely fragmented market.

I can tell you as a fact that if you'd asked anyone in Hollywood one year before 'Pirates of the Caribbean' had come out, they'd have told you the pirate movie was a dead genre. And it's not that it's a dead genre. If you make a bad pirate movie, no one will want to see it. If you make a good one, everyone will want to see it.

When everyone around you is doing all this incredible pirate acting and you're having to sort of play the straight guy and move the story forward, you kind of want to be doing some of that pirate ripping it up stuff, but in truth, to be a part of that project is what I love.

Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.